The earliest pieces — explorations in geometric forms, like
lines drawn in space and painted in the offbeat colours that he first saw in the work of Piero del la Francesca — are reminiscent of those that were being made simultaneously in the United States by John McCracken and Donald Judd, though the Italian only became aware of their existence when he travelled to New York in 1970.
The catalogue, published by the Upper East Side gallery Zwirner & Wirth, includes two pages of notes written by the artist in the 1970s, which read like a crash course in the paradoxes woven into his incorporeal realm of three - dimensional
lines drawn in space:
Craig - Martin's recent large powder coated steel sculptures are essentially three - dimensional
line drawings in space, again of readily identifiable objects.
But by removing it from its ordinary context and treating it instead as a mock ceremonial bunting, Feher has transformed it into an abstract gesture,
a line drawn in space.
The piece, essentially
a line drawing in space, is held aloft by a red helium balloon above and anchored to the ground by a heavy stone below.
Not exact matches
All three players are meant to displace or
draw out defenders from the back
line, and the presence of Sturridge
in particular, provides Alexander - Arnold with the
space to shoot, and he gets a fortunate deflection.
It looks like it is the RB however Çalhanoğlu is
drawn out wide leaving Candreva
space for Škriniar to find therefore breaking the
lines and giving Inter a great chance to attack
in numbers.
We can use graphs to convey mathematical relationships as though they were
lines and shapes
drawn in space.
• Then, on the next card
in that stack,
draw a circle (just as far to the right) four
line spaces up from the previous circle (again skipping three
line spaces), and continue this until you reach the top of a card.
On the next card
in the same stack,
draw a similar - size circle just as far to the right, but on the next
line space down.
The BrainPort provides information
in two dimensions, like a
line drawing on a piece of paper, but the user's brain must learn to translate this information into things like perspective, dimension, and location
in space.
♦ Spell it (write it
in the «letter boxes») ♦ Connect it (
draw a
line to connect the letters) ♦ Find it (find the word written 4 times) There is also
space on the top of each sheet for your students to write their name.
The pack includes: Banner - A long banner for your restaurant - this is provided
in Sasson Primary Infant font and also
in Chinese style writing Posters - Open and closed signs for your restaurant Opening times - An opening times poster Food posters - 10 colourful pictures of different foods to buy
in the restaurant Price posters - Each showing a different colourful picture of Chinese food and
space to write the price Menus - Various menus
in colour and black and white for your restaurant Hats - 3 different hats to make for the restaurant staff to wear Badges - Name badges to make for the staff to wear Welcome - A long «Welcome» with Chinese style writing Today's special - A poster with Chinese style writing to write
in that days special meal Restaurant posters - «Wait here to be seated» and «Thank you for your custom» Poster - A poster for the restaurant Kitchen area Clock - A themed clock to laminate and either
draw the hands on or add clock hands using a split pin Colour lanterns - Colourful lanterns to hang
in the restaurant area - each lantern is a different colour and has colour labels to add if you want to Number
line - A number
line to 20 on food bowls Table numbers - Table numbers up to 10 to display on the restaurant tables with Chinese style writing Order forms - Printable order forms for the restaurant and takeaway Colouring mats - Colouring mats to use
in the restaurant - these could also be coloured and used as posters
in the restaurant Message pads - Message pads and telephone message pads to make decorated with Chinese lanterns Takeaway opening poster - a poster showing the opening times of the Chinese Takeaway
All designs come
in fully
lined paper and half
lined paper to allow
space for a
drawing.
Yet while the notion of
drawing in space had already featured prominently
in Clement Greenberg's writing about midcentury expressionist sculpture, Sandback's
drawing is hardly so subjective; his
lines look less like traces of the artist's hand than like vectors laid out with a parallel rule or a T square.
Lines in Space: Paule Vézelay & Linda Karshan
Drawings and 3 - D constructions by British abstract pioneer Paule Vézelay and drawings by contemporary artist Linda
Drawings and 3 - D constructions by British abstract pioneer Paule Vézelay and
drawings by contemporary artist Linda
drawings by contemporary artist Linda Karshan.
