Sentences with phrase «lithography on»

Now Samsung is planning to introduce the world's first EUV lithography on the 7nm process.

MANSMAG: Homage to Werkman and Cavalcade, 1969 Offset lithography on bound paper Courtesy Robert Heinecken Trust, Chicago

Image: Dario Robleto, The First Time, the Heart (Before and during emotion, 1870), 2017 Transparent ink lithography on hand - flamed and sooted paper, dipped in bath of shellac and denatured alcohol with brushed lithotine lift on Rising Artist Bristol

Vito Acconci, Trademarks, 1970, lithography on paper; 45/50, 20 ⅛ x 20 3/16 in.

Stephen Prina, «Dom - Hotel», Room 101, Cologne (bedroom), 1994, Plywood, wood and offset lithography on paper, silver gelatin prints, dimensions variable, Photo: Nick Ash

Found Solid Light Installation, October 29, 1973 offset lithography on paper paper: 14 1/4 x 10 7/8 inches (36.2 x 27.6 cm) framed: 19 3/4 x 15 5/8 inches (50.2 x 39.7 cm) edition of 2 AMC - WP.29

Yellow Solid, Black Solid, 1973 2 books, offset lithography on paper book: 9 x 5 5/8 x 7/8 inches (22.9 x 14.3 x 2.2 cm) each edition of 5 AMC - WP.203

Core / Fluke / Display, 1991 Portfolio of three prints, Individually titled Silkscreen with lithography on Coventry Rag paper Each 26 x 38 inches Edition of 50 Publisher: Edition Schellmann & Pace Editions Printer: Alexander Heinrici & The Spring Street Workshop

Offset lithography on newsprint, double - sided, 22 1/2 x 12 1/2 inches.

Not exact matches

Accurate Box uses lithography — a type of photo - quality printing on high - performance corrugated packaging materials — the only kind of printing the company does.

Lithography and varnishing company Litalsa has relied on AVT inspection equipment for its various printing lines since 2013.

Workers at SUNY Polytechnic Institute's NanoFabX building on Monday, Feb. 9, 2016 working on a lithography tool.

Exterior of the NanoFabX building at SUNY Polytechnic Institute on Monday, Feb. 8, 2016 in Albany, N.Y. GlobalFoundries is creating a $ 500 million chip lithography center here.

The project involved carrying out deep x-ray lithography experiments at ELETTRA and focused on the advantages of this technique for the production of microcomponents for surgical tools.

Previously, researchers have used either electron beam lithography or, more recently, the tiny styluslike arm of an atomic force microscope (AFM) to create nanometer - sized features on a surface.

But because the new DNA objects are on the same size scale of devices that can be patterned using computer chip lithography, it might be possible to integrate the two technologies and design DNA origami to detect cancer biomarkers and other biological targets that could then be read out by electronic devices, Castro says.

I'd say the trend is going the other way: that the [silicon lithography] technology that has developed around the integrated circuit is now being adopted in several other areas, like microelectromechanical systems, microfluidic devices, chemical labs on a chip, and more.

Specialists at the Scuola universitaria professionale della Svizzera italiana (SUPSI) in Lugano constructed the lattice designed on the computer using stereo lithography, a kind of 3D print from liquids and UV light.

Although he tries to confine his research to basic science, he holds many patents and has spun off companies, including several working on soft lithography, a method for building nanostuff.

The process for making LCDs, called lithography, is akin to printing in that layers of semiconductor, metal and insulator are laid down on top of each other to form the electrodes which switch the pixels on and off.

Most conventional lithography uses a variety of techniques to focus light on a photosensitive film to create 2 - D patterns.

«For this work, we focused on creating nanostructures using photosensitive polymers, which are commonly used in lithography,» Zhang says.

The team used lithography, in which a crystal is built up by depositing one layer on top of another, to manufacture photonic crystals.

So far, Davidson has experimented with small arrays of gold nano - spirals on a glass substrate made using scanning electron - beam lithography.

«In this paper, we have unlocked the secrets to making custom materials on two - photon lithography systems without losing resolution,» said LLNL researcher James Oakdale, a co-author on the paper.

In the paper, LLNL researchers describe cracking the code on resist materials optimized for two - photon lithography and forming 3D microstructures with features less than 150 nanometers.

