Sentences with phrase «little about art history»

Last year, curator Robert Storr, then the dean of the Yale School of Art, went on a tirade about the state of art criticism on a Yale radio show, lambasting everyone from New York magazine's Jerry Saltz — a «class clown,» Storr said — to academics Hal Foster and Benjamin H. D. Buchloh, who «know very little about art history.»

Not exact matches

It may try to force too much information into too little time if you don't know about the history and technology of film, but this documentary romanticizes the art with such passion and finesse that it stands as a reaffirmation of the power of movies and the importance of understanding their history and possible future.

, a little more cerebral (Daniel Craig, Matt Damon, Cate Blanchett, and George Clooney star in a heist movie about art history!)

If you try to ignore behavior you will end up talking about little else, whereas if you are intentional about behavioral culture and establish clear expectations, behavioral issues will ultimately fade into the background as you talk about history, art, literature, math, and science.

1920s Delage duo — Dennis Harrison tells us about a 1928 D.M. Weymann saloon and a sporting 1926 DISS / Electro - plating of car parts — In a further article in our series on technical subjects John Teague explains nickel plating and chromium plating / Art and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the UArt and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the Uart commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the USA.

On a a series of walks around the city we discovered stylish Art Deco architecture, learnt about the ups and downs of South Beach's history, sampled the Latin flavours of local cuisine, and were transported to Cuba in Little Havana.

This museum has a little bit of everything: world cultures, science and technology, Scottish history, art, and exhibits about the natural world.

We took a series of walking tours where we discovered stylish Art Deco architecture, learnt about the ups and downs of South Beach's history, sampled the Latin flavours of local cuisine, and were transported to Cuba in Little Havana.

There are two tours for those who want to learn more about the station — the self - guided audio tour which focuses on the architectural highlights and history of the station, with interesting facts and little - known bits of information, plus the grand tour, which is a guided walking tour that teaches you about the station's state - of - the - art design and construction.

Whether you want to dig a little deeper into Bali's wonderful history, values and beliefs, or you want to learn a thing or two about Balinese food, dance and art — culture vultures, this one's for you... Welcome to the Island of the Gods!

Kayla «Z06» Bianchi talks mostly about her own gaming history and preferences in the little interview, but you can also see some of her work for both the concept art and interior level design.

MoMA is where you learn what the important bits of the discussion are about, and maybe a little art history.

In the same way, when the museum considers «Black Artists and Abstraction,» it makes remarkably little fuss about rewriting recent art history.

But Hirst has always had more than a little touch of the provocateur about him, so in this encyclopedic show on the history of mankind and art, he slips in allusions to Walt Disney's Pluto, to a pharaoh who looks a lot like Pharrell Williams, and to a mythological character who seems to have leapt out of Paul McCarthy's imagination.

I mean, he had been to school in Kansas City, and he knew a little bit then, but he was very naive about art...» See Susan Weil, Oral History Interview conducted by Karen Thomas, January 5, 2011; copy in the Robert Rauschenberg Foundation archives.

An archive exhibition at the Whitechapel Gallery in London is about to bring to light the little known yet hugely influential history of Imprint 93 and so reveal another side to British art in the 1990s.

What reaction do you typically get from people who look at your paintings and know little or anything about art history and art?

You can edit that so instead of just saying you're a student at university of X, you can say history of art student, or fluent French speaker, or something that just says a little more about who you are straight away.