Sentences with phrase «lit practice space»

Karen Brooks Hopkins, entering her fourth decade at BAM, welcomed the crowd into the brightly lit practice space on the third floor of the two - month - old red brick theater, tucked in behind BAM's original performance hall.

Not exact matches

Chipotle as part of the announcement also said that it would give its chickens more space (6 pounds per square foot), provide them with improved lighting and litter in their housing, and change how its chickens are slaughtered to a practice pushed for by animal welfare activists.

Look, I fully admit that there was a pagan practice of chopping down trees and erecting them in public spaces or homes and decorating them with lights and gold and silver.

If using ceiling lights, install a dimmer to create an intimate and private ambiance to the space and always avoid fluorescent or incandescent bulbs — at least during practice.

Living a holistic lifestyle takes constant practice, but creating space allows you to make decisions that make you feel lighter and more confident and helps you create the life that you want to be living.

LIVING ON PURPOSE's aim is to infuse all spaces of your life with self love practices, not necessarily as a career change; but to embody this wisdom to bring more light to where you currently reside.

These ancient yet adaptable practices encourage an extraordinary sense of self awareness, built upon traditions secured to nurture the individual where he / she is ready, willing and able to bring to light the nature of Oneness with the divine, with love, with all energy - revealing the gift of their own Presence, as a necessity in this space and time.

Inside the main inn you will experience the pleasure of practicing in the Green Tara room, a beautiful timbered ceiling space with plenty of natural light and a sweeping water view.

About Blog Offering a safe and sacred space for joyful community while practicing and sharing our principles at the Center for Spiritual Living, Santa Rosa.The mission of our Youth Program is to open to Light and Love by offering a safe and sacred space for joyful community while practicing and sharing our principles.

To begin the practice, I guide students into a space of mindfulness — computers at half - mast, phones away, lights dimmed, no speaking.

Though the experience of space and light in the studio, one can imagine, is essential for a painter, Neel's developments were certainly the fruit of many years of practice and gaining freedom of expression — as an individual unbound to conventions in figuration.

His diverse painting practice weaves together impulses of minimalism and hard - edge abstraction with those of the California Light and Space movement, to forge an entirely singular creative vision.

By continually changing her working environment with lighting, mood, and orientation of the canvas while painting, Scully pushes the boundaries of not only her practice, but of physical and psychological space.

A light box hyper - realistically enhances a butterfly's metallic tones as another draws inspiration from Dan Flavin's practice yet relies on a colourful LED screen rather than individual fluorescent tubes to illuminate the space.

Catie is an installation artist whose creative practice reworks existing spaces through material aggregations and the effects of light and darkness.

Characterized by a continuously expanding investigation into painting, her practice considers a multiplanar site for constructed light and shifting space.

Often referred to under the umbrella term «Light and Space,» the artists and artwork included in this exhibition and catalogue present a more inclusive overview of the ground - breaking and diverse art practices that flourished in California in the 1960s, including rarely seen works by Peter Alexander, Larry Bell, Laddie John Dill, Robert Irwin, Craig Kauffman, John McCracken, Helen Pashgian, James Turrell, De Wain Valentine, and Doug Wheeler.

Unlike most «starchitects» though, the duo has dedicated their practice to reinvigorating university campuses through experimental design, like when they suspended the Milan's Bocconi University above ground to create an interplay between space, light and the city around it.

With a sustained interest in geographic and atmospheric phenomena, her practice seeks to examine the changing possibilities and conditions of perception and light, tracing the illusory spaces that can both imitate and invert the natural world.

The exhibition examines the ways Flavin established and redefined space through light constructions using the three formats that were integral to his art practice.

The founding members of Common Practice New York are Artists Space, The Kitchen, Light... read more →

Designed in close collaboration with Flavin Judd and Judd Foundation, Donald Judd: Cor - ten sheds new light on a body of work that represents the culmination of three decades of aesthetic output and underscores the mastery and control over material and space that characterizes Judd's practice as a whole.

This experience probably reinforced his insight into the studies of light and the use of exhibition space and exposed him to the Impressionists, Colorists, Modernists, and Dadaists whose influences are made explicit in his work through his practice of leaving pieces untitled yet dedicated to artists including Mondrian, Brancusi, Jasper Johns, and Duchamp.

He is an installation artist whose work combines a technical photographic practice and a playful relationship between objects, light, space, and the viewer.

For those unfamiliar with the practices of Sriwhana Spong and Maria Taniguchi, even the distinction of authorship can waver, at times, within the open, brightly - fluorescent lit space of the gallery.

A coincidence, to be sure — and yet the chance to see the Thomas show in light of these other happenings clears a space for re-thinking her practice.

The artists engage in a multi-faceted reflection upon color, light, space, art, and the gallery space in their thinking, practice and artistic output.

