Sentences with phrase «lithograph hand»
This piece titled «Seated Nude» 1965 is an original lithograph hand signed and dated in ink by the artist, numbered 57/100 in pencil.
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James Rosenqusit First, 1973 Lithograph hand - colored with acrylic spray 23 1/4 x 31 1/4 in.
Not exact matches
One of van Gogh's first successful lithographs, At Eternity's Gate (1882),) depicts an old man seated by a fire, his head buried in his hands.
The cream border is is applied by hand, whilst the border pattern is created using a textured lithograph which is hand - painted with 22 carat gold, creating a one - of - a-kind, lustrous bas relief finish.Wedgwood china has graced the homes and palaces of the world's most discerning customers for more than 250 years.
The Bridge exemplifies games as an art form, with beautifully hand - drawn art in the style of a black - and - white lithograph.
Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv
Armed with a European esteem for the role of the lithograph as a tool of expression, Tanya (who by all accounts was the driving force behind ULAE) doggedly pursued important artists of the New York School until they relented to try their hand in the medium; she then went to extremes both to help realize the artist's vision as well as ensure that their experience was pleasant and expansive.
Nearby is a gorgeous late Jackson Pollock, Untitled, 1951 that is semi-figurative; a Franz Kline black and white calligraphic abstraction, Untitled from 1953; an architectural collage of rectangular shapes by Conrad Marca - Relli from 1965; and, from 1976, the Larry Rivers pop - historical Big B Signs Up, a lithograph of two hands clasping a quill pen created by Rivers to mark the U.S. Bicentennial and honor Benjamin Franklin's signing the Declaration of Independence.
Here, there are drypoints, lithographs and ink works on display, some like the scroll of paper with a line of punched dots that comes out of a hand - cranked music box, others more like unravelled knitting.
Other noteworthy inclusions were Frédérique Loutz's exquisite artist's books made from a single folded sheet of paper; a giant display of lithographs dwelling on contemplation, traces and loss, from conceptual artist Marie - Ange Guilleminot's ensemble Nuancier (Color Chart); Mélanie Delattre - Vogt's fine lithographic drawings, based on culinary images from a 1970s freezer manual where disembodied hands cut up squid, duck, pig and bunches of rhubarb.
Theodore Roszak, Dream of Fair Women (1973), lithograph in black, hand - colored with colored pencil, image 19 x 25 inches.
The three color lithograph was hand drawn and proofed by the artist with the assistance of Paul DeRuvo last summer.
The works currently on display include traditional ephemera (Italian language guides, bakery business cards) as well as original works of art that mimic knickknacks, such as Sinead Cahill's hand - embroidered «girl scout» merit badges made from lithographed fabric, and many things that are not ephemeral at all, but step outside traditional fine art forms into the realm of the quotidian.
Theodore Roszak, The Last Tycoon (1973), lithograph in black, hand - colored with colored pencil, image 19 1/2 x 25 1/4 inches.
Theodore Roszak, Floodtide at Watergate (1974), lithograph in black, hand - colored with colored pencil, image 21 1/2 x 29 inches.
A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board.
Lithograph, linocut, and screenprint in colors with hand - coloring and collage, on wove paper, 1984, signed and dated in pencil, from the numbered edition of 60 (there were also 10 ar...
GINO SEVERINI 1883 - 1966 Cortona 1883 - 1966 Paris (Italian) Title: The Carnival Il Carnivale, 1955 Technique: Original Hand Signed Lithograph in Colours on Arches Wove Paper...
RAZA Sayed Haider Tree and Bindu MEDIUM: Lithograph SIGNATURE: Hand signed SIZE: 43 x 22» (110 x 55 cm) PAPER: Vellum LIMIT: 150 copies INFORMATION: Editor stamp on the backside...
An offset - lithograph in colors with cold - stamping on smooth wove paper, An Homage to Monogold was created by the artist in 2012, is hand - signed in silver pen, and numbered, measures 29...
Image: Frances Flora Palmer, A Midnight Race on the Mississippi (detail), 1860, color lithograph with hand - coloring on wove paper, National Gallery of Art, Washington, Donald and Nancy de Laski Fund, 2012
Vuillard's interest in patterned surfaces and domestic intimacy led him to produce many of his most compelling works around 1900 in two radically different formats: on the one hand, large - scale paintings, conceived as decorative ensembles and commissioned for private, domestic spaces; and, on the other, intimate color lithographs, produced in series and destined for broader circulation.
Frank Stella Ahab, 1985 — 88, from the series The Waves screen print, lithograph, linocut with hand - coloring, marbeling, collage on T. H. Saunders wove paper 73 5/8 x 54 5/8 inches Gift of J. Peter and Barbara J. Gattermeir, 2002.32.1 © Frank Stella / Artists Rights Society (ARS), New York
Original limited edition hand signed offset lithograph exhibition poster by Cindy Sherman for the Kunsthaus Bregenz in Germany.
