Sentences with phrase «literary works with»

Voluminous literary works with the characteristics of a novel is regarded as the innovative model of novels.

Sure, the flick is not perfect, but it does a good job of meshing real - life events and dark, literary works with the fictional narrative!

A literary work with exquisite production values and a vivid portrait of class differences in Boston social life at the turn of the century.

Screenwriter Steven Zaillian, an Academy Award winner for «Schindler's List,» again adapts a dense literary work with a sharp eye for the most critical exchanges.

The latest from Iain Pears — author of the worldwide bestseller An Instance of the Fingerpost — is an ambitious literary work with a sci - fi twist.

They publish literary work with a social or philosophical message, in English, French, and Spanish, and they tend to keep their books in print longer than a commercial press might.

Not exact matches

one colleague asked with a meaningful look that suggested high - fiving, back - slapping workplaces are great fodder for literary satire but less - than - ideal environments to actually work in.

A machine in Japan almost won a literary prize for a full length novel it wrote — which it chose to end with the sentence, «The computer, placing priority on the pursuit of its own joy, stopped working for humans.»

A native of New York City, he returned there to work at two literary agencies as a manuscript reader, and then worked for a year and a half as a VISTA Volunteer community organizer with the Gray Panthers.

It would also seem that he kind of went with the lowest bidder on the editing of his literary masterpiece... the whole thing just doesn't work.

Writers, how do you honor God with your work without making him sound like some kind of cosmic literary agent?

Those literary tools may not be precise scientific language, but they still carry at least some truth to start and work with.

Graham Greene endorsed the novel, saying, «Endō, to my mind, is one of the finest living novelists,» and from that moment Silence has been firmly ensconced in the Catholic literary canon of the twentieth century, along with the works of Greene himself, Flannery O'Connor, and Walker Percy.

Theologians move in two worlds, working not only with the abstract categories of philosophy but also with the highly concrete and often complex literary forms of the Bible.

As a playwright, Shakespeare responds in any given work to many immediate literary, economic, cultural, and theatrical exigencies that have nothing to do with his personal beliefs.

«Some readers, especially those with literary critical training, will find far too little of the detailed examination of actual works that is sometimes held to be the only important or worthwhile form of critical activity.»

Lentricchia, whose earlier work earned him the epithet «the Dirty Harry of literary theory, is the author of Criticism and Social Change (1983), which urges us to regard all literature as «the most devious of rhetorical discourses (writing with political designs upon us all), either in opposition to or in complicity with the power in place.»

As the literary theorist Mikhail Bakhtin pointed out long ago, in his early work Art and Answerability, to undersign a statement with one's own name is a powerful act — an act of commitment, responsibility: one becomes «answerable» for it.

Since Tomas has been reading for some time now, we have some technical work to do with him to help his acquired literary crafts: penmanship and things that, once they can be explained through logic, might enable him to write down his own stories.

Tocqueville couldn't find much to work with there, it's true: One reason for that, of course, is that the literary energy of the South was consumed prior to that big war by the defense of slavery.

The work of Amos Wilder, particularly his book Early Christian Rhetoric: The Language of the Gospel, which deals with major literary genres of the New Testament, as well as the work on parables as extended metaphors by such scholars as Robert Funk, Norman Perrin and Dan O. Via, Jr., has become important for many of us.

The heroes of modern - day evangelicalism, from scholars like N.T. Wright to pastors like Rob Bell, are passionately and unapologetically contextual textualists, working diligently with a host of ancient literary and archaeological sources to make sense of biblical texts as they would have been understood in their day.

Ideally, all literary art strives for this interpenetration of the reader and artist in another world reached by the mind, so that the «I» of the reader becomes one with the «I» of the work.

For Ozick, however, the literary critic is herself the architect of literary tradition, arranging works, authors, movements, and trends in conversation with one another, «teas [ing] out hidden imperatives and assumptions held in common, and... creat [ing] the fertilizing conditions that underlie and stimulate a living literary consciousness.»

After a long period of literary, historical, and form - critical study of the New Testament, along with more recent work on the «redaction» of its several books in the light of the motives that led their authors to select and arrange the material then available to them, it is clear that any claim to «simple historicity» is false.

If we read the books of the Bible with the same literary criticism and philosophical analysis we use for the literary works you listed, we would not be having this discussion.

Homer's Iliad, the most renowned book of ancient Greece, is the second best - preserved literary work of all antiquity, with 643 copies of manuscript support discovered to date.

In his deeply confessional essay «The Crack - Up,» Fitzgerald offers this opening phrase, «Of course all life is a process of breaking down... «Here is a man born to the working class, rocketed to riotous stardom and literary fame, swept up in a storybook romance with Zelda who would become his wife, and then caught in a downward spiral.

It is intimately informed of the events and circumstances and persons which it treats; it is given phenomenally impartial expression; and it is wrought in literary form with unparalleled skill.

