Sentences with phrase «lithographers in»

Benton Murdoch Spruance (1904 - 1967) was one of the most influential and prolific color lithographers in the history of twentieth - century modernism.

Not exact matches

Mr. Shubeck had retired after more than 25 years as a photo - lithographer at the former Gregg - Moore Printing Co. in Chicago.

In a lithograph dating from the relatively liberated epoch following the French Revolution, the lithographer Marlet has represented some women sketchers in a group of students working from the male model, but the model himself has been chastely provided with what appears to be a pair of bathing trunks, a garment hardly conducive to a sense of classical elevation: no doubt such license was considered daring in its day, and the young ladies in question suspected of doubtful morals, but even this liberated state of affairs seems to have lasted only a short whilIn a lithograph dating from the relatively liberated epoch following the French Revolution, the lithographer Marlet has represented some women sketchers in a group of students working from the male model, but the model himself has been chastely provided with what appears to be a pair of bathing trunks, a garment hardly conducive to a sense of classical elevation: no doubt such license was considered daring in its day, and the young ladies in question suspected of doubtful morals, but even this liberated state of affairs seems to have lasted only a short whilin a group of students working from the male model, but the model himself has been chastely provided with what appears to be a pair of bathing trunks, a garment hardly conducive to a sense of classical elevation: no doubt such license was considered daring in its day, and the young ladies in question suspected of doubtful morals, but even this liberated state of affairs seems to have lasted only a short whilin its day, and the young ladies in question suspected of doubtful morals, but even this liberated state of affairs seems to have lasted only a short whilin question suspected of doubtful morals, but even this liberated state of affairs seems to have lasted only a short while.

He studied from 1831 - 34 with painter and lithographer J.D. Harding, then spent a year in Europe sketching and painting.

Originally a painter and lithographer, Roszak transitioned to sculpture following an 18 - month fellowship in Europe, where he became fascinated by Constructivism, the Bauhaus, and other European avant - garde movements, particularly the spellbinding paintings of Giorgio di Chirico.

In Paris he met with many expatriate modern artists including Diego Rivera (1886 - 1957), the primitivist sculptor Jacob Epstein (1880 — 1959), modernist John Marin (1870 - 1953), Synchromist painter Stanton Macdonald - Wright (1890 — 1973) and lithographer Leon Kroll (1884 - 1974).

He printed for legendary lithographer William Walmsley in Tallahassee, FL through the early nineties.

Throughout his latter academic studies he worked for master lithographer Kent Lovelace at Stone Press Editions in Seattle, most notably as assistant printer for the production of two editions by artist Jacob Lawrence.

A series of exhibitions were held each year and lithographer Grant Arnold ran a press in the basement, printing editions for Kuniyoshi, John Carroll, Karl Fortess, and others.

Charles T. Bowling, painter and lithographer active in the pre-World War II group of Regionalist artists known as the Dallas Nine, was born in June 1891 in Quitman, Texas, the fifth of eight children born to Robert W. and Grace Elizabeth (Long) Bowling.

Moore started printmaking in 1931, and in 1958 met the master lithographer Stanley Jones at the Curwen Press with whom he continued to make prints until the end of his life in 1986.

An apprentice lithographer who went on to develop a cheaper type of colour lithography and, in the process, the lithographic advertising poster.