Sentences with phrase «lines of acrylic paint»

His «electric painting machine,» developed in the late 1970s, transfers projected images onto canvas using a motorized contraption that deposits lines of acrylic paint in rows according to the presence or absence of light.

On entering the second - floor gallery in south Brooklyn, visitors come across a group of hooded jackets, with horizontal lines of acrylic paint worked onto the front of the sweatshirts.

Transparent squares, rectangles and narrow lines of acrylic paint draw the viewer into the pulsating depths of his fresh artworks.

Katherine Rohrbacher (KR): I've been making art my whole life, but I started painting seriously after a group of women came to my middle school to promote a line of acrylic paints.

Not exact matches

If you're unfamiliar with Martha Stewart Crafts paints, they are a new line of acrylic... [Read more...]

Lining the walls are acrylic and ink paintings of palm fronds in fiery reds, blacks, and greens.

This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a pencil drawing by Sol LeWitt (1928 - 2007), are seen in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture in abstract painting today.

The mural, made of acrylic paint and water - based crayon, is divided into three square areas of equal size, one red, one yellow and one blue, each enhanced with vertical and horizontal white lines and geometric shapes.

In the current exhibition Pearl Ruth Campau shows three paintings consisting of characteristic parallel lines acrylic on transparent, colored or reflective acrylic sheet.

When you're first starting to work with acrylics, it's very easy to get tempted to work with the very small brushes and paint really sharp lines and your painting can very easily lose that sense of atmosphere.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

Developing their careers in the 1960s rather than the 1950s, the New York artists used new water - based acrylic paint on primed canvas to achieve an oil - like richness of color along with crisp lines through acrylic's plastic quality.

Lines of airbrushed acrylic paint are added, alluding to «a needle threading the surface (into) other realms.»

The works on view, a selection of oil paintings and works on paper including acrylic and crayon, display a joyful exuberance expressed through sensuous black lines and both geometric and amorphous shapes that are reminiscent of both Miró and Matisse.

In his site - specific wall paintings, Linnenbrink layers acrylic and pigment in energetic stripes, embracing the natural viscosity of the materials and allowing the lines to drip and run into each other.

Scott Malbaurn, Big Blue, 2003 Acrylic, silica, urethane on canvas 72 x 88 inches, diptych July 20 — August 28, 2010 David Richard Contemporary is pleased to present Line, Curve, Form, an exhibition of paintings and wall sculptures by Simon Aldridge, Alex Couwenberg, Mark Emerson, Julie Karabenick, Scott Malbaurn and Richard Roth.

The Chunk series consists of three, six - foot - square acrylic paintings plus two smaller paintings where large portions of the canvas contain black or brown blocky figurative structures accompanied by explosions of straight lines of bright colors with soft round forms capping the ends.

Bertrand Lavier is known for his practice of thickly coating everyday objects such as a fridge or a piano with acrylic paint, thus blurring the line between sculpture and painting.

Drawn in Indian ink and painted with acrylic on panel, these two portraits, appropriated from images by Giovanni Domenico Tiepolo and Andrea del Sarto, merge into one in a writhing swirl of fast lines and swiftly marked gesture.

Vertical, gestural composition in ink and acrylic paint with large areas of turquoise and ochre and spontaneous calligraphic lines of red, indigo and bright yellow.

Hung in an orderly, cadenced line across Kavi Gupta's N. Elizabeth St. gallery, 11 acrylic paintings on canvas showcase the colourful, polyrhythmic and politically salient work of AfriCOBRA (the African Commune of Bad Relevant Artists) founding member Gerald Williams.

She always used visible ruled pencil lines to divide the white ground of the canvas and she was equally devoted to a dilute acrylic with which to overpaint, or paint between, these lines.

Working on a piece of acrylic gessoed hardboard with acrylic paints, and with his two references visible — the heron on his tablet and the phragmites on the main screen — he began by blocking in some directional lines to indicate the reeds.

The 103 - inch square acrylic on line was painted in 1978 and has an estimate of $ 400,000 to $ 600,000.

