Sentences with phrase «lines after the film»

Measure the distance between the two lines after the film has been stretched.

Not exact matches

In fact, after the Sooners» coaches studied all their game film of 1967, Fairbanks said that «our average gain on all plays going over Kalsu, including short yardage and goal line plays, is 6.2 net yards rushing... This is what we coaches grade as... near perfection.»

After a slow decline over the last several films, Part 6 being the most offensive, New Line gets its ass in gear and the series moves into a better place!

After the first third of the film, the rest drags, some of the punch lines flop and dramatic moments that attempt to diversify the film's humor aren't emotional.

But even after the film has been copied (with diminishing returns) several times over, Se7en retains its power because it remains the only one to both clearly illuminate the line between personal responsibility and the fracture of society, and challenges you to determine on which side you stand.

After a few more low - budgeters, Kaplan was allowed to spend a little more time and money on White Line Fever (1975), then enjoyed his most lavish budget to date on Mr. Billion (1976), a lighthearted and empty - headed caper film starring Terence Hill, Valerie Perrine and Jackie Gleason.

In two years since the first film, Jennifer Lawrence has not only won an Oscar (for SILVER LININGS PLAYBOOK) but also become one of the most sought - after actresses in Hollywood.

In pushing the film into gonzo - style comedy instead of melodrama or pure docudrama, Gillespie successfully navigates a very tricky line — this is, after all, a story filled with domestic abuse and violence, something that shouldn't be played for laughs but is also not the focus of the story.

After the train station set - up, the film cuts to 1943 rural Kentucky, where a muscular young Brashear is plowing fields with his daddy (Carl Lumbly), who tearfully implores his son, «Don't end up like me» (the line is accompanied by background thunder, as if such emphasis is needed).

Nicolas Roeg conducts the film in two different, alternate story lines: one, the «love» story of the two characters; the other, the «present», in which Milena is taken into an emergency room with a medication overdose, as Alex waits outside smoking cigarette after cigarette and reluctantly answering a police inspector's questions.

Even after «The King's Speech» surprised at the Producers» Guild Awards and took a dozen Oscar nominations, I held on to the notion that critical favorite «The Social Network,» a film more in line with the Academy's recent choices, would emerge victorious on Oscar night.

We've now got a pretty full cast line - up, and a full plot for the film, after the break.

Heavy on Spanish language films (including a Brazilian film not in its mother tongue) and the usual block of French film items, after seven years as Artistic Director, Edouard Waintrop leaves the Directors» Fortnight (the section that gave us The Florida Project and a Claire Denis comedy in 2017) with what appears to be a program of genre - friendly firecracker line - up items.

Sitting alone in his local cinema day after day, he repeats lines from his beloved film.

If that was all she had done, looked at the fault lines in the family, described its disintegration and then its strange re-integration after the missing son returns, Olivier Olivier would have been a good and serious film.

WINONA RYDER presented NATALIE PORTMAN with a small gift after they finished filming BLACK SWAN to apologise for the «horrible» lines she had to...

Speaking of the original, a highlight of that film are the quotable lines as they fire one after the other relentlessly.

I originally knew that I wanted the through line of the film to sort of be their exodus from Syria after they started to expose ISIS and [the group] actually began to target them and kill them one by one.

Iconic characters, unforgettable visuals, quotable lines, and a plot that boldly skewers colonial myths... there's not a scene in this film that did not imprint itself permanently after a single, solitary viewing.

Everything else about Behind Enemy Lines, after all, is basically a retread: the third Gene Hackman «not leaving a man behind» film after Bat 21 and Uncommon Valor, and the umpteenth time the veteran actor has been asked to play a snarling iconoclast, spitting in the face of an unfeeling establishment.

Supposedly based on a true story, this film feels more like an extended joke, complete with a punch line that comes after 90 minutes of outrageous grisliness.

But Marvel, like most major studios with hundreds of millions of dollars on the line, is not known for calling an audible just prior to production of arguably the most massive tentpole film in their roster, any more than it's going to green - light a Black Widow film until well after Jennifer Lawrence has made one of her own.

Something better than another damn quote: The line - up scene was scripted as a serious scene, but after a full day of filming takes where the actors couldn't keep a straight face, Singer decided to use the funniest takes.

You'd think after the epic music biopic parody Walk Hard: The Dewey Cox Story that nobody else would open a film backstage before the big show (which itself was a send - up of the Johnny Cash biopic Walk the Line), but that's just what director Tate Taylor (The Help) does.

He doesn't so much have supporting players in the film as he does an extended family of cherished guests who he invites to stay for a while, relax and soak up the ambience: French it girl Léa Seydoux has a part as a maid which may as well be non-speaking; Owen Wilson plays one of M Gustave's concierge brethren and gets a line (if not a laugh); even Tilda Swinton makes a flying visit to Wesworld, caked in gristly prosthetics as an ageing dowager who drops dead after her first and only scene, her passing acting as deus ex machina for an elaborate art heist involving the whereabouts of the apocryphal, priceless chef d'oeuvre, «Boy With Apple».

The film, which sees Thor, Iron Man, Captain America and Black Panther all get together in one place, crossed the billion dollar line just 11 days after being released.

After the massive success of Silver Linings Playbook, writer / director David O. Russell returns with American Hustle, a frantic and deliriously unsightly film that has no intention to conform to audience expectations.

