Sentences with phrase «little about some of the characters»

Unlike most collectibles which feel like something of a chore to hunt down, Nuggets of Truth feel like they're worth your time and effort as it's pretty fascinating to learn a little about some of the characters and events you've encountered along the way.

Not exact matches

Little believes that, though we all have fixed traits, we can act out of character to serve «core personal projects» — people we love or work we care about.

The most salacious behavior that she described is of relatively little consequence, even if totally true — it would be completely in character for the man Americans have gotten to know during years of trashy tabloid coverage to (per her account) flirt with a porn actress, compare her to his daughter, brag about a magazine with his face on it, get spanked with it, and cheat on his spouse.

The fact that you resort to petty little insults shows the depth of your character and arguments, which are about as shallow as a drop of water in an empty pool.

Instead of trying to make Him out to be something that our / your little minds can only conceive, try reading and listening to what the God of the Bible says about His character.

Something about the young Lakita character reminded me so much of a little girl I met named Bharathi, who is pictured above on the left.

If you knew how many of the «debaters» in this forum were paid shills sitting in boiler room type operations all day basically getting into character and arguing the agenda their boss gave them you would spend less time debating them and more time talking about their little known but thriving industry.

Archaeological discoveries have proved, beyond a doubt, his historical character, but apart from the legends we know very little about the circu - mstances of his life.

Today's fashion, like yesterday's, tells us very little about the character of the American people.

The change of properties does not affect this qualified eternity, or does so only when the thing little by little loses its essential attributes, hence when the change of attributes, whether they be essential or unessential, brings about an essential change in the thing and thus amounts to an essential change of its character.

talks so confidently about the inerrant, perfect, infallible character of the original Autographs of the Bible when no one has seen one for more than eighteen centuries Moreover, it is clear that originally no one thought the wording was perfect since copyists, translators, and authors had little fear of changing it.

He observes that characters such as Adam and Abraham are introduced as recipients of the divine Word; little is said about their appearance or character traits and nothing is said about the source of the divine Voice.

If Mr wenger built a team who never lost it tells me he can build a team remember a team consists of 11 different characters with different back grounds beliefs and aspirations and problems with another 11 to back them up I remember years ago the press used to talk about arsenal and not having English players on the field never the less I know off our own fatalities as such we were somehow always coming up little short by injuries to such Edwardo vanpercie and even gas diaby ramsy rosiscky carzola and many more and others that did nt seem to gel well I am not blind and I know we are not doing well but to suggest that Mr wenger docent have a clue is totally preposterous and disrespectful

And one of the things that she's talking about is an episode, now this happened in the late «70s but it was an episode and she was actually on the show talking to I think, I don't think it was an actual character on the show, I think it was like one of the little kids on the show about breastfeeding.

Little is known about the character of crying among infants of depressed mothers.

After signing into the system you are offered to create a profile of your own, by entering a personal data, such as age, occupation, place of living (city, not the exact address), a little about your character field, and also you need to fill in the field that is about the preferences towards your future partner.

I am a huge fan of the original Prince of Persia trilogy, and when I heard about this game I was a little worried that they would change to much of what made the original games great, and I was right, the gameplay has been completely destroyed, platforming is awkward do to too may actions being mapped to the same buttons, combat is tedious and unenjoyable, it's EXTREMELY repetitive, having to search around for light seeds just to advance the plot is stupid, and do to the fact that you can't really die the whole game just feels like trial and error, and the new Prince character is completely unlikeable, while they messed up most of the game it's got some good things going for it, the voice acting is solid, the graphics are beautiful, and the ending does have interested in seeing where the story goes from here, but I'm not sure if I want to pick up the next game they come out with, this was a huge disappointment and isn't worthy to bear the Prince of Persia name.

It's about Denzel Washington's homophobic character learning a little bit of tolerance and respect from his interactions with Hanks.

It's impossible not to laugh as the Gingerbread Man, two of his little baked legs cruelly broken off at the knee, scowls like a hard - boiled gangster at Farquaad, who's captured him in the hopes of gleaning information about the renegade storybook characters.

The 3:47 «Meet Katie» focuses on the story of the furry little yak who just steals her scenes in the film, as the creators talk about the development of the character from a background drawing to full - fledged cult hero.

Character development is admittedly spotty, with some individuals getting little more than token screen time, but there is enough here for us to care about the core group of mutants.

In its best moments, where only small gestures tell us so much about the characters, that's touching and heart - warming, but of course little spectacular and sometimes a little slow.

Director Ron Howard brings his usual light touch to the proceedings and manages to hold the viewer's interest even through the narrative's oddly action - packed final third (ie once the truth about Hannah's character is revealed, the film becomes more of a thriller than a cute little romantic comedy and there's even a chase sequence as the army attempts to capture the mermaid / woman).

The film's uncomplicated plotting allows plenty of space for goofy little throwaway gags — like a running joke about the young McGregor's feeble attempts at birdwatching — that other films might have cut to make way for various subplots or emotional character moments.