A conventional top - down approach based on e-beam lithography is tested together with a bottom - up solution based on directed self - assembly of block copolymers.

Nanocombinatorics: The new analytical method utilizes a technique invented at Northwestern called polymer pen lithography, where basically a rubber stamp having as many as 11 million sharp pyramids is mounted on a transparent glass backing and precisely controlled by an atomic force microscope to generate desired patterns on a surface.

Advanced infrastructures specialized on growth, nano - lithography, nano - characterization, theory and simulation and fine - analysis with Synchrotron, FEL and Neutron radiation sources are integrated in a multi-site combination to develop frontier research on methods for reproducible nanoscience research and to enable European and international researchers from diverse disciplines to carry out advanced proposals impacting science and innovation.

Investigation on reversed domain structures in lithium niobate crystals patterned by interference lithography S. Grilli, P. Ferraro, S. De Nicola, A. Finizio, G. Pierattini, P. De Natale, and M. Chiarini Optics Express 11, 392 - 405 (2003).

While they may be used by the author to print a hard copy for the author to make notes on, a proof PDF is not the same resolution as a PDF used by a publisher for offset lithography printing and proofs should only be used for proofreading and reviewing.

As part of the Jasper Johns: Variations on a Theme at The Phillips Collection, master printer and professor Scip Barnhart demonstrated to visitors the following printmaking processes: intaglio, lithography, and silkscreen in a workshop adjacent to the exhibition.

Throughout his long career, Zao's experimentations in oil on canvas, ink on paper, lithography, engraving, and watercolor, allowed each image to evolve from the next, without imposing boundaries.

(1) The nine prints on view from the 1960s, 70s and 80s, demonstrate his mastery through lithography, etching, silkscreen, and woodblock, and further illuminate his extensive exploration of line and mark making.

Her working materials have expanded from pen and ink into a rich visual palette to include marker pen, India and acrylic ink, watercolour, charcoal, pastel, lithography crayon, coloured pencil and wood stain on paper, board and wood panel.

Cristina de Miguel, Boy Leading Horse, 2016, acrylic, oil, lithography ink, oil pastel, spray paint on canvas, 74 x 60 inches

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

This is an unframed, intaglio, lithography, woodblock, digital print on paper, by the iconic artist, Squeak Carnwath.

Coming between the prosecutions of Wallace Berman and Edward Kienholz, Everts's trial galvanised the community that was then centred on the Chouinard Art Institute (where Everts taught), the Tamarind lithography studio and the Pasadena Art Museum, where he had a solo exhibition of drawings in 1960 (and which became the Norton Simon in 1975).

Throughout his career, Pollock experimented with different media on paper, alternating the same themes on watercolor and lithography, and later adding gouache to engravings to provide interesting variations.

Strong holdings in later 20th - century works on paper include a decade's production, 1960 — 1970, from the innovative Tamarind Lithography Workshop, including artist's books and suites by Louise Nevelson and Rufino Tamayo.

Building on the example of American artists, British artists made use of the possibilities of silkscreen printing and the new developments in lithography that could incorporate photographic imagery and collage.

He also experimented with lithography, sculpture, and engraving, as well as designed stage sets for the Paris Opera's ballet, in addition to working on a number of book illustration projects, including Jean Cocteau ’s

He also experimented with lithography, sculpture, and engraving, as well as designed stage sets for the Paris Opera's ballet, in addition to working on a number of book illustration projects, including Jean Cocteau's La Voix Humaine.

In other technical tour - de-forces, such as Colors on a Grid, screenprint and lithography are combined with perfect registration.

HERMANN NITSCH Die Architektur des Orgien Mysterian theater, 2012 Set of 4 etchings, lithography and original painted intervention on 400 g vélin d'Arches paper $ 5,966

[7] He would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut, producing over 400 prints made by different techniques in his lifetime.

These artists created works on paper with the use of many different mediums to achieve their unique creative goal including, graphite drawing, etching, oil paint, collage, crayon, lithography, and watercolor.

In addition, upon his hiring, Ferguson also insisted on hiring Jack Lemon, a master printer who had worked at the Kansas City Art Institute, to open a lithography workshop.

Wengenroth was also the author of several influential books on lithography.