Since the mid-1960s, Corse has developed an innovative technique that involves mixing acrylic paint with tiny glass beads commonly used in the white lines of lane dividers on highways and painting vertical bands onto the canvas.

In his Coffin paintings, thin strips of acrylic paint line the canvas, wrapping around the frontal surface and leaving the trace of drips.

Following from this, he created a series of site - specific installations inspired by the Mysterious Garden series, further deconstructing the paintings into lines and geometries that form the MB series; «MB series of installations come from an inspiration when I took a moment to look around my studio whilst I stared at the acrylic paintings, and a white coat stand caught my eyes and inspired me that the digitally invented morphemes for the paintings are hidden in the coat stand.»

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

The Williamsburg studio of the artist known as KAWS is neatly lined with racks of acrylic - paint bottles in primary colors and guarded by a cluster of standing toy collectiblesâ??

Coupled with the ruled graphite lines that demarcate the different translucent washes of acrylic paint, Martins compositions frequently recall the staff lines of sheet music itself.

These acrylic and graphite on Belgian linen pieces propose their own intense poeticism as each painting reads like a line of verse in a much larger more comprehensive narrative.

In his practice of creating abstract paintings Patrick Wilson uses humble tools — he applies acrylic paint with a drywall knife to drag layers of translucent and dense coats of paint across the canvas to progressively build rectilinear spaces of line, pigment, light, and texture.

Until the mid-1950s, her paintings were almost wholly representational, but thereafter she turned to abstract art and within a decade had discovered her signature style - a square monochrome canvas, typically layered with gesso, overlaid with hand - drawn pencil lines and thin layers of oil or acrylic paint.

Another Line Artist: Kenneth Noland 1924 - 2010 Date: 1970 Classification: painting Medium: Acrylic paint on canvas Dimensions: support: 1667 x 2896 mm Purchased 1972 © The estate of Kenneth Noland / VAGA, New York / DACS, London 2018

The lines are meticulously painted on a smooth panel surface that has been treated with washes of acrylic paint.

The main gallery features Lee's recent ballpoint ink works on canvas and acrylic and oil paintings that display Lee's signature ability to create a massive single form through the overlay of thousands of lines.

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions.

Working in acrylic on wood panel or linen, Takenaga arranges the simple components of her paintings, predominantly thin lines and small dots, into stunningly complex compositions that undulate, radiate, and recede in seemingly infinite space.

The American street artist Keith Haring is famous for his instantly recognizable style of urban graffiti art - executed in marker ink, acrylic and Day - Glo paint - with its thick black lines and distinctive cartoon - like figures and forms.

The artists graphite drawings highlight her signature flowing lines, while paintings feature Cooper's technique of gradually layering washes of acrylic or gouache over India ink.

This volume presents a substantial overview of the oeuvre of Berlin - based painter Albrecht Schnider (born 1958), looking at his figurative and abstract works on paper, meticulously crafted line drawings, landscape drafts, typographical sketches and paintings in oil or acrylic on canvas.

Taking from Pop Art's exploration of commodities and the anthropomorphic qualities of goods, Craig - Martin's acrylic paintings take mass - produced objects from the consumerist age as subject matter, depicting these quotidian items in graphical lurid colours and outlined in black line drawing.

Occasionally resorting to a more playful style (his colourful acrylic painting «Window» resembles a semi-surrealistic work), his most recent paintings - which were inspired by photographs of icebergs - include several semi-Cubist style compositions which explore the relationship between mass and line.

Later, in the early 1960s, Bocour developed a line of acrylic emulsion paints.

Typically composed of thin layers of acrylic and oil paint on panel board, her paintings employ a broad range of techniques, deftly shifting between stark graphic lines to loose washes and thickly rendered brushstrokes.

Using your foam paintbrush and gloss black acrylic craft paint, paint the rim of your shade, attempting to make as straight a line as possible.

Versatile mediums for adding to the acrylics to expand the capabilities of the paint line.