After all, sports films almost always try to fit a feel - good mold, and given that the team would be beyond any hope of a miracle to have a championship season after losing all of their best players and coaching staff, finding a silver lining on this massive cloud would prove about as difficult as Marshall even winning one game that seAfter all, sports films almost always try to fit a feel - good mold, and given that the team would be beyond any hope of a miracle to have a championship season after losing all of their best players and coaching staff, finding a silver lining on this massive cloud would prove about as difficult as Marshall even winning one game that seafter losing all of their best players and coaching staff, finding a silver lining on this massive cloud would prove about as difficult as Marshall even winning one game that season.

But I came at an interesting inflection point at the story of the group because after they banded together, ISIS started to kill members of their group and they were forced to flee and so when I started I knew that one of the main through lines of the film would be the exodus of Syria to Turkey and Turkey to Europe as they were being hunted by ISIS and as they were on the run and forced to flee.

After seeing such poor films by Hong Kong directors done outside of their usual realm by John Woo (Windtalkers), Ronny Yu (Formula 51), and now Corey Yuen (The Transporter), I would amend that line with, «You might not be able to take Hong Kong out of the director, but you can take director out of the director.»

After seven years of examining the lines against which society coalesces when the world falls down, here's a film about the tenuous handshake that tenants of the new world order have with the re-gelling of society.

I'd heard this advice shortly after checking in and receiving my credentials; but, for my first screening of the festival — after arriving to the theater a good forty minutes before the film — I was told by the door manager that they probably wouldn't open up until just before the show, and if I got in line five minutes before I would be fine.

This comes after it was revealed actor Spiderman actor Tom Holland improvised the line «I don't want to go» before he died in the arms of Tony Stark — we did warn you about the spoilers — making it pretty clear that directors Joe and Anthony Russo are pretty relaxed about letting actors come up with their own suggestions during the shoot of the film.

According to Variety, director Noah Baumbach has lined up the cast of his next film after Netflix's The Meyerowitz Stories.

A loose remake of an Icelandic film (Either Way), Prince Avalanche stars Rudd and Emile Hirsch as workers on a Texas road crew in 1988, repainting lines and replacing sign posts on rural routes after the devastating wildfire that occurred a year earlier.

After the jump you'll find images and one - line synopses for the in - competition films Little Birds (starring Juno Temple, Kay Panabaker, Leslie Mann, Kate Bosworth, and Kyle Gallner) and On the Ice (starring Josiah Patkotak, Frank Qutuq Irelan, Teddy Kyle Smith, Adamina Kerr, and Sierra Jade Sampson).

We see Tommy go through endless re-takes involving only a few lines of dialogue, an awkwardly staged sex scene, a scene that has no significance to the rest of the film, and a suicide in which the actor writhes on the floor in pain after shooting himself in the head.

After the jump you'll find images and one - line synopses for the in - competition films Little Birds (starring Juno Temple,...

I am just back from the cinema and I am still imitating the lines from blak thunder.The touch of ethan cohen make the sense of the film spread in so many ways.He must to had drunked at least one night with Stiller and decide to make the film that represent the sbluf hollywood production system and his stars.The first scene that comes on mine mind in this moment is the «Appocalypsis Now» scene with Stller and Downey at the end and the quasi-phycological dialog.Wonderfull for a men who was searching for a good comedy, my lastone good comedy was Burn After Reading, before that The Boss of it All fromm LArs von Trier.

Silver Linings Playbook star becomes latest big - name actor to quit troubled film, after Michael Fassbender and Jude Law

As if knowing that anything after the dance would be anticlimactic, the rest of the film's plot is resolved in about three lines of dialogue and the movie's over.

After all the controversy over Jane Got a Gun — the Natalie Portman western that Ramsay was supposed to direct until she dropped out on the first day of filming — the mere fact of this movie making it to the finish line without any kind of drama would be a victory.

Of course, with two years» worth of films still on the line, we don't necessarily know what projects are next for the studio after Phase Three.

Bloody Disgusting reports Mike Flanagan (Occulus) is in talks to write and direct the film, but not after noting Adam Wingard (The Guest) might also be lining up to take on the project, based on some cryptic tweets the filmmaker has been sending out since the news broke that a new Halloween was in the works.

In the film, James Bond (Craig, Munich) is shown just before obtaining his «00» status, his license to kill, which he is granted after two assassinations while in the line of duty.

After Bridge of Spies» Austin Stowell was announced as joining the cast of upcoming tennis biopic Battle of the Sexes earlier this week, the film has now added Sarah Silverman (I Smile Back) to its swelling line - up reports Variety.

It's easy to forgive the cast of «American Reunion» for having some hesitations about returning for another installment of the comedy franchise (especially after that terrible line of direct - to - video spin - offs didn't do much for its reputation), but credit to co - writers / directors Jon Hurwitz and Hayden Schlossberg for not only getting everyone on board, but delivering one of the better films in the series.

Recruited after the Ministry of Information spies some of her clever lines in the newspaper, newcomer Catrin Cole (Gemma Arterton) is assigned to write «slop» — otherwise known as women's dialogue — in films designed to boost national morale.

The version of The Disaster Artist shown at SXSW was called a «work - in - progress» (though after the standing ovation, Rogen joked, «Then I guess we're done»); Warner Bros. and New Line Cinema have not set a release date for the film.

So by having Ethan lead a capable, constantly present team (Jeremy Renner, Paula Patton, and the returning Simon Pegg) brings a fresh energy to a plot line that more than slightly recalls the first film, with our intrepid hero — or, rather, heroes — being disavowed after being blamed for a tragic catastrophe and, without any government back - up or safety net, work to find the actual culprit and foil his larger diabolical scheme.