The roundtable aimed to discuss the role and function of urban - based contemporary art and theater practices as alternative urban archives and invite participants to see the relationships between art, memory, and space in a new light.

These two artists» practices center around the sustained investigation of material, and how that material interacts with space, light and time.

Notable contemporary artists practicing in the Light and Space Movement include Olafur Eliasson, Ann Veronica Janssens, Jennifer Steinkamp, Gisela Colon, Sophia Collier and Todd Williamson.

Partner: Modern Art Oxford Exhibition title: Disseminated Space Exhibition dates: 29 September — 28 October 2012 BA Fine Art, Reading University Disseminated Space, 2012 Handmade publications, plywood, sound, steel & neon light sculpture Alana Francis» practice is concerned with the creation and distribution of publications.

Meanwhile, Sandi Slone practiced fleet, flung calligraphy over deep, mottled space in the light - footed «Queen of the Night.»

Ahn has translated geometric painting and the Zen practice of meditation into an art of light, space, and technology, enticing the viewer to look deeply into his frame of environments.

An impressive and green - lit mountain of sand is formed inside the Cisterna's tall spaces, the realm of research and practice in which basic processes of life are restructured and redesigned.

His practice is similar in intent to that of many of the Land art and Light artists coming out of the 1960s and 1970s (Nancy Holt, Robert Irwin, Long, Robert Smithson, James Turrell), who took public space and appropriated it, transforming the environment into something novel and often sculptural This engagement with natural conditions and phenomena necessitated the dematerialisation of the art object and the extension of the «gallery» site for art.

In his practice of creating abstract paintings Patrick Wilson uses humble tools — he applies acrylic paint with a drywall knife to drag layers of translucent and dense coats of paint across the canvas to progressively build rectilinear spaces of line, pigment, light, and texture.

Ranging from the Light and Space Movement of the late 1960s, to works by contemporary artists like Dominique Gonzalez - Foerster and Cyprien Gaillard, and performances and workshops, this exhibition spans a panorama, featuring a great variety of immersive practices which dissolve categories of viewer and work and diminish the distance between subject and object.

Phenomenal: California Light and Space Phenomenal focuses on the movement that began in Los Angeles and Southern California in the 1960s, fomenting many of the most vanguard practices engaging young artists today.

His first solo exhibition at Pasadena Art Museum in 1967 established his reputation, and the consistency with which he has investigated his chosen materials of light and space has been one of the defining facets of his practice ever since.

This exhibition showcases the artist's varied and innovative practice through a focused presentation of rarely displayed works, including small - scale sculptures, collages, drawings, and artist books that shed new light on Chillida's enduring fascination with space and organic form.

Turrell's work grew out of the Light and Space Movement, a term for the practice of artists such as John McCracken, Doug Wheeler, Eric Orr, Ron Cooper and Robert Irwin.

Developed over the past decade during extensive travel throughout Europe, Australia, Asia, and the United States, Radio Vallebona is the culmination of various aspects of Tilman's studio practice, including his investigation of color, light, architectural space, and social engagement with the public.

Connecting two historical moments strongly tied to Quebec and Southern California, the work of Brian Wills evokes the hard edges of Les Plasticiens and the use of light as an inseparable part of the practice of Southern California's Light and Space artlight as an inseparable part of the practice of Southern California's Light and Space artLight and Space artists.

His work is a unique form of Minimal Art representing a dialogue between the practices of the American East and West Coasts, between the more conceptual Minimalism and Finish Fetish and Light and Space movement of the 1960s, its colours and textures bearing references to the Southern Californian environment and aspiring to an industrial sublime.

In the late sixties and early seventies, after a decade of professional art practice during the height of the male - dominated Minimalist and Light and Space movements, Chicago began to make a conscious departure from abstraction and move toward figuration.

Ranging from the Light and Space Movement of the late 1960s, to works by contemporary artists like Dominique Gonzalez - Foerster and Cyprien Gaillard, and performances and workshops, this exhibition spans a panorama, featuring a great variety of immersive practices which dissolve categories of viewer and work and diminish the distance between subject and object.

Highlighting the gallery space through a transformation of architecture and light, Everett's installation emphasizes the physical act of supporting a painting, the routine practice an artist undertakes daily, as well as pedagogical rituals shaped through rehearsal.

Whether working in video, installation, sculpture, or drawing, his practice revolves around the architectural tenets of positive and negative space, light, and shadow.

«Despite a groundbreaking practice spanning nearly five decades, Corse is only now finally receiving the recognition she deserves — and being a woman certainly didn't help,» says Kayne of the now 73 - year - old artist whose contributions to Light and Space — an art movement started in 1960s Southern California and dominated by men — have not been well represented in museums.

Pioneering a mode of practice that slowly but deliberately broke ranks with the painterly abstraction and object - based practice of the era to develop a mode of art - making that embraced light, form and space as free - floating, conceptual tools.