Kameelah Janan Rasheed's Source Material for a Poem I've Been Trying to Write about Casual Superlatives, National Progress and Palate Cleansers explores her interest in poetry, improvisation, and narratives of progress, through a hybrid visual and
literary art practice.
Not exact matches
But Assayas also refers specifically to Hilma af Klint (1862 - 1944), a recently rediscovered Swedish pioneer of abstract
art who claimed that her paintings were directly dictated by spirit forces, and to 19th - century French
literary titan Victor Hugo, who
practiced «table turning» sessions to contact the dead (Assayas fabricates an «extract» from an apocryphal French TV film of the 1960s, featuring actor - singer Benjamin Biolay as a solemn Hugo).
English language
arts teachers have long had an established
practice of using film adaptations of the
literary works their students read.
Dubuffet successfully merge [d] studio
practice with
art writing, reminding us that, just as viewing a work of
art should always be an act of re-creation experienced in the present tense, so too the act of writing about a work of
art should be a
literary re-enactment and re-performance of the visual work.»
The Third Mind: American Artists Contemplate Asia, 1860 - 1989 illuminates the dynamic and complex impact of Asian
art,
literary texts and philosophical concepts on American artistic
practices from the late nineteenth century through the present.
This selection of artists is designed to facilitate conversation and collaboration between Houston
literary and visual
arts communities and
practices occurring nationally and internationally.
Before diving into an expansive
art practice that would catapult him into the post-war constellation, Marcel Broodthaers was engaged in a fervent
literary practice that some argue endured the test of time.
Her
practice includes independent and interdisciplinary collaborations with visual,
literary and performing
arts — media, dance, music and voice.
A pioneer of Mail
art in Brazil in the 60s, associated with Fluxus in the 70s, and influenced by the work of pioneers of the avant - garde such as Marcel Duchamp and John Cage; Bruscky's
practice resists straightforward classifications, boldly combining visual and
literary language to voice his artistic identity and position within society.
His studies at the Higher Institute of Fine
Arts in Tunis allowed him to crystallise this
literary and intellectual heritage into a singular artistic
practice.
Her academic research and publications about Spanish literature focus on
art criticism, the impact of new technologies on
literary practice, and on the relations between visual culture and writing.
She writes broadly on modern and contemporary
literary and visual
arts practices, and her dissertation reconsiders the relationship between politics,
art, and blackness in the late 1960s.
The reference to mythology as a source of inspiration; using abstract composition as a way to evoke
literary and lyrical stories; the control of the design so as to achieve a delicate balance between the freshness of gestural strokes and the clearness of drawing; the reference to the tradition of
art history as an endless process of acknowledgment of the meaning of artistic
practice; the attention paid to the sign itself as a multi-linguistic mark of the artist's expression; these are all constant features of Twombly's work, and have been since the very beginning of his career in the late 1940s.
Get a behind - the - scenes view of creative
practices in the visual,
literary, and performing
arts.
Her
practice includes independent and interdisciplinary collaborations with visual,
literary and performing
arts, including media, dance, music and voice.
Aosdána members who reside in Ireland are eligible to receive a Cnuas (a 5 - year annuity or stipend) to help them focus on their artistic
practice full - time, to the benefit of the
literary, musical or visual
arts of Ireland.
Her short stories have appeared in
literary journals such as Salt Hill and American Short Fiction, though she's also interested in collaboration across
art practices and alternative venues for her texts.
takes an expansive look at text - based
art practices, inspired by the concrete poetry movement of the 60s which explored both the
literary and graphic potential of language.