Sentences with phrase «little depth there»

Not exact matches

I know there's a lot of people out there that are always hearing us talk about the book security analysis but today's episode we're actually going to go into a little bit of depth to talk about what we actually know about this book.

There are questions to which I don't have answers and sometimes I feel a little out of my depth with this whole series.

I think the reason why Jesus and Paul don't go into depth in describing what their exact role and function of government should be is because If Christians are relying on God, and functioning as the church, there will be little need for a strong government.

The world is so exquisite with so much love and moral depth, that there is no reason to deceive ourselves with pretty stories for which there's little good evidence.

There is red wine vinegar and Worcestershire for that depth of flavour, lemon juice and zest for extra freshness, and dijon for a little kick.

There's also a little chicken sausage in there for added depth and heartiness, and tender kale provides the necessary greeThere's also a little chicken sausage in there for added depth and heartiness, and tender kale provides the necessary greethere for added depth and heartiness, and tender kale provides the necessary greenery.

There are a few quirks from David's recipe that still make their way into my kitchen when I make these: It has more chocolate, and even though many have rightly pointed out that a mix of bread flour and cake flour should average out to the protein content of all - purpose, there's something about the mix that I find adds a little extra depth to the flThere are a few quirks from David's recipe that still make their way into my kitchen when I make these: It has more chocolate, and even though many have rightly pointed out that a mix of bread flour and cake flour should average out to the protein content of all - purpose, there's something about the mix that I find adds a little extra depth to the flthere's something about the mix that I find adds a little extra depth to the flavor.

The downside of a little depth is people's favourites not playing — there is only one slot / position for Theo in a 1st X1 and we have 3 possibly 4 who can play in that position.

With him and Perdomo on the skids, there is little reliable depth behind them.

Our D looks very good, but goddamn there is little to no depth in multiple spots.

We always suffer at least a little when there is an injury because our depth is reduced.

I think that there's little doubt in whether we have the team with the most squad depth.

There is depth in the organization to handle both of these losses — catching prospect Kevin Plawecki will take d'Arnaud's roster spot, while Blevins will be replaced by minor - league reliever Hansel Robles — but that's of little comfort.

Still, there's a little more depth to the business of the shootout.

There's little - to - no depth behind Stoudemire and Chandler, and that's if they're healthy.

There is depth, but little true competition.

There have been considerably more changes this term, but there's still little depth outside of the first There have been considerably more changes this term, but there's still little depth outside of the first there's still little depth outside of the first team.

The depth chart, as it stands today, only makes that clear, especially in midfield and attack where there is very little depth of the kind Liverpool will surely need if they are to make a deep run in Europe and hold on to a top four spot in the league.

As for «muscle chemistry,» there are some straightforward factors (like the amount of glycogen the muscle can store) and some more complicated stuff that's getting a little out of my depth.

There's a little cream added to thin the sauce and to add depth and richness.

Death by Food Pyramid is a little bit more of an easier read, while Deep Nutrition is more in - depth and scientific, so choose based upon your preference there!

If you'd like to learn a little more about Zoosk Coins and everything else there is to know about the site before taking the leap, check out our in - depth review of the site here:

Beyond unlocking the suits and leveling up your fighter to unlock «power ups» there's very little depth beyond its primary use as a brief distraction for the kids.

But as it advances — with Julian finding excuses to get work as near to Yanelly as possible, and Yanelly finding cunning ways of smuggling her panties back to him — there's little poetry or depth.

Jean's laconic if purposeful manner as Julian makes him a charismatic oasis of cool in a world which is basically violent, frenzied, shouty and sweary: There's little depth of characterization, when everyone's simply seeking to gratify their urge for money, sex, drugs or or all three, as an escape from the tedium and the horror.

There's very little depth to the cast of victims (ahem, I mean characters) even in comparison to the average slasher film, and Mary Elizabeth Winstead (Sky High) is the only actor to come off in a positive light.

