Sentences with phrase «little black paint»

I actually did a book shelf make over this week with a little black paint and some baskets at my house.
I made sure to have very little black paint on my brush and just lightly brushed over the brown.

Not exact matches

«If you're white, paint yourself black and walk down the street one day, and you'll probably have a little more empathy for how some of these folks get treated,» Dimon said.
This little fellow better get busy with his roller of black paint.
Little yellow cups with black and red masks painted on the side and a matching teapot perfect for brewing tea.
Attractions include artisan and amusement vendor booths, fireworks, a car show, live musical performances, face painting for kids, a magic show, a little mermaid contest, fishing workshops and the planned «return» of centuries - old pirate Black Caesar and his crew to give buccaneering demonstrations.
2 are black, and one is brown, but a little gold paint cures all.
If you've already got a glamorous all - black wardrobe, become a glam skeleton with just a little face paint.
Best Laid Plans + Free Printable by Colour Saturated Life — Facebook Pinterest Instagram Twitter Rast Ikea Hack by Hawthorne and Main — Facebook Pinterest Instagram Twitter G + DIY Pumpkin Plate Chargers by Little Glass Jar — Facebook Pinterest Instagram Twitter G + Black Bird Halloween Wreath by Meadow Lake Road — Facebook Pinterest Instagram Twitter G + Easy DIY Painted Pumpkins by Meet the B's — Facebook Pinterest Twitter G + DIY Typography Signs by Bless» er House — Facebook Pinterest Instagram Twitter G + Fall Entry Way Decor by Tidbits Junk Button Acorn Pillow by Hunt and Host DIY Fall Wood Art by Simply Beautiful by Angela Vintage Halloween Mantel by Seeking Lavender Lane Fall on the Front Porch by This Makes That Fall Home Tour by House By Hoff You can check out all the «Bragging Rights» on the Brag - Worthy Thursday Pinterest board!
This little desk was built for me by my grandparents MANY years ago, I painted it black to match up with my old guest bedroom scheme that was a compromise for my ex husband.
Seriously, chalkboard spray paint is the little black dress in my craft closet.
Just as quickly as I decided to paint our living room wall black, I opted to give it an update and repaint it in Aquamarine Light from Little Greene.
WOLFGANG JOOP grew up a little this season - reining in the multicoloured dots to vaguely more sensible checks, but there was still plenty of colour: black and white vertical stripes were roughly painted onto cotton coats and tights and then daubed with yellow and green and red squares at random.
After I let the black spray paint dry I taped off the bottom of the feet and used some gold spray paint to add a little accent.
I chose to use black paint for the lettering because every room needs a little black.
I love making black and white a little more fun and interesting with fun patterns — like with this cool painted effect!
Glitter / / Nude / / Pink / / Red / / Orange / / Yellow / / Green / / Blue / / Purple / / Black Nail polish never goes out of style, but with toes and sandals coming back into transition in the next month, we tend to pay a little closer attention to painting our digits.
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Another idea would be to paint the buffet a darker color - maybe a French grey or distressed black for a little more contrast... oh well, we will see!!
I know, Rihanna is a pop star, but just the same, if you have a «rock star» personality, don't be afraid to paint it out in your little black dress ensemble.
What I feel good about is having honoured the roots of this little piece rather than painting it my go - to black.
You might also need a little black fabric paint just to blend the edges of the purple back into the Black Panther suit, so it doesn't look too rablack fabric paint just to blend the edges of the purple back into the Black Panther suit, so it doesn't look too raBlack Panther suit, so it doesn't look too raised.
The brakes are a strong point, however, with massive six - piston, black - painted brake calipers that provide excellent feel and bring the big LS to a stop with little drama and a lot of confidence.
The lack of anything but a black band defining and separating it from painted surfaces seems a little cheap.
If you're after something a little more head - turning, then a Coupe Franche model is available with a red and black two - tone paint job.
As for the exterior, there is very little to distinguish the luxury SUV from other Bentaygas, and it sits on 21» diamond - turned black painted alloy wheels.
The test vehicle was a V - 6, rear - wheel - drive Citadel, painted «Bright Silver Metallic» with tan leather upholstery — a little odd, as most silver vehicles we see come with gray or black upholstery.
That's especially true with this trim, as it takes things a little further with its standard LED lighting, SE - specific front bumper with larger, honeycombed lower grille insert and 18 - inch wheels with black - painted spoke insets.
