This might have been a savvy satire on today's celebrity - struck media culture, but Niccol unfolds the story at a lumbering pace, peppered with not - funny gags and dramatic scenes that build
little emotional power.
Not exact matches
While everyone gets worked into a frenzy and lathered up in the
emotional fight of us and them... the
powers that be (bildenbergs, or whomever) are setting the stage for a nice
little nuke drop... somewhere... because we all know what this is truly about, too many people and too few resources.
Alexithymia, a
little - known personality trait, reveals the profound
power of
emotional awareness over health
Louis Leterrier's The Incredible Hulk loses the comic affectations of Lee's film — there are no shots composed to resemble comic book panels — but retains the
emotional core [however
little screen time it might get] and
powers forth the action.
More gothic drama then it is full - on noir, The Red House is nonetheless a fascinating curio piece, and while its
emotional components are a
little overwrought at times, the
power they have over the viewer still remains undeniable making the film an underappreciated gem worthy of rediscovery.
But both of these properties offer a depth of storytelling and
emotional power seen so
little in other media.
Becoming slightly detached from each deal means you will have a
little bit less of an
emotional roller coaster ride, which = staying
power, which = long term success.