The game also has a mission mode which gives you some interesting tasks to complete, and from there really adds a little extra depth to the game.

There's no strategy or depth to be found, so once you eviscerate, dismember, and decapitate for a little while, your actions become tiresome.

The tricky thing here is that there's little depth to the proceedings.

For the expert fighting game fans out there, you might be a little disappointed with the level of depth to the fights as they do mainly play out as button mashing contests.

The film opens on the island of Themyscira, a paradise island created by the god Zeus and hidden from the real world by a protective shield, and the film stays there for a while as we follow Diana from curious little girl to fully trained warrior princess but once Steve Trevor's fighter plane crashes there and Diana realises there is a war being fought in world she does not know of that is not too far away then we swiftly get brought into London in 1918 and this shift from fantasy into a «real world» scenario gives the film a greater sense of depth, and when combined with characters that you actually care about then Wonder Woman is head and shoulders above all of the other DCEU movies on the strength of that alone.

As a film, there's nothing remotely exciting about seeing Mark Wahlberg re-enact killing nameless bad guys before taking down the main heavies that have little depth and virtually no menace.

Scott wants to stick with a plotline that is barely even there, while McCarthy likes to explore his morally ambiguous characters with a depth that most directors would find too ponderous and verbose to wrap a motion picture around, and certainly Scott exhibits little patience in the more talk - heavy moments that emerge, hastily jumping to the comfort of more fluid endeavors and exhilarating shots of the scenic desert landscape.

The 2.35:1, 16x9 - enhanced transfer looks a little overfiltered; between its lack of fine detail and overcast appearance, the image can be eye - straining at times, but there's a depth to it that simultaneously impresses.

It comes as no surprise that there is so much depth to the film since it is written by Oscar winner Simon Beaufoy (Slumdog Millionaire) and directed by the husband - and - wife team of Jonathan Dayton and Valerie Faris who among other things made Little Miss Sunshine such a total delight.

The blacks have little depth and overall there isn't much contrast in the picture.

There's also an in - depth making - of («We Made Hot Fuzz»), a 71 - minute documentary on the film's U.S. tour («The Fuzzball Rally»), Wright's 1993 short film «Dead Right,» and plenty of fun little Easter eggs.

Fine details stand out reasonably well, though there's little in the way of image depth.

Video: Cameron used Sony CineAlta 3D cameras for the shoot, but other than adding a little more visual depth, there really isn't much in the way of 3D effects — especially once we get inside the ship.

Unfortunately, there's little depth found in any of these communities.

While the depth of the site can make it a little overwhelming, there's a treasure trove of accessible, engaging, and valuable information for anyone who works with kids.

I wrote this lesson because I noticed that there are an extremely high volume of students that approach creative writing tasks (even in their GCSEs) offering little depth or detail in terms of their characters emotions.

There's little room for dialogue or in - depth scenes.

I felt like there would have been more depth of character with only one main point of view - I found myself wanting more details from each character and instead it seemed like you would get a little information and then «poof» on to the next one.

Though I wish there had been a little more in depth into the characters, there was no doubt in my mind that the horrors and the accomplishments of the cast was felt.

There are four main parts with lots of little pinch points that the book Story Engineering by Larry Brooks goes over in great depth.

There's not enough depth for websites and textual apps when in landscape orientation, and there's too little width when in portrait orientaThere's not enough depth for websites and textual apps when in landscape orientation, and there's too little width when in portrait orientathere's too little width when in portrait orientation.

That's a little bit of a promise, and I think it's true, but then there's the sort of a «new stories with an old soul» that kind of indicates what's going on like with a heart behind the story or just like in the story that there's a little bit more depth than just sort of like a straightforward, just action.

As an example: imagine I want to buy 100 units at the lowest offer, but the size of the lowest offer is only 50 units, and there is not any further order, that means the stock has little depth.

There would be a big box at the top, with lines to little boxes below, but only one level of depth, and no lines between subsidiaries.