Original lithograph printed in 6 colors (yellow, yellow - green, light blue, magenta, turquoise, dark blue) from 6 aluminum plates on BFK Rive wove paper Hand - signed in pencil lower righ...
This lithograph features a gold leaf square whose irregular edges echo the inconsistencies of the work's nearly regular hand drawn stripes.
La Alameda de Mexico — The Public Park of Mexico, 1848, hand - colored lithograph, 10 x 14 in.
The exhibition features over 100 hand - colored lithographs from a private Long Island collection.
TOP IMAGE: CHARLES WHITE, «Sound of Silence,» 1978 (color lithograph on paper, 25 1/8 × 35 5/16 inches), Printed by David Panosh, Published by Hand Graphics, Ltd. The Art Institute of Chicago.
Color Offset Lithograph, 1990 Signed by Hand, Condition: Good Condition Size: 32.2 × 23.2 inches Known for his provocative works across many media types, Gottfried Helnwein is an ar...
Lithograph printed in colours with hand - colouring by Alan Cox and Don Bessant, on two sheets (as issued), on wove paper
Untitled, 1983 Hand - colored lithograph 18» x 24» Edition 114 of 150 Published by the Institute of Contemporary Art, Philadelphia Framed Courtesy of Ruth & Jack Solomon Laurie Anderson (American, b. 1947) is an ico
Robert Cottingham, Radio City Deli, 1980 - 1982, hand - colored offset lithograph on paper, Smithsonian American Art Museum, © 1982, Robert Cottingham, Gift of an anonymous donor, 1997.108.21
(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions
Other highlights include a Louise Bourgeois lithograph on fabric depicting the artist's hand, red on tableture, Nancy Spero's text piece «Air... Portfolio» (1975) and Jonas Mekas» «I am America» playing in the back where monographs on many of the artists give ample opportunity to catch up on lesser known artists, some of whom were at one time staples.
Between these two points Gego made large - scale nets, columns and spheres that filled gallery spaces, as well as watercolours, ink drawings, prints and lithographs exploring the line in space, hand - sized sculptures made from material found in her studio and sculptures that stretched between the buildings in her home city of Caracas.
Screenprint, lithograph and linocut in colors with hand - coloring and collage, on t.h. saunders and somerset papers
Howard Hodgkin's Jarid's Porch (lithograph with hand colouring, from Wiseman Originals at Art 98); right, Graham Crowley's Rineen (oil on panel): an example of a neglected artist who is under - priced - pounds 400 through Andrew Lamont
At Toronto gallery p m's booth, he shows novel restraint and elegance with a grid of hand - coloured prints based on lithographs made from a photo - portfolio book he found in Berlin showing the great sites of Europe.»
This artwork titled, Flower, 1990 is a color silkscreen and lithograph on Arches 88 paper, by artist Donald Sultan (American, b. 1951) It is hand signed and numbered 31/125 in penc...
Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: EA 19/20 Hand Signed Charles Lapicque was one of the great painters of the «Ecole de Paris» and of...
Schnabel produces large works in wax, resin, on velvet, with found objects, on tarps and lithographs with hand painted elements.
Kate Jenkins» crocheted Sea Horse and Pamina Stewart's shell creations turn our attention to the connections between horses and seahorses, whilst Ian Penney's hand - cut paper piece The Farmer's Toast, Anastasia Lennon's Tracker and Angus Macdonald's lithograph Rationalised take the animals in their agricultural setting as their influence.
Smith again takes her own image in the hand colored photogravure and lithograph My Blue Lake, using the British Museum's 360 - degree periphery camera to create an encompassing self - portrait and blending her features into landscape.
His original lithographs include Gargantua (1935), which won a prize in the 1935 Allied Arts Exhibition; Ranch Hand and Pony (1938), which was exhibited at the 1938 Venice Biennial Exposition; Texas Courthouse (1938), purchased by the Dallas Museum of Fine Arts in 1938; and False Fronts, Colorado (1939), which received a prize from the Dallas Print Society in 1941.
Lithograph printed on Arches paper with the raised printer's stamp in lower, left - hand corner.
The artist's earliest prints were executed as lithographs, a method of printmaking that translates the drawn mark and the artist's hand more directly than other methods.
Robert Cottingham, Cold Beer, 1980 - 1982, hand - colored offset lithograph on paper, Smithsonian American Art Museum, © 1982, Robert Cottingham, Gift of an anonymous donor, 1997.108.17
SOLD Roy Lichtenstein Shipboard Girl 1965 Offset lithograph on white wove paper 27.3 x 20.3 in Hand signed in pencil
It wasn't until 1977 that Hodgkin developed his trademark style, in which etchings and lithographs were hand - colored by printers following the artist's sometimes experimental instructions.