The whole thing feels a bit like a Christian prom, in that it holds
little of the suspense or drama of its mainstream counterpart.
Not exact matches
Create a
little suspense with teasers
of new products or previews before an official launch.
If you can add an element
of anticipation to build a
little tension, anxiety or
suspense, you can hold the attention
of an audience until you're ready to release your punch line with much more impact.
(CNN)- Although many Americans may have wondered just how much money Mitt Romney makes and how much he pays in taxes in the lead - up to the release Tuesday
of his tax documents, there was
little suspense around how much he gives to his church.
CNN: Romney tax returns shine light on Mormon tithing Although many Americans may have wondered just how much money Mitt Romney makes and how much taxes he pays in the lead - up to the release Tuesday
of his tax documents, there was
little suspense around how much he gives to his church.
But all who are old enough to watch television or read
Little Red Ridinghood know there can be no
suspense in a chase unless the pursued is in some danger
of being caught.
It has everything from psychological drama, romance,
suspense and it's wrapped in a very nice
little bow
of crazy.
I also found a whole lot
of joking around with not an iota
of suspense, and a plot that made very
little sense.
Instead, it relies on the safe formula
of the courtroom drama to add
suspense and resolution to a story that, by its nature, should have
little suspense and only one possible outcome.
With the artful and clever concept
of little to no dialogue, the film keeps the audience engaged and too scared to make a sound themselves (you don't even wan to munch on your popcorn) Yes, as with many thrillers, there are a few plot holes, but the plot is unique, the acting is good and
suspense is palpable.
With the exception
of one genuinely breathtaking, blood - curdling ambush, «Annihilation