Sentences with phrase «lithographs at»

Between 1964 and 1966, he produces seven lithographs at ULAE, including Spaghetti and Grass (1964 — 65), Campaign (1965), and Circles of Confusion I (1965).
There followed a period when artists including Henry Moore, Barbara Hepworth, Graham Sutherland, Elisabeth Frink and John Piper produced many important lithographs at the Studio.
Katharina Grosse did her first ever Lithographs at Edition Copenhagen in 2007 and her second project in 2011 which we will focus on in this show.
Gallery artist Anthony Campuzano has created his first lithograph at the invitation of the 2007 Philagrafika Invitational Portfolio.

Not exact matches

One of van Gogh's first successful lithographs, At Eternity's Gate (1882),) depicts an old man seated by a fire, his head buried in his hands.
POLAND Photogravure stamps publicized Spartacist Games; issue at right was lithographed winter sports «quickie»
The colt was foaled at Sanborn Chase Farm in Kentucky andnamed, unceremoniously, for a fictional foxhound in a lithograph that hangs inthe Jacksons» house.
Science and weather «The daily record of meteorological observations telegraphed to the Imperial Observatory at Paris, and published in a lithographed sheet, continues to increase in interest and importance under the active and enlightened superintendence of M. Le Verrier, director of the observatory.
Fiona Maye, a High Court judge, at home on Sunday evening, supine on a chaise longue, staring past her stockinged feet toward the end of the room, toward a partial view of recessed bookshelves by the fireplace and, to one side, by a tall window, a tiny Renoir lithograph of a bather, bought by her thirty years ago for fifty pounds.
The standard copy will sell for the common retail price of $ 59.99 on both the PS4 and Xbox One; the «Claptrap - in - a-Box Edition» will run at $ 399.99 and contains 12 lithographs, a steel case, and a quote - filled remote - controlled Claptrap replica.
The woodpeckers, sheep, and butterflies you love are dying, which is why the altered lithographs in Brandon Ballengée's «The Frameworks of Absence,» on view at the Ronald Feldman Fine Arts booth in the Armory Show, feel so dour.Ballengée wears three... Read More
The latest Blue Monster lithograph auction ended today with a final bid price of # 150 which is $ 1 shy of $ 300 at today's exchange rate.
Eight large, lush abstractions at Angles Gallery are joined with five smaller studies, plus a suite of eight lithographs.
At $ 4,500, this lithograph print is as central to Ruscha's oeuvre as Main Street is to Anytown, USA.
Color lithograph with pochoir, Edition 30 Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981.
The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.
Hayes pays homage to his time at AB Fine Art Foundry in London, which he revisits and references through video, sculptures, and lithograph prints.
Clockwise from upper left: Marginal Utility exhibition posters (2010 and 2011), offset lithographs; Stephen Eichhorn, Orb III (2013), collage on acrylic - coated panel; Studio ephemera from the collection of Alex Lukas; in case at right: Alex Lukas, Untitled, offset lithograph; in case at left: Feminist ephemera from the collection of Susan Guggenheim.
The works currently on display include traditional ephemera (Italian language guides, bakery business cards) as well as original works of art that mimic knickknacks, such as Sinead Cahill's hand - embroidered «girl scout» merit badges made from lithographed fabric, and many things that are not ephemeral at all, but step outside traditional fine art forms into the realm of the quotidian.
«Wreck of the Old» 97» lithograph by Thomas Hart Benton is part of the Americana exhibit at Springfield Museum of Art Juried Spring Exhibition Opening Reception at the Dayton Society of Artists 48 High Street, Dayton Friday, May 4, 6 to 9 p.m..
Featuring a series of etchings and lithographs produced at Mark Attwood's Artists» Press studio in White River as well as mixed media collage drawings and paintings all the size of vinyl record covers; Nhlengethwa's new works are stark, mostly monochromatic and affectingly vivid, echoing the emotion of Davis's melody.
Theodore Roszak, Woman Seated at a Table with a Sculpture (1931), lithograph in black on orange wove paper, image 4 1/2 x 7 1/2 inches.
The show, which is presented at the New York location of Arario Gallery, is entitled «Smile - isms» and is comprised of lithographs, several statues and one large - scale painting, all featuring the grinning self - portraits for which Minjun is known.
Theodore Roszak, Floodtide at Watergate (1974), lithograph in black, hand - colored with colored pencil, image 21 1/2 x 29 inches.
Collaboration Transformation, Lithographs from the Hamilton Press, University of Oklahoma Fashion at the Beach, Bass Museum, Miami, FL
The former portfolio, supervised by Vaclav Vytlacil, a founding member of AAA, and teacher at the Art Student League, consisted of 30 lithographs (the entire membership of AAA at that time was 39).
A number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.
Vera Schuhmacher Fine Art will be exhibiting at the AAF, Battersea (11 - 15 March) showing work by a selection of gallery artists including Elvira Bach, whose lithograph Zauber (Magic) appears above and new artist Rafael Koster whose oil painting Fleur is shown below (both works shown here courtesy of Vera Schuhmacher).
