Sentences with phrase «little beach print»

Not exact matches

The digital age allows us to keep far - flung family and friends apprised of our little ones» milestones — putting up with bath time, potty successes, first day at the beach — and eliminates having to print and mail photos to whiny grandparents.

The Mütter Museum of medical anomalies at the venerable College of Physicians of Philadelphia is well supplied with helpful staff and airy colonnades, but what it could really use is a little stack of printed leaflets explaining to the modern visitor how he or she is supposed to feel about all this, or at least what to make of it: the uprooted genitalia and beach - ball tumors, the skeleton of the man whose muscle has turned to bone, the woman so fat that after death her body transformed itself into soap, the embryos in jars whose peeling labels break the sad but unsurprising news that not having a skull, or a brain, or a stomach, or any skin, is a state of affairs «incompatible with life.»

It's easy to throw on a simple pair of shorts and a t - shirt for the beach, but why not amp it up a little with some fun printed shirts and a chambray shirt?

The floral print adds a little excitement and touch of femininity, perfect to wear out with the girls or to the beach with some cute leather strapped sandals.

The beach print is a little weird to me; I love all the colors but the placement makes it look like waves are cascading forward from between your breasts.

While there are many contemporary women who embody effortless off - duty chic (Gisele, Beyoncé, Kate Moss), there's something particularly irresistible about the sleek, burnished ladies of Aarons» era, basking on beaches in hostess gowns and printed pants — perhaps because their allure had little to do with youth or conventional beauty; it was an attitude, an optimism.

This unique natural print brings a little bit of jungle to the beach, pool, deck or garden.

«time / frame,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, January 25 — July 28, 2002 «Fifty Years of Supporting the New: The Charles H Carpenter Jr Collection,» Aldrich Museum of Contemporary Art, Ridgefield, CT, September 22 — December 31, 2002 «In the Spirit of Martin: The Living Legacy of Dr Martin Luther King Jr,» Smithsonian Institution Traveling Exhibition Service (organizer), Charles H Wright Museum of African American History, Detroit, MI, January 12 — August 4, 2002; traveled to Bass Museum of Art, Miami Beach, FL, September 7 — December 1, 2002; Frederick R Weisman Art Museum, Minneapolis, MN, January 19 — April 6, 2003; International Gallery, Smithsonian Institution, Washington, D.C., May 15 — July 27, 2003; Memphis Brooks Museum of Art, Memphis, TN, August 30 — November 9, 2003; and Montgomery Museum of Fine Arts, AL, January 3 — March 28, 2004; catalogue «LIFE DEATH LOVE HATE PLEASURE PAIN: Selected works from the MCA Permanent Collection,» Museum of Contemporary Art, Chicago, IL, 2002 «Structures of Difference,» curated by Nicholas Baume, Wadsworth Atheneum, Hartford, CT, 2002 «Drawings of Choice from a New York Collection,» Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL, curated by Joself Helfenstein: traveled to Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati Art Museum, Cincinnati, OH «Recent Acquisitions,» Fonds Régional d'Art Contemporain, Reims, France, 2002 «Pushing Aesthetic Boundaries: Contemporary Prints,» Gallery M, New York, NY, 2002 «Charles H Carpenter, Jr Collection: Fifty Years of Supporting the New,» Aldrich Museum of Contemporary Art, Ridgefield, CT, 2002 «New York, New Work, Now!

1993 Lines and Myths: Abstraction in American Art, 1941 - 1951, Michael Rosenfeld Gallery, New York, NY Charles Alston and Norman Lewis, Innovators of the African - American Aesthetic, Isobel Neal Gallery, Chicago, IL Alone in a Crowd, Prints of the 1930s - 1940s by African - American Artists - From the Collection of Reba and Dave Williams, American Federation of the Arts, Newark Museum, Newark, NJ; The Equitable Gallery, New York, NY; Long Beach Museum of Art, Long Beach, CA; Fitzwilliam Museum, Cambridge, England; New York State Museum, Albany, NY; Yale University Art Gallery, New Haven, CT; J.B. Speed Art Museum, Louisville, KY; Philadelphia Museum of Art, Philadelphia, PA; Baltimore Museum of Art, Baltimore, MD; Gibbs Museum of Art, Charleston, SC; Bass Museum of Art, Miami Beach, FL; Arkansas Arts Center, Little Rock, AR; Fine Arts Museum of the South, Mobile, AL; Brooklyn Museum, Brooklyn, NY; Art Institute of Chicago, Chicago, IL; Dallas Museum of Art, Dallas, TX; The St. Louis Museum, St. Louis, MO; High Museum of Art, Atlanta, GA On Paper: The Figure in Twentieth Century American Art, Michael Rosenfeld Gallery, New York, NY