In 2010, the exhibition Lines in Space: Paule Vézelay & Linda Karshan featured Linda Karshan's recent minimalist drawings as a complement to the purity of Paule Vézelay's constructions (the «Lines in Space» series) and her related drawings spanning the 1930s to 197
In 2010, the exhibition
Lines in Space: Paule Vézelay & Linda Karshan featured Linda Karshan's recent minimalist drawings as a complement to the purity of Paule Vézelay's constructions (the «Lines in Space» series) and her related drawings spanning the 1930s to 197
in Space: Paule Vézelay & Linda Karshan featured Linda Karshan's recent minimalist
drawings as a complement to the purity of Paule Vézelay's constructions (the «
Lines in Space» series) and her related drawings spanning the 1930s to 197
in Space» series) and her related
drawings spanning the 1930s to 1970.
She wants to highlight the ways
in which we lay claim to a
space, stopping only to
draw a
line under modernism's cold, macho aesthetics.
In his Aerei (1977), or Airplanes series, Alighiero e Boetti left as negative
space line drawings of modern and historical airplanes.
Looking at the idea of illustration
in space a start point Lynch will use premade gridded rubber stamps to mark out anything angular
in the room and then describe the rooms» use with quick overlaid
line drawings.
Through the concept of the
line in space the artist's works expand the boundaries of the medium of drawing and his installation Double O (2008) was recently exhibited in MoMA's show On Line: Drawing Through the Twentieth Century (20
line in space the artist's works expand the boundaries of the medium of
drawing and his installation Double O (2008) was recently exhibited in MoMA's show On Line: Drawing Through the Twentieth Century
drawing and his installation Double O (2008) was recently exhibited
in MoMA's show On
Line: Drawing Through the Twentieth Century (20
Line:
Drawing Through the Twentieth Century
Drawing Through the Twentieth Century (2010).
It's a bold move for a brand - new
space, but the inclusion of Wittenberg's preparatory studies for the piece
in the form of monotypes,
line drawings, and acrylic on paper works promises to provide a rare window into the process of an artist who is getting increasing attention these days.
His sculpture «Twice Told» (2015), suspended from the ceiling, uses chair legs glued together to create a dynamic parallel -
line -
drawing in space.
Yet while the notion of
drawing in space had already featured prominently
in Clement Greenberg's writing about midcentury expressionist sculpture, Sandback's
drawing is hardly so subjective; his
lines look less
Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «
Drawing the
Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The
Drawing Center, New York, NY; «
In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped
Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective
Drawing Exhibition,» Leon, Spain.
The curatorial construction of image and
space will
draw attention to the semantics of dimensions, materialized movements, and semiotic layering
in line with pure materiality.
Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «
Line and Image: The Northern Sensibility
in Recent European
Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia
in Madrid; «Young Fluxus» for Artists»
Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute
in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.
Her work has been included
in group exhibitions, including «
Lines and
Spaces», Hartford Art School, CT; «About Painting» and «Twice
Drawn», Tang Museum, Skidmore College, Saratoga Springs, NY; and the traveling exhibitions «
Drawn by New York: Six Centuries of Watercolors and
Drawings at the New - York Historical Society», and «
Drawing is Another Kind of Language» which originated at the Harvard University Art Museums and traveled to museums
in the U.S. and Europe.
1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live
in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Par
in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction
in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Par
in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA
Drawing the
Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend
In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Par
In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend
in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Par
in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing
Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris
Also included
in the show are new large - scale
drawings using natural earth pigments which were created with a bamboo stick that the artist presses repeatedly on paper to create resonant and rhythmic
lines in space.
Close up, the elements prove to be a fizzle of
lines drawn in and through
space.
The hoses, articulating the formal
lines of a
drawing in space as much as a three - dimensional sculpture, create a multitude of niches and smaller locales within the gallery.»
I was thinking about how to translate the
drawn line into three - dimensional form, so I thought it made sense to make a sculpture out of
line, to literally cross-hatch
in space.
