Sentences with phrase «little fall scene»

So last week I pulled out my brushes and grabbed some craft paint (even though I prefer oils... they take too long to dry) and painted this cute little fall scene.

Not exact matches

Imagine some scene where Roman armies fall upon a little country, sure in time to be crushed under the heel of the conqueror.
These cute little owls and their play scenes always make me think of Fall.
Little brother Jayson's out front smashing it on the mic but behind the scenes the leadership of the EPA is falling apart.
Directed by Shawn Levy and written by Vince Vaughn and Jared Stern, «The Internship» stuffs some creaky gear - shifts and boring exposition in its first 15 minutes; even Will Ferrell's one scene falls a little flat.
At least give The Karate Kid Part II credit for setting its scene on an island completely inhabited by Asians, despite its refusal to allow those crazy little fellers to communicate in their native tongue.
We get the little robot, countless platitudes about believing in oneself, a heist sequence, a scavenger hunt across Los Angeles, a hastily portrayed rise - and - fall - and - reunion plot, random cuts to viral Internet videos in the middle of scenes, a semi-love story, and an uncritical presentation of fame as the only thing that serves as a genuine measure of self - worth.
(As a nod to technology, just a little CGI is incorporated for certain scenes that would be hard to do in Plasticine, as when the vacuumed bunnies are in free - fall).
There's also a scene where Beth demonstrates how good she is with letters, revealing herself to be a Countdown genius, but this little titbit never once falls in line with the actual plot of the film.
A completely nonsensical film.There is fine art house film making and there is just empty meaningless monotony.The film has very little going for it as most scenes fall flat and towards the end the drivel increases further still
From some exciting, never - before - seen glimpses at Solo: A Star Wars Story and some pulse - pounding scenes from the upcoming Jurassic World: Fallen Kingdom, there was a little something for everyone who loves blockbuster adventures.
As portrayed by a wired Depp, Wood is all ambition, energy, and passion, a filmmaker so in love with the idea of filmmaking that he lets some of the rudimentary details slip by — little things like sets getting bumped by actors, gravestones falling over, and shots mismatched so incompetently that scenes change from night to day to night again.
Certainly there are things to love; Bilbo's character progression and his untimely addiction to one precious ring is welcome (although not nearly as prominent as it ought to be), the set design and telescopic vistas are almost as epic as ever, seeing the majesty of gold - diggin» dragon Smaug realized in impressive CG tantalizes the little boy in me (the one who listened to The Hobbit audiobook until it wore out), and one particularly fun scene involving dwarves in a barrel is a blatant film highlight; but other elements that ought to stand out fall flat on their face and never recover.
The main extra on Warner's New Year's Eve Blu - ray is a running commentary by Marshall, who not only falls into the trap of simply describing either the action or dialogue of a scene instead of imparting much background information and stories about the production (going unaddressed, disappointingly so, is the widely reported last - minute Heigl - for - Berry recast, with the latter rejoining the project in a smaller capacity once her schedule cleared), he does so in a sing - song fashion that presumably is supposed to come off folksy - friendly but quickly becomes more than a little obnoxiously self - amused.
The behind the scenes look at the rise and fall of her career is one that is genuinely fascinating, entertaining, and honestly, a little sad.
In Diablo, Scott offers a Teflon copy of Clint's wildness, affecting the latter's sneer, occasionally chewing one of those little cigars that reliably dotted Clint's mouth in the Dollars films, and even quoting one of Unforgiven's most chilling lines during a pivotal scene, but these gestures fall poignantly short of their inspiration, while reminding one of the considerably better films that they could be watching.
But when a research engineer (Gene Raymond) and his elegant wife, Barbara (Mary Astor), appear on the scene, Carson falls hard for the beautiful Barbara, discarding Vantine as nothing more than a «cute little trick.»
11:30 am — TCM — The Gold Rush The Little Tramp takes up prospecting in one of Chaplin's most enduring films, with great set pieces including the house that's about to fall over the cliff, and memorable scenes like the starving Tramp boiling and eating one of his boots.
Clearly, it's a period of adjustment — they want to go out with their friends but really can't, and find themselves falling asleep all the time and having very little uninterrupted sex (in a great scene they have to turn the kid around to keep her from watching them).
With the introduction of the larger British retriever breeds to the American hunting scene, the little brown spaniel fell from favor.
When turned on, the visitor becomes a witness of the robbery that is taking place right in front of his eyes: all birds have multi-coloured little pills in their beaks which they are about to steal — they are all feathered thieves caught in the act: there is a parade of six seemingly dancing smaller birds that appear to be surprised by their discovery and that seem to run away from the crime scene; a big blue pelican strides away gingerly with his loot in his beak whereas a dark brownish owl seems to pause and reconsider her deed; a bright red and orange bird on one leg almost falls off the table while trying to escape the crime scene... Their facial expressions are manifold but their actions are always the same: to flee their discovery and the nosy glance of the beholder and to leave their sites of crime behind.
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