Sentences with phrase «little main characters»

This movie wasn't as good as the first one, too little main characters.

I wonder if they kept a little main character atb style control just out of fear of being TOO different from previous FF games, even though that's kinda the point with FF13.

Not exact matches

Fatal Beefway — The one who watches a little asked if Roman's character has been better since he beat «taker (yes, he finally has the character he should have had all along), They were super into Heyman taking the Mic to introduce Lesnar, they were surprised that a four - way match was main eventing.

The show, about a puffin family living on a fictional island, also features a loving sibling relationship between main character Oona and her little brother, Baba, which will give your squabbling kids something to aspire to.

This name has two distinct advantages: it's so short and obvious, few will be tempted to give your little boy a nickname (some moms have an aversion to hearing their specially - picked name shortened down or changed) and it is the name of the main character in Chrono Cross.

Alcott — From the author of Little Women, Louisa May Alcott Scout (or Atticus)-- From one of the main characters in To Kill a Mockingbird Holden — From Catcher In the Rye Scarlett (or Rhett)-- From Gone With the Wind Ophelia — From Hamlet Matilda — From, of course, Matilda Imogen — From Shakespeare's classic, The Tragedy of Cymbeline

Although the main character, Libby, is a little unlikable in my opinion, Gillian Flynn is always keeping you on your toes with her novels and makes you want more.

This is exactly what happens to the main character, Jessica, as she and her husband and two little kids find themselves getting squeezed out of their NYC space that they are renting.

Using Kronk as the main character was a neat little progression but in the end he's not as funny for the whole run time and works better in smaller doses.

This really is of little importance however as it just serves to introduce the other main characters.

Though the theme of resentment plays a big part in the film, Tom's emotional transformation is taken a little too far, to the point that you're not even sure if you like the main characters anymore.

The story line slows down a little bit and the season really focuses on the main character's stories.

In this updated version of Little Red Riding Hood, the main character is actually a hood and the wolf is a serial killer in sheep's clothing.

Or the little obnoxious droid that follows the two main characters, they find the old decepticon and they teleport to the desert, apparently the little droid was hanging onto the things leg, he falls off, and they never show him again or mention him again, but he somehow reappears and is somewhat of a main character in the Dark of the Moon.

«Naked» is certainly a performance driven film, with very little storyline and as such is an insight into the main character's (David Thewlis) ways, charms, crimes and philosophys as twisted and as controversial for it's time as it might be.

A key incentive is meant to be unlocking each of the 80 - odd different characters, but not only does this mean repeating the same missions over and over again but there's very little meaningful variety outside the first handful of main characters.

The main problem this time out is that there is very little sense of newness for us in the audience, or even a shred of amazement from any of the characters as to the astonishing events.

Fassbender and Lawrence do the best they can with what little they're given, but the main reason that «First Class» worked as well as it did was because of the relationships between the three characters.

It doesn't help that what little dialogue main character Big Boss (or rather, «Big Boss») utters is read by new voice actor Kiefer Sutherland with all the enthusiasm of a man doing a decade's worth of income taxes in a single afternoon.

Of course, if his films are any evidence, von Trier has been orbiting Planet Melancholia for a while now, even before his widely reported battle with clinical depression, and so it's little surprise that the main characters in Melancholia enter the stage with an existential weight on their shoulders that has little, if anything, to do with the world's imminent demise.

Scrat, in his eternal chase of the acorn, causes cosmic chaos which sets off a plot that is rather complex for little children to understand, and, on top of the various solar system issues and the need to save the planet, each of the main characters has family woes to contend with.

The extras on this disc are a little disappointing as they're just basic little promos like a few of the actors talking about their characters or the main cast and Director talking about the production as a whole.

The nice little story continues right from where the first game left off were main character lieutenant Kai Tena was left nearly dead.

I found Judd the weakest of the characters (Roy was just plain bizarre, I did not get what his problem was at all), which is kind of bad, considering that he's the main character of this little slaughter fest.

Voice acting in the game is also a little bit hit and miss, while most of the main characters are fine some of the extras are a little rubbish, a few of them even sound like the same person trying to do different accents.

There are nice, little notes throughout that reward the most faithful of Marvel fans, including pleasing tinkles of the theme music for all of the main characters.

