The whole review thing is messed up, but it seems like there is
little we indie authors can do (other than take your business elsewhere).
Not exact matches
Here's how the
indie success story typically goes:
little - known new
author puts out a book, which skyrockets in popularity in sales and eventually attracts a lucrative deal with a mainstream publisher.
As a follow - up to last week's post about Jonathan Franzen and his comments on the «
little videos» that
authors sometimes publish, I here offer some of my own thoughts about literary fiction and the likelihood that it will survive the
indie revolution.
Whether it is a
little bit of marketing, writing another section or chapter of your book, or the endless other tasks that go along with being an
indie author, the key is to just do something every day.
I seldom do an article about
indie publishing without suggesting
indie authors include this
little gem at the end of their book after THE END.
They decided early on to fleece
indie authors by charging exorbitant prices — when we all know trad pub pays pennies for each ISBN they use — and
indie authors decided that they weren't going to play along with this
little game.
Indie authors, as a rule, get paid very
little money.
In fact, this
little Meetup was the genesis for what the
Indie Author Society has become.
Income
Indie: Sales pick up a
little because a second novel is likely better than the first and there are two books under same
author name.
My
little company team prides itself on developing brand recognition for
indie authors and professionals.
At least with
indie publishing, a beginning
author's book gets a
little trickle of money.
Indie publishing is a viable business model wherein, yes, the
author takes on all the risk, but there's very
little outlay.
Sure, the program has been faltering a
little bit, but it's been a great way for
indie authors to get exposure in the Amazon ecosystem.
Or perhaps you want some bedtime reading, then many
indie authors are selling full fiction works for as
little as 0.99 cents.
But in terms of popular opinion, such accomplishments have done surprisingly
little to change attitudes towards
indie authors.
Adan — I like Andrew's post, though I get a
little flinchy when arguments are boiled down to superlatives to advance the thesis (for example, I think few
authors who have really studied the situation think of Amazon as a white knight riding in to save
indie writers» bacon.
It is a
little known tool in the hardcore e-reading world, but lead developer Kovid Goyle hopes that
indie authors and small publishing companies will take a second look at it.
While that price point may seem a
little high for an unknown
author — many self - published
authors keep their sales at $ 4.99 or less, with $ 2.99 being a fairly standard ebook price for
indie works — given the argument that the cost of the book is in its initial creation, it makes sense.
A
little bit of Silicon Valley know - how can make a huge difference for a struggling artist or
indie author.
Deborah, speaking as a «
little guy» (
indie author is about as «
little guy» as you can get in the publishing world) I benefit by being in Amazon and Amazon is not screwing me.
Nice
little round - up of blogs
authors of all stripes,
indie and trad alike, should be following.
As an
indie author, I'm more than a
little thrilled by this.
It's a
little less of a problem now that
authors are turning to
indie publishing.
You could argue that
indie authors are more desperate — they don't have big marketing campaigns so they need to use any
little hack and advantage they can find.
Let me point you to the
Indie Book Collective, a little group that I helped found with indie authors Cristyn West and Rachel Thom
Indie Book Collective, a
little group that I helped found with
indie authors Cristyn West and Rachel Thom
indie authors Cristyn West and Rachel Thompson.
I want to talk a
little about an Amazon service called Kindle Unlimited, because it's complicated and interesting, and is increasingly the primary discussion subject among
authors (of the
indie variety) and not for a lot of really good reasons.
Little did I know that was what at least one famous
indie author (now infamous) who shall remain nameless (hint — it's the name of a famous English philosopher) more or less did.
Now the claim that all
indie / self published
authors are «unskilled individuals who suffer from illusory superiority, mistakenly rating their ability much higher than is accurate» is a
little strong and very much out of line.
Whether one is for or against present copyright laws, the legal reality is the costs of bringing an infringement suit for an
indie author is prohibitive, and certainly not practical.I defended one against a visual artist that was definitely ripped off by my
little darlings, along with four other defendants.The end result?
