Sentences with phrase «little character keeps»

There are some strong older titles in this deal that are worth checking out, especially if you love the feeling of wanting to snap your controller in half because your meaty little character keeps exploding on buzz - saws.

Not exact matches

But when you're alone and you have an opportunity to cross the line a little bit, character is what keeps you inside the line.

And my mum kept all our old Fisher Price toys (the little characters in the top photo, who slot into a whole world of play furniture, buildings and vehicles).

Keep your little one warm and cozy after his bath with this FINDING NEMO hooded character towel.

Although the main character, Libby, is a little unlikable in my opinion, Gillian Flynn is always keeping you on your toes with her novels and makes you want more.

If it's all a little too crowded with characters, Branagh's pacy direction keeps the story zip along to a conclusion that's tense even if you remember whodunnit.

While Metroid Prime engages on no level other than gameplay, that gameplay is so perfectly tuned and refined, so continuously evolving and clever that you'll keep playing and playing, even when you're frustrated, even when you're honestly just a little bored with the back - tracking, and even though you don't care about the character or story.

Maïwenn brings up the dirty and dark side of Paris with the help of an excellent team of child actors - Malonn Lévana, the lovely little girl of «Tomboy» (where she plays the sister of the leading character) is someone to keep an eye on - and the best known actors of the French cinema of today: Marina Foïs, Sandrine Kiberlain, Nicolas Duvauchelle, Frédéric Pierrot, Karin Viard, Louis - Do de Lencquesaing, Alice de Lencquesaing (L'heure d'été, Le père de mes enfants), Jérémie Elkaïm (La guerre est déclarée), Karole Rocher, and others.

I normally suck at fps but this game allowed me to get better at them and the same time enjoy them the thing that ade me get this game was the rpg elements and I have to say they work pretty well but when you play with people who have modded guns (like me) and you don't it is a little frustating and it's because of that, that I realized I was tired of the game; after playing as every character and defeating the game on hard a couple of times I realized there wasn't much else to the game to keep me entertained.

Hill, meanwhile, is a little less convincing — I kept seeing him as an eager college reporter, not an award - winning thirtysomething writer — but still solid, and his offscreen friendship with his co-star no doubt helps cement the believability of their characters» connection.

But Stiller also keeps the character a little distant, as if it's such a cool, actorly thing to play a desperate junkie that there's no need to show warmth.

Fourteen members of the company is an awfully large number of characters for their audience to keep clear, and many are given so little time on screen as to be indistinguishable.

A few unexpected minor pleasures: the time - travel flick Predestination, an adaptation of a Robert A. Heinlein short story that's one of those rare sci - fi movies that feels like it was made by people who read sci - fi; the horror Western Bone Tomahawk, which feels, in the best way, like someone filmed a first draft script and didn't cut anything, all its little quirks of character kept intact, narrative expediency be damned; and In The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minute.

So we're trying to keep it focused in the area that our film was, which was a little bit more about characters and relationships and stuff like that, and see where that takes us.

At one point Andy throws a little pity party for himself, asking if anybody understands how hard it is for a kid to keep his toys under wraps instead of playing with them, and it's a poignant character note because it's psychologically suggestive of Carell's status in his adult life — but it isn't dwelled upon.

He's been like that, more or less, ever since, a fan - favorite for folks who value a little humor in their comic books have kept an eye on the character ever since.

Cardasis keeps his characters and actors at arm's length here, as if he's a little scared of them or worried about seeming like a tourist.

Lively and raucously entertaining, this female Indiana Jones romp makes little sense but keeps us engaged due to its sparky characters and a bit of deranged subtext.

It has the same sense of comedy, great characters and that little touch of emotion that keeps the season together.

He flew me out from NY to meet with Paul Williams and the two of them kept making this Beef character seem more like Little Richard.

The scene - building tactic that the film keeps returning to entails the camera hunkering down in a defined space (a frat - house common room, a bar, a dugout) to observe a large group of characters tripping over each other with rapid - fire quips, cutting between them like a little steel ball careening wildly off ramps and spring - loaded slingshots.

People keep on saying that Taken's biggest flaw is the one - dimensional characters, but if you dig a little deeper then there is a lot of clever stuff going on in between the lines that deserve praise.

As the already fast - moving story gains more momentum and the likeable leads try to foil the killer and keep cognizant, it must be said that it all seems a little too jokey to believe the characters are ever in any real danger.

There are also good performances from supporting characters Miranda Richardson (The Bachelor, Merlin), Lisa Marie (Burton's wife, who has a habit of showing up in small roles in his films), Michael Gough (Alfred from the Batman movies), Ian McDiarmid (Restoration), Christopher Walken (Blast From the Past, The Rose Hotel), an unbilled cameo by Martin Landau, Jeffrey Jones (Ravenous, Stuart Little), and a surprising decent Caspar Van Dien (The Omega Code, Starship Troopers), probably because the amount of spoken time allotted to his character was kept at a minimum.