Essentially, their complaints came down to three things: they thought the main character, a bad guy, should be a little less brutal, they didn't like the ambiguous ending, and they didn't like the killing of a dog in one scene.

Marina de Van The main character in Marina de Van's Dark Touch is Niamh (Missy Keating), an 11 - year - old girl who discovers she has supernatural powers when said powers go a little haywire and end up killing her abusive parents.

The main reason why it doesn't work is due to the fact that the most bizarre set of coincidences, as well as the most befuddling character motivations, are necessary in order for this film to come close to working, and even then it makes very little sense from a practical standpoint.

The main character here is Fanny Price (Frances O'Connor, A Little Bit of Soul, Love and Other Catastrophes), a poor little girl who's mother married forLittle Bit of Soul, Love and Other Catastrophes), a poor little girl who's mother married forlittle girl who's mother married for love.

Lengthy introductions to the main characters and a disconnected sub-plot about another small craft that gets stuck in the storm contribute little to this over two - hour epic.

If there's a common shortcoming it's that Rowling is a little more concerned with building the narrative of what's to come with some weak links to the main character of Newt Scamander and his beasts.

Amalric, on the other hand, creates the most interesting of the main characters, and allows a little charm and wit into his performance of the black sheep.

Throughout the story, we're often only told of seemingly vital plot points through second hand accounts, characters tend to change their outlooks without reason merely to fit in the story's trajectory and our main antagonist is a cookie - cutter villain who simply confronts Hope with little reason other than he's on set to be a contemptible dude.

It's a solid little movie that operates without almost any plot, loosely constructed from the idiosyncratic side adventures of its main character.

With little dialogue and no background on the main character, it's hard to care for him even when he's in obvious peril.

The next day I went to Toys R Us and sent him a little truck that I bought him and said «I thought I'd make a good Woody [the main character].»

Perhaps going for something a little less elevated than usual, Sundance Channel went and got itself a miniseries based on Joe R. Lansdale's 1990 swamp - noir pulp novel «Savage Season,» titled «Hap and Leonard,» for its main characters.

It is hard to ignore their parts of the story, but because it is of little concern to the main characters, compared to their ultimate goal of rescuing Minho and getting as far away as they can from everything, the film didn't feel bogged down by this aspect either.

The main characters are intelligent and mature, but are also little children crying on the inside for acceptance.

Alongside highlighting the characters, story and locations from the new game, the trailer attempts to introduce the main aspects of its new «State Combo» fighting system put in place to add a little more strategy to your otherwise mindless button mashing Musou gameplay.

It does almost nothing to explore the inner life of the main character and as a result, ends up revealing very little about technology or human nature.

While most of the supporting characters in «BvS» serve the two main heroes and do little else, «Civil War» takes the time to show how the schism in the Avengers is affecting everyone on the team.

The film starts off a little weird, with the main character a slightly quirky teenage boy depicting his love of film - making.

As we learned last week from casting notices, the Zombieland TV show will focus on the four main characters from the movie — Tallahassee, Columbus, Wichita and Little Rock — with two office workers named Fred and Ainsley added to the mix.

However, two of the character breakdowns from ThatHashtagShow might leave fans a little puzzled as they're really taking liberties with characters such as main villain Skeletor and comedic relief Orko.

The film's at its best in the early sections, filling out the details of the world with nice little character moments for Mildred Dunnock as the school teacher who doesn't get the principal job, Russ Tamblyn as the sensitive shy boy next door and Diane Varsi as the main character, a girl smart enough to see the hypocrisy around her and want to get out of town as fast as she possibly can.

The cheap - looking Thumbelina leaps from musical number to musical number, its secondary characters are animated even more poorly than its main characters, there's little consistency in its anthropomorphizing, and the tribulations and resolutions of Thumbelina and crew are so arbitrary as to inhibit any tension.

Little by little, you feel like the landscapes are changing us, the head of the main character is being disturbed by what is happening to him in theLittle by little, you feel like the landscapes are changing us, the head of the main character is being disturbed by what is happening to him in thelittle, you feel like the landscapes are changing us, the head of the main character is being disturbed by what is happening to him in the film.

This sort of comic vehicle isn't designed to improve the world or change the way Hollywood does business; it's simply meant to hand you a few laughs and throw in a little heart by way of its pompous, dislikable main character's redemption.