When I arrived at Downing College, Cambridge for the Michaelmas term of 1950, I brought with me my first major acquisition and my 21st birthday present: Village, a 1949 lithograph by Keith Vaughan.
American Epics: Thomas Hart Benton and Hollywood, a series of paintings, lithographs and prints from the early 1920s through the 1940s, will be on display at the Amon Carter Museum of American Art Feb 6.
Angela Davis took her post at UCLA the year before, after studying in San Diego and Berlin, and Charles White offers a Love Letter — a lithograph of her afro and bare shoulders above a rumbled field and a rose.
Jim Dine Printmaker: Leaving My Tracks explores Dine's etchings, woodcuts, lithographs and illustrated books from the last 50 years, drawing from the prints at the Museum of Fine Arts, Boston, where the artist has created an archive of his life's work.
Kara Walker, Alabama Loyalists Greeting the Federal Gun - Boats, from Harper's Pictorial History of the Civil War (Annotated), 2005, offset lithograph and silkscreen, published by LeRoy Neiman Center for Print Studies at Columbia University, New York.
French limited edition color lithograph still life at seaside in yellow, phthalo blue, red, green and orange colors.
In 1968, he created the «V» series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall - mounted sculptures.
George Bellows, A Stag at Sharkey's, 1917, lithograph, National Gallery of Art, Washington, Andrew W. Mellon Fund, 1956
Be sure not to miss an intricate and fantastical woodblock and lithograph edition entitled Monkey Biz by Duke Riley at Graphicstuide / USF; seminal prints by prominent American Pop artists Roy Lichtenstein and Andy Warhol at Gregg Shienbaum Fine Art; a visually hypnotic nine - color screen print by Jason Middlebrook at Flying Horse Editions; an impressive suite of etchings entitled The Caprichos by Emily Lombardo at Childs Gallery; striking figurative lithographs by American artist Robert Longo at Hamilton - Selway Fine Art; a bold woodcut by Royal Academy artist Eileen Copper at Rabley Contemporary Gallery UK; three - dimensional print sculptures by Lesley Dill and mixed media prints by Cuban artist Sandra Ramos at Tandem Press; a series of haunting portraits by the American artist Monica Lundy at Stoney Road Press / Ireland; colorful mixed media work by Stanley William Hayder at Susan Teller Gallery; subtle and contemplative photolithographic prints by Linda Schwarz at Wildwood Press LLC; and bold and colorful works by Alexander Calder and Chuck Close at Thomas French Fine Art.
At the time that he executed this first series of plant lithographs, for example, he was working on his first series of abstract prints, employing the vibrant colors and geometric shapes that would eventually define his career.
Drawn from the Amon Carter's collection, this selection of lithographs features two thematic series that Sterne completed at the Tamarind Lithography Workshop in 1967: Metamorphoses, a study of the vegetal folds of a head of lettuce, and Vertical - Horizontals, a study of the atmospheric recession of the horizon.
Billy Hassel's lithograph «Kingfisher» is among works included in the group show «The Wilds of Texas» at William Reaves / Sarah Foltz Fine Art.
The black outline of a leaf in the corner of a 1962 lithograph is a touchstone for the career of Robert Rauschenberg, the contemporary master who, at 82, continues to make art despite partial paralysis from a series of strokes in 2002 and 2003.
Robert Gober, of Peconic, had several prints at the Susan Sheehan Gallery booth, which also showed a few Warhol prints, a Lichtenstein lithograph, and a Vija Celmins mezzotint.
After finishing high school in 1924, Roszak enrolled at the Art Institute full time and won the school's lithograph and Trebilcock awards in his first year.
After finishing high school in 1924, he enrolled at the Art Institute full time and won the school's Lithograph and Trebilcock awards in his first year.
At the end, OS GEMEOS» lithograph The Other Side from 2014 is estimated at $ 9,000 — 12,000, and another Banksy's work, Rude Copper from 2002 should be sold for $ 7,000 — 9,000 USAt the end, OS GEMEOS» lithograph The Other Side from 2014 is estimated at $ 9,000 — 12,000, and another Banksy's work, Rude Copper from 2002 should be sold for $ 7,000 — 9,000 USat $ 9,000 — 12,000, and another Banksy's work, Rude Copper from 2002 should be sold for $ 7,000 — 9,000 USD.
In Jennifer Long's most recent solo exhibition On the Edge at the Percolator Gallery, Paddington (23 Sept - 6 Oct 2014) she presented a series of hybrid mixed media works - collage and oil on ply, rice paper bowls, etchings, lithographs, woodcuts and solvent transfers, where graphic and painterly styles combined in a new and contemporary manner.
Blue Hold, a lithograph print, is based on a painting that Elizabeth Magill exhibited at the Royal Academy Summer exhibition in 2010 and which won the Sunny Dupree Family award.
Besides her editions of coloured lithographs, she has also at times produced series of monotypes — one notable series reflecting a visit undertaken to work in Venice.
The show at Fondation Beyeler presents a selection of paintings, pastels, drawings and lithographs, which concentrates on Odilon Redon's significance as a precursor of classical modernism.
, a lithograph print, is based on a painting that Elizabeth Magill exhibited at the Royal Academy Summer exhibition in 2010 and which won the Sunny Dupree Family award.
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