Duncan matures a little in «The Way Way Back» and co - writers / directors, Jim Rash and Nat Faxon, keep the focus on the character's growth in confidence instead of cementing his path to adulthood.

While we kept swooning over the appearance of all the characters, what caught the eye was a little glimpse of Elizabeth Debicki as the main villain Ayesha.

While it may still be somewhat hampered by having to keep characters that will play a more vital role later around that don't really add to the movie at hand, for the most part, Goldenberg and director David Yates (The Girl in the Cafe, Sex Traffic) waste little time in getting us into the story and keeping us focused throughout.

With little else to keep me interested as the story stumbled along, I did enjoy keeping track of all the trendy names of various minor supporting characters, from high - priced bodyguards Taylor and Sawyer and Prescott to the novelist Boyce Fox to the architect known as Gia Matteo to the bank manager Troy Whelan.

McCarthy and Falcone are smart to keep Deanna genuine, with the cast of characters around her a little more on the fringe.

Very good performances by Ng, Wong, and Yam keeps the energy level up, while To shows mastery of setting up the action with excellent use of «little touches» that provide moments of interest as well as subtle character development to make them truly exciting.

Cheung understands that the machinery of repression can't reveal itself too readily, but can only be divined through her character's strenuous efforts to keep it up and running (in comparison, Leung plays the Mr. Nice Guy act a little too broadly at times).

This film has so many moving parts, spending little to no time perfecting any of them (or adequate - ing any of them, really), that it feels more like a series of skits left on the cutting room floor with no connective tissue to keep the momentum up or drive interest in any of its characters, the outtakes of a better and more accomplished film.

Argo thinks Get Out was a little hard on its white characters — or at least wonders if they were too one - dimensional — but keeps that to itself, and laughs politely when its one half - black friend says «Give me the keys, Rose!»

There are still little sprinklings of action to keep things zipping along, but Coogler's patience and commitment to fleshing out his characters are what ultimately makes the rest of his film so satisfying.

Yet all that research would amount to little were the first - time thesps not so naturally compelling onscreen, and Baker's adoration for his two lead characters — their attitude, their saucy colloquialisms, the brassy self - assurance with which they carry themselves — could scarcely be plainer from the way his camera races to keep up with them, while high - energy trap music erupts on the soundtrack in loud, propulsive bursts.

The kinetic energy that keeps Infinity War running is the little moments of camaraderie, devotion and love shared between characters in between each fight.

Yet, in a strange way that seems entirely in keeping with the SV's physical, bull - necked character — a double - clutcher would be altogether too smooth and suave for this car, though there's little doubt the optional (but heavier) six - speed manual gearbox would suit it best of all.

Clever, wry, and not above a little groan - inducing wordplay of the very best kind, the book's humor not only keeps the mood light, it cements Keane and Fowler's characters.

The cast of characters can be a little daunting at times as the reader tries to keep up with the names and their various loyalties, but that can also make the story line all the more intriguing in the world of who do you trust.

He is a very interesting character, for sure, and he keeps moving forward - or so it appears - but there is very little emotion to what he does, very little feeling.

It was a little confusing keeping track of the characters and the passage of time.

- Kirkus «Although Leary (The Good House) ties up her loose ends a little too neatly, her characters are a delightful blend of strong personalities, all with their own little touch of delicious evil, and her darkly comic send - ups of New England wealth, nouveau riche, and Internet culture should keep readers absorbed until the final, most shocking secrets are revealed.»

That's coupled with the interesting dynamic that various characters in Glines» books each have their own series, so at times I felt just a little lost while trying to keep the characters straight.

The first few chapters are a little slow because the novel is told from the perspective of seven different characters in three different persons - first, third, and the slightly awkward second - which takes a bit of getting to grips with, but once the groundwork is laid the plot moves at a fair clip, offering many reasons to keep reading, not least of which is the opportunity to experience a different side of Bolivia from what most of us imagine - suffice to say, it ain't all ponchos and alpaca!

«A voice journal will keep your characters from becoming little versions of you.»

Our «Sadie» is a little character and her spaniel instincts are alive and keep her very active.

The big set - piece missions and larger - than - life characters may get all the credit, but it's the little things that keep us coming back and exploring everything Los Santos has to offer.

On top of that the massive roster of characters also meant that the film has to change location a lot to keep up with everyone, further enhancing the sense Age of Ultron could have done with calming down a little.

The missions have real charm, as Rockstar have managed to keep the game full of colourful (and questionable) characters that all have their own distinct personalities and humour — such as Nigel West Dickens, a «doctor» conning people with dodgy miracle cures, and Seth who seems to enjoy the company of corpses a little too much.

As for Diablo III, if Blizzard would beef up, add to, or further develop the companion characters and make them a little more functional and usable (think heroes), I'd keep playing it.