I have a little trouble with the picture it paints of blacks, but the satire is interesting and well done.
It's basically what you get if you take an HTC Flyer tablet, slap a little extra black paint on the back and add a 4G radio.
The stall doors and walls were painted black, little cubicles of polite inattention.
The bird - like Corvians in the painting are warped and rotting away, their bodies little more than full grown chicken fetuses with blotchy skin and black, bulbous eyes.
The titles of many of his paintings — Separate but Equal, The First Black, The Problem with Assumptions, The Difference Between Then and Now, Satchmo's Answer to Truman, When Aaron Tied Ruth — while they may make sly references to the formalism of his paintings, also explicitly or implicitly draw on black history and refer to personal heroes such as Malcolm X and Martin Luther King, Jr., whose likenesses and sayings adorn a section of Little's stBlack, The Problem with Assumptions, The Difference Between Then and Now, Satchmo's Answer to Truman, When Aaron Tied Ruth — while they may make sly references to the formalism of his paintings, also explicitly or implicitly draw on black history and refer to personal heroes such as Malcolm X and Martin Luther King, Jr., whose likenesses and sayings adorn a section of Little's stblack history and refer to personal heroes such as Malcolm X and Martin Luther King, Jr., whose likenesses and sayings adorn a section of Little's studio.
Their joyfulness stood in striking contrast to Reinhardt's relatively daunting if better - known Black Paintings, which suddenly seem a little pretentious.
The Black Arts Movement, formally established in 1965 by a group of politically motivated poets, artists, and musicians, had little use for abstract painting.
Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT
On the day we meet he wears all black, a little white paint speckling one of his trouser legs.
Finally providing the emotional bookends to this exhibition are two works: Hydrangeas and Blue Vase, 2012 and Little Black Skull Painting, 2012.
In the early 1960s, for example, he seemed to be measuring himself up against the achievements of Abstract Expressionism and consciously wondering how he might beg to differ, and even testing the limits of our patience as spectators, asking us to consider how little might be required to make a painting which has clout and authenticity — overlay an entire surface with black paint, and then introduce across that surface some black chevrons edged with orange?
Stretch way back to Goya working on court portraits, but what people want to see now are the black paintings and the little etchings he kept completely to himself.
On the right - hand side, a painted replication of an old black and white photograph of Marcus as a little girl, accompanied by her father, is inset within the composition.
In the «frame» painting, «Old Kiln» (2012 - 15), there is a little wooden, block - like structure, with a black smokestack mounted on top of the frame on the painting's left side.
He went through his black and white phase, and came out the other side in the late 1970s making paintings and prints of utter clarity, but which reintroduced colour, built up paint in low relief and explored once more the illusion of three dimensions, suggesting volume and spatial depth in what could look a little like a late - century and cheerier abstract take on Giorgio de Chirico's bleak city centres in lovely, hard colours.
As a sign of the times, those new paintings have taken a brutal turn — they're at once more abstract and more clearly violent, even political, showing little black girls defaced or wielding handguns, occasionally shooting each other dead.
Starting in 1980 with a mischievous little egg - tempera — «A Portrait of the Artist as a Shadow of His Former Self,» which features a grin missing a crucial tooth — Marshall has painted his African - American subjects mostly in unmixed black paint.
Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.
This application of multiple immediate reads is what keeps it open and interesting, and the artist's color choices (mainly yellow and black, which always turn a little green when they're placed and mixed together) and paint application are intentionally excessive and grotesque, maybe in the same ways as consumption and consumerism within the art world.
With little formal training, she began experimenting with clay, plaster, and steel after seeing Barnett Newman's work and Ad Reinhardt's all - black paintings at the Guggenheim in 1961.
Flanking these works with monochromatic paintings emblazoned with «native» and «should have picked your own cotton,» these paintings reveal the troublesome and little - discussed history of black soldiers enlisted for the South.
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