In Tangled, the Walt Disney Company's new animated, feature - length, 3 - D adaptation
of «Rapunzel,» critic Armond White finds, sadly, that the story
of the girl with the very long locks not only «has been amped up from the morality
tale told by the Brothers Grimm into a typically overactive Disney concoction
of cute humans, comic animals, and one - dimensional villains,» but also that the film's «hyped - up story
line... gives evidence that cultural standards have undergone a drastic change» in the decades since Walt Disney first set
out to charm both children and adults with his animated retellings
of fairy tales.
Because surely, as Barry Egan, Sandler fulfills his usual clichés: his violent temper is established early, he's emotionally stunted, he's tormented by a cartoonish villain (Phillip Seymour Hoffmann, transcendently infuriated, as the manager
of a Midwestern phone - sex
line / mattress outlet,) he's obsessively pursuing a wacky hobby (an endless collection
of cheap pudding, to be traded for unlimited frequent flyer miles,) and he happens upon the women (Emily Watson) who — with a kiss right
out of a
fairy tale — can imbue a sense
of meaning into all these ailments.