Okay, maybe it's a slight exaggeration, but getting one hundred times the normal website hits and being championed by such
indie author giants as Hugh Howey, The Passive Guy, Courtney Milan, the Indie Voice Authors and H.M. Ward is a big deal for a little fish lik
indie author giants as Hugh Howey, The Passive Guy, Courtney Milan, the
Indie Voice Authors and H.M. Ward is a big deal for a little fish lik
Indie Voice
Authors and H.M. Ward is a big deal for a
little fish like me.
I wanted to talk a
little about what's worked for me, what I would recommend to other
Indie authors, and what I've learned along the way.
I'm a hybrid
author, and I just released my first
indie book a
little over a week ago, and I've been angsting over sales, glitches, writing the sequel, etc..
I look at
indie publishing as a way to show the trad publishing industry just what an
author has and what they can do for themselves, kind of like a «try before you buy» with
little risk to them and, actually,
little risk — even financially — to the
authors.
If you are like the vast majority of
indie authors that struggle and sell
little to no copies, no narrator will do a royalty share with you.
Critics saw this program as an effort to control the industry on Amazon's part, but
indie authors saw things a
little differently.
A
little more than a year ago, it was standard practice for an
indie author to keep his self - published sales figures to himself if he was trying to break into traditional publishing.
Authors who opt to enroll their manuscripts in the non-exclusive PW Select will have to wait a
little longer, as the launch of this
indie author - centric platform won't take place until April 25th.
To answer, I decided to start a
little Facebook survey on two
indie author groups.
With
little to show for all the money they shoveled into PR, the general consensus among
indie authors is that public relations is an awful drain on your already lean budget.
Explaining in a
little more detail than in my previous comment (I'm still recovering from a head cold)... I guess you can say that I'm one of those «successful
indie authors» Randy mentioned because this year, my royalties are in the upper five - figure range.
As analyzed above, this should be of
little concern to professional
indie authors who, at present, favor self - publishing outlets.
It's amazing how
little marketing it takes to become a successful
Indie author.
I had heard of other
indie authors garnering thousands of downloads, but I'm a relatively unknown new - comer and I was more than happy to see hundreds of downloads fueled by
little more than a change in price... I didn't do any specific promotion beyond Twitter, Facebook, and a blog post.
As an independent
author himself, Coker relates to the trials and tribulations of the
indie in a way that eludes Amazon, so let's show him a
little support!
Unless the aggregators intend to take over the «gatekeepers of literary culture» role that publishers and agents play or to restrict access by publisher size, the arrival of these aggregators will do
little to diminish the capability of
indie authors to distribute their work (outside of things like marketing budgets etc..)
... not sure where the above comments re self publishing costing thousands comes from... im delighted with Lulu and it did nt cost me a penny to publish my first book Maggie's Shadow and now available everywhere in print and electronic form... i did all the work myself and when stuck asked for help and Lulu's response was almost immediate and either the following day or the next providing invaluable insight on how to proceed ~ and free... i'm now marketing myself and have already agreed to place my book on consignment at one
indie bookshop and with others ive yet to call... my library opened their doors to introduce me as a local writer and the local paper just printed the event...
little by
little its happening but it requires diligence and a willingness to promote one's work... i learn something new everyday and plan to submit my book to many of the self published contests that are now available... i would recommend Lulu to other
authors tired of waiting for an agent
This can actually help a
little to attract an
indie - supportive audience, as those who themselves are self - published
authors or who are related to or know other self - published
authors recognize this name.
However, I was a
little disappointed in some of my fellow
indie authors» table displays.
There are still a lot of journalistic reviews out there even though most
indie authors have
little or no expectation of ever seeing their books mentioned in them.
-LSB-...]
little while ago, the journalist Porter Anderson challenged
indie authors about their attitude to their self - published «heroes.»