I don't know how thin these characters are, as they are rich historical figures and are very often very well - portrayed, but there is something lacking about the expository aspects of Philip Dunne's, Gina Kaus» and Albert Maltz's script, which pays little mind to secondary characters, and isn't even all that layered with the leads, who, to a lesser extent, join most all other characters in supplementing a sense of melodrama.

There are also too many supporting characters who get too little screen time on their own making it hard to care about any of the protagonists.

Rarely does so much talking say so little: Even after 30 - plus minutes of shocking pronouncements and sweeping exposition, no explanation has been offered for why we should care about any of these characters or anything that happens to them.

Her character has some ill - explained back story about a dead brother and apparently can't get out of bed in the morning, but when she does, there's little chemistry between her and The Rock, perhaps because their roles — and the supposed sparks — are so underwritten.

If there is anything I didn't like about the film, it's Cameron's lack of realism when dealing with the roles of children, especially Jonathan Lipnicki's (Stuart Little, The Little Vampire) character as the boy that Maguire forms a bond with, as he's too unrealistic in demeanor and too strange looking to buy as a real kid, and for that matter the same goes for Tyson Tidwell's (Suarez, The Ladykillers) demeanor (son of Rod) as well.

Freed of those constraints on a large - screen TV, you see little details about each monster and even your own character that you might never have noticed before.

This Spider - Man entry gives the hero and the audience a little bit of breathing space, giving us a lively ensemble that focuses less on reflecting series iconography and more on giving the audience characters to care about.

Olympus Has Fallen comes from a long line of dumb action flicks that are more concerned about high body counts and how many rounds of ammunition can be pumped into nameless causalities at high speeds than little things like plot, logic, and character.

Odd to see a character that was just a one - note bit part get his own movie, but Steve Carell (Little Miss Sunshine, Over the Hedge) continues playing the quirky newscaster from Bruce Almighty, oh, for about a couple of minutes.

With a strong Guy Pearce performance, and supporting characters that are surprisingly rounded given what little screen time they have, it's a good drama that hits upon themes of accepting one's mortality, living without fear of the inevitable, and treating those around you as if your existence on this plane were about to expire at any time.

From the directors of Little Miss Sunshine comes Ruby Sparks, a whimsical film about a struggling writer who falls in love with a character he makes up.

Some of «Fortitude» feels too planned, more written than organic, and a little, sorry, «cold», but there's a lot to like here, especially if you're curious about how to use environment as a character in mystery storytelling.

Tangents aside, Big Hero 6, directed by Don Hall and Chris Williams, is an adaptation of a little known Marvel comic, about a 14 - year - old boy called Hiro (spectacularly mispronounced as «Hero» by seemingly everyone, bar one character in the film), a total robotics prodigy, with genius level intellect, who participates in underground robot fighting.

It's a little iffy to think about how Segel wrote his own role, a character that is charming and has women throw themselves at him throughout the entire movie, and this knowledge gives the impression of narcissism from Segel.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

Man in the Dark — Stephen Lang, who is absolutely brilliant in the film, talks a little bit about his character and how he thinks of the Blind Man almost like an urban legend.

In those 30 pages they never left the hut, never said what the point was of the entire adventure that everyone would soon go on, very little character building of the 13 Dwarves just a bunch of silly singing, eating and reading about how purplexed Bilbo Baggins (Martin Freeman) was at the shenanigans going around him.

Cardasis keeps his characters and actors at arm's length here, as if he's a little scared of them or worried about seeming like a tourist.

The extras on this disc are a little disappointing as they're just basic little promos like a few of the actors talking about their characters or the main cast and Director talking about the production as a whole.

Sookie's dimples, her delightful chirp, and her unrelenting sunniness could have sunk the character as a little bit of a sap, but McCarthy carried it off, using about 10 percent of what she turned out to be capable of.

The film opens on the island of Themyscira, a paradise island created by the god Zeus and hidden from the real world by a protective shield, and the film stays there for a while as we follow Diana from curious little girl to fully trained warrior princess but once Steve Trevor's fighter plane crashes there and Diana realises there is a war being fought in world she does not know of that is not too far away then we swiftly get brought into London in 1918 and this shift from fantasy into a «real world» scenario gives the film a greater sense of depth, and when combined with characters that you actually care about then Wonder Woman is head and shoulders above all of the other DCEU movies on the strength of that alone.

Little is yet known about Tucci's character in the film, but he will figure in the London part of the project.

I found a lot of the overhead shots really helped make us feel like they were a can of sardines, and it was about finding the right distance to be far enough away from our characters so we could get these graphic, composed wide shots that look like little dioramas, with our people stuck inside, that never felt like we were breaking a wall.

For those of us who know at least a little bit about the character of Deadpool, this is what you would expect to some degree.

I sat down to this knowing very little about it; nothing of the plot, nothing of the characters - only that it had something to do with a pilot who was cursed to look like a pig.

I'm of two minds about the film, liking the energy and ingenuity behind many of the characters and their peculiar little world, but the story itself, during the few times it sticks to trying to tell it, is predictable and barely cohesive.