In 1970, writing a group exhibition review that focused almost exclusively on three
drawings by Grossman, New York Times art critic John Canaday praised her ability to combine «precise
linear representational
technique with intense expressive force, a combination that has been rare since the Renaissance.»
[3] A year earlier, in a group exhibition review that focused almost exclusively on three
drawings by Grossman, Canaday praised her ability to combine «precise
linear representational
technique with intense expressive force, a combination that has been rare since the Renaissance.»
His experimentations led to the development of his famous «drip»
technique, in which he energetically
drew or «dripped» complicated
linear rhythms onto enormous canvases, which were often placed flat on the floor.
She has technical expertise in a wide range of statistical
techniques used in the social sciences, including structural equation modeling, confirmatory factor analysis and MIMIC approaches to measurement, path modeling, regression analysis (e.g.,
linear, logistic, Poisson), latent class analysis, hierarchical
linear models (including growth curve modeling), latent transition analysis, mixture modeling, item response theory, as well as more commonly used
techniques drawing from classical test theory (e.g., reliability analysis through Cronbach's alpha, exploratory factor analysis, uni - and multivariate regression, correlation, ANOVA, etc).