I wanted to work chronologically through literature in the Western tradition, dovetailing our literary studies with history, so that my students could see how an event like the Trojan War, for example, has shaped an entire cultural imagination and given it a language for its ideals.

With the exquisite literary attentiveness characteristic of the best recent work in theological exegesis, Sacks shows us that each of these narratives harbors a counter-narrative, which teaches us to sympathize with the character who is not God's elect or chosen With the exquisite literary attentiveness characteristic of the best recent work in theological exegesis, Sacks shows us that each of these narratives harbors a counter-narrative, which teaches us to sympathize with the character who is not God's elect or chosen with the character who is not God's elect or chosen one.

His work ranks with the finest classical Hebrew prose to be found anywhere in the Old Testament, displaying a phenomenal verbal / literary technique in the use of humor and irony, in subtle, sensitive character portrayal, and in effective, varied appeal to human emotion.

Moreover, given the rise of memoir as a literary genre in recent decades, I would see Gioia's list and raise him a series of nonfiction writers whose work is shot through with a profoundly Catholic sensibility — writers like Richard Rodriguez, Annie Dillard, Patricia Hampl, Thomas Lynch, and Barry Lopez.

In Wales, Rowan Williams is a poet as well as a theologian who often engages with literature, Donald Allchin is in deep dialogue with poets in many traditions, and Oliver Davies, having ranged through German, Russian and Welsh literature as well as Meister Eckhart, is now engaged on a major work of fundamental and systematic theology with a strong literary dimension.

Furthermore, this week's New Yorker features a characteristically excellent piece by our best living literary critic, James Wood, much of which is taken up by an in - depth and very sympathetic engagement with the work of the aforementioned Professor Taylor, whose work is a sine qua non for anyone hoping to understand the place of religion in our contemporary context.

Luther did not want to tangle personally with the great scholar, seventeen years his senior, and the best known literary man in Europe; only this very year (1516), Erasmus the famous author of Enchiridion Militis Christiani (Manual of the Christian Knight, 1503) had published in addition to the Greek New Testament his edition of Jerome, and an original work commissioned for the likely future emperor, sixteen - year - old Charles Habsburg of Castile and the Netherlands, grandson of Emperor Maximilian, Institutio Principis Christiani (The Education of a Christian Price), a plea for international peace and the encouragement of learning.

In this respect, his approach is very different from that of another distinguished literary critic, Robert Alter, author of The Art of Biblical Narrative, who deprecates what he calls the excavative techniques of professional biblical scholarship and works with the text as it is, in its final form.

Archival sources collected for the project include memoirs, communiqués, pamphlets, literary works, photos, posters, and film, along with radio clips and songs.

Moral rights as stated in section 6 is not accompanied with some number of years hence the author of the literary work has the sole moral right to claim authorship of the work.

The English poet and essayist Matthew Arnold speaks about such historic moments of creative arousal in literature in his 1865 essay «The Function of Criticism at the Pres - ent Time»: «The grand work of literary genius,» says Arnold, «is a work of synthesis and exposition,... its gift lies in the faculty of being happily inspired by a certain intellectual and spiritual atmosphere, by a certain order of ideas, when it finds itself in them; of dealing divinely with these ideas....

Instead literary agent John Brockman has posited a «third culture,» of scientists who communicate directly with the public about their work in media such as books without the intervening assistance of literary types.

That's the conclusion of a new study, which finds that, compared with mainstream fiction, high - brow literary works do more to improve our ability to understand the thoughts, emotions, and motivations of those around us.

In his writing, he's less restrained, sprinkling his work with literary allusions to loosestrife from Hamlet and Wind in the Willows to remind readers that in other places and times it wasn't a public enemy.

Jordan chats with her close friend and literary agent Sarah Passick, a.k.a the #superagent that brought Breaking Vegan to life and works for the top wellness literary agency in New York City.

Throughout his Hollywood years, Burnett avoided being «typed» by tackling virtually every literary genre: if his work has any unifying theme, it's the story of the tough little maverick at odds with a big, impersonal Establishment.

With little resemblance to the classical literary work of Jonathan Swift, this is one film that should never show up in a high school English class as a study aid.

Both projects sound like ones to keep an eye on — the literary two - fer should be a major boost to Optimum as they look to compete with the likes of Working Title in production terms.

The script is laden with references to various literary works, the theater, and other comic book actors like Robert Downey Jr, Michael Fassbender, and Jeremy Renner.

It's easy to guess why Burton decided to collaborate with Green again for his film take on Riggs» novel (a literary work inspired by vintage photos of strange people and places that the author had collected), seeing as the Penny Dreadful star reads as a perfect fit for a character whom Burton describes as being a Mary Poppins - like magical caretaker... a stranger Mary Poppins, that is.

Here, she's fashioned a fictionalized account of the double - suicide pact between Heinrich von Kleist (Christian Friedel), author of The Marquise Of O and many other notable literary works, and Henriette Vogel (Birte Schnöink), a woman he barely knew but succeeded in persuading to die with him (mostly because she believed herself to be terminally ill).