In Floors of the Exhibition, 2011,
lines of magnetic tape run along the gallery walls creating three distinct elevated architectural
drawings of the three theatre
spaces used by Welles.
Galleries: Small, bold works dazzle
in a big
space By Edith Newhall Luis Romero's obsessively constructed and painted paper assemblages and quirky
line drawings easily could lead you to believe he's a self - taught artist.
In an untitled work from 1963 a labyrinthine and dense series of black lines simultaneously resembles a thumbprint and a black hole of space; in an inkblot drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner though
In an untitled work from 1963 a labyrinthine and dense series of black
lines simultaneously resembles a thumbprint and a black hole of
space;
in an inkblot drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner though
in an inkblot
drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner thought.
Curated by Miami gallerist Carol Jazzar, Following the
Line advances the understanding of
drawing in contemporary art, an arena that is increasingly preoccupied with mass spectacle, public
space and multimedia.
Pfaff creates installations, sculptures, and
drawings that explore the possibilities of
line in space using materials that range from tree roots to steel, plastics, fiberglass, and plaster.
Back
in North Carolina, the artist adapted this technique by essentially
drawing in space with continuous
lines of looped wire that defined three - dimensional form.
Drawing is placing something on a two - dimensional surface
in relation to something else; it is putting a
line in space.»
Extending beyond the screen, The
Drawing Project continues into the tangible world
in the form of public programs including a series of webisodes, talks, panel discussions and events, inviting the public to experience the project
in a multitude of forms and make their own decisions regarding what defines
line and what
spaces it can it occupy.
Wednesday, April 3, 5 pm: Launch and Introductory Panel Along with a panel, a reception will usher
in the launch of The
Drawing Project; What is
line and how does it travel through
space.
His latest
drawings and sculptures search for those
in - between
spaces where void and the dividing
line interact and coexist.
Occupying a
space between sculpture, cinema and
drawing, his work's historical importance has been internationally recognized
in such exhibitions as Into the Light: the Projected Image
in American Art 1964 - 77 at the Whitney Museum of American Art, New York (2001 - 2); The Expanded Screen: Actions and Installations of the Sixties and Seventies at the Museum Moderner Kunst, Vienna, Austria (2003 - 4); The Expanded Eye at the Kunsthaus Zurich, Switzerland (2006); Beyond Cinema: the Art of Projection at Hamburger Bahnhof, Berlin, Germany (2006 - 7); The Cinema Effect: Illusion, Reality and the Projected Image at the Hirshhorn Museum, Washington, DC (2008); The Geometry of Motion 1920s / 1970s at the Museum of Modern Art, New York (2008); and On
Line at the Museum of Modern Art, New York (2010 - 11).
While this feminine and political exploration
draws lines between ourselves and the women we portray, it also destroys those
lines, leaving the narrative to rest
in the awkward reality of compassion and communion alongside abstraction and disconnect — a
space that often constitutes foreign relations.
Big minimal geometric
drawings on shaped pages where the
line follows folds of the paper, such as «Conservation Class # 5» (1973), keep company with a squared - up Tintoretto of a man falling backward
in an open, indeterminate
space — the sky, perhaps.
Zander Blom's exhibition «Place and
Space» presents a selection of recent paintings,
drawings and photographs
in which the artist explores different configurations of
lines, shapes and forms.
2012 Afro: Black Identity
in America and Brazil, Tamarind Institute, Albuquerque, USA Falling Through
Space Drawn by the
Line, UB Art Galleries, University at Buffalo, USA
In each work, the artist employs formal dualities from the art historical canon — namely, narration versus abstraction, color versus
line, flat versus recessive
space, and painting versus
drawing — not as a means to a conceptual end, but rather as a method to push these painterly concerns to their extremes.
Probably best known for her paintings of
lines and grids using understated colors, Martin's work has been hailed as «pure abstraction,
in which
space, metaphysics, and internal emotional states are explored through painting,
drawing and printmaking.»