Sentences with phrase «lit outdoor shots»

Well lit outdoor shots and indoor shots with adequate light are surprisingly great and a big step up from the Redmi Note 3.

Well - lit outdoor shots were colorful, if lacking in contrast and tending toward the cooler end of the color spectrum, and rarely looked overexposed.

Not exact matches

Both shots look pretty comparable at first, but a closer look at the details outside the window show the Pixel handles this indoor / outdoor lighting situation better.

Lately I've been yearning to do a photo shoot outdoors, but I always get frustrated by the bright light and unappealing shadows.

Outdoor light also makes for great black and white shots.

Early Saturday evening I was walking up 18th Street in Adams Morgan (DC) and stopped off at Columbia Station to catch the end of a jazz set, which turned out to be a good test for the camera and microphone, since I was sitting on a partially covered patio in the bright outdoors and shooting into a much more dimly lit space inside.

We have an almost non-existent amount of natural light in our condo (especially when it's not summer), so taking snaps outdoors is usually the best approach (though we are planning on buying more studio equipment in the near - ish future so that indoor shoots will become a lot easier and more professional looking).

We look for good lighting, in - focus, bright, airy photos with nice backgrounds (pro tip: outdoor shots have beautiful, natural lighting).

It was about -10, very windy, snowing lightly (with plenty already on the ground), and we spent nearly an hour shooting outdoors with a lighting setup on a highly trafficked foot bridge, all while I was wearing a sleeveless halter dress, sheer stockings, and pumps.

All of Hey Saturday's photo shoots take place outdoors where the light is more flattering and the backdrop more dynamic.

Natural light works great for portraits, so if you want to look hot in your profile photos, choose an outdoor location for your shoot.

In terms of the visuals, Noxon and cinematographer Richard Wong (Colma: The Musical) opt for a simple but elegant metaphorical solution, with much of the home, where Ellen struggles with her issues, filmed in dimly lit, heavily shadowed shots and moments of hope or grace often taking place outdoors or in brighter light.

The camerawork by New Hollywood DP John A. Alonzo (Chinatown), who shot documentaries with Friedkin when they both worked for David Wolper in the mid-1960s, is a sterling example of late -»80s cinematography (for better and worse), featuring lots of blue and an aggressive use of shadows to add expressionist texture to interiors, along with appropriately bizarre lighting effects in the wooded scenery outdoors.

While the trilogy is more known for its writing than cinematography, these transfers may help to change that; outdoor shots glow with high - key light, which is perfectly modulated by the 4K technology.

Some shots, especially outdoor ones, have a slightly soft look with gentle auras around light colors; I think this is due to the camera technology of the time more than insufficient remastering.

I love to shoot portraits outdoors where I can incorporate natural light and nature into my vision of the model or models.

Outdoor shots were quite sharp, and the LED flash lit up a dark room.

Sample 4: (outdoor, focus mode set to infinity): https://www.youtube.com/watch?v=8CCJT0NRESw Here's the lowdown on the Titan TV's camera: - Excellent shots in decent to good lighting - Decent low light shots, with relatively low noise levels and good color detail - Excellent macro shots, with sharp focus and closer shooting distance - Excellent panorama shooting mode - Plenty of manual controls and options - Video recording is decent for 720p - Getting a sharp focus in low light mode is very difficult For a change, the front facing camera of the Titan TV is actually 2.0 megapixels.

Outdoor shots with a fair amount of ambient light looked crisp and colorful, such as an image of a New York City street and a blue sky in the background.

There are bags of options within the camera app - ISO, exposure adjustment, timer, anti-shake, light metering options, 13 scene modes and four filters - but what we really liked was the Outdoor Visibility mode which puts the screen up to maximum brightness so that you can see what you're shooting even in bright sunlight (even if it does switch itself off every time you come back to the app) and the fact that the shutter delay is as short as you'll find on any smartphone.

For an outdoor car shot, for example, Hansen and his team would get up at 3 am and wait until the light was just right.

Balanced against concrete blocks or the exterior walls of Still's studio, larger paintings were often shot in the superior natural light of the outdoors.

Cris Romagosa is someone who clearly has a passion for nature, as all of her beautiful work is shot making the best use of natural light available and focusing heavily on the outdoors, the seasons and the delicacy of humanity.

With a love of the Great Outdoors, Jaime shoots on a Mamiya 7 when she ventures into the wild with her friends, capturing intimate moments in beautiful soft and warm lighting.

Shooting outdoors, or in bright light conditions, the Huawei Mate 10 Pro generally delivers good target exposure, even in tricky high - contrast scenes, where both shadow and highlight detail are well - preserved.

It focuses, balances light well enough, and produces some stellar shots outdoors and in some close - up conditions.

Dynamic range is very limited when shooting in tricky high - contrast lighting outdoors, but also in indoor conditions, where highlights in the brighter areas are often overexposed and lacking in detail.

Even under close inspection, no color shading is evident in bright - light shots, such as the outdoor scene on the left.

Shots taken with the P8, on the other hand, tend to look soft in anything but bright outdoor light, and even then I noticed some mild image noise speckling on flat white surfaces.

With advances in dynamic range and detail capture, as well as significantly reduced artifacts and very good image stabilization the iPhone 7 performs particularly well in bright light conditions, making it a great smartphone camera for outdoor enthusiasts shooting landscapes, street scenes, architecture, or portraits in good light.

Noise reduction is also good, especially under bright light, and although some luminance noise is visible in homogenous areas (such as the sky when shooting outdoors), it's not a significant concern.

Fine detail preservation in outdoor and bright - light shots is excellent and on par with some of the best performers we've tested, such as the Samsung S8, iPhone 7 and Google Pixel

Outdoor shots look fantastic and it performs better in low light than a Samsung, Motorola, or LG phone, but it still can't balance light as well as Apple's phone.

Some white balance inconsistencies, including a slight pink colorcast in some outdoor exposures and in low - light images shot under tungsten light sources, reduced the score.

In plus version you get a dual camera setup which is a 12 megapixel camera with F 1.5 aperture for low light photography and F 2.4 aperture for shooting outdoors.

The only downside is the camera, which while decent at outdoor shots struggles when it comes to low - light imagery.

Some shots I took came out stunning, but it does take long to focus even outdoors when the lighting was fine.

The new flagship's improved aperture offers significantly better low - light shooting than the Galaxy S8, and the phone captured a ton of fine detail in busy outdoor scenes.

Photos aren't as detailed as one would expect, but I found that selfies taken on this phone look quite clean, with barely any noise when lighting is good or when you're shooting outdoors.

A slight pink color cast also occurs on images shot under a tungsten light source, but these colorcasts are much milder than the strong orange cast outdoors.

Using the 2x optical zoom, fine detail preservation is excellent in both outdoor and indoor conditions; and although softer and noisier in extreme low light, zoom shots remain acceptable.

While it does an average job of clicking pictures in bright outdoors, shots taken in low - light seem are not so great.

When shooting outdoors in good lighting conditions, strong detail preservation is also evident, with almost no noise visible, even in homogenous areas of color such as the sky.

Color shading is visible in images shot in both bright - light conditions outdoors (top) and when using a tungsten 20 lux light source indoors (bottom)

In low light, image quality does suffer at 5x magnification, so restrict the use of the digital zoom if you can to shooting outdoors or in bright light, where it performs best.

Digital zoom shots at 4x are also very good when shooting outdoors, and are acceptable at 8x, but good detail preservation in lower light conditions using the digital zoom remains challenging.

The 16mp camera is performs great in outdoor light, without oversharpening and good saturation, close to the actual colors, however the same can not be said about the low - light shots where you have to be very careful with positioning according to lighting to be able to get decent shots.

I took a number of great photos with the Xperia XA1 Ultra's 21 - megapixel camera, though in most cases I shot these images while outdoors when the lighting was nearly perfect.

In good outdoor lighting it's possible to get some half - decent shots, but it struggles most of the time while indoors.

Pixel XL saves the naturally - looking colors despite the outdoor light, contrary to the Sony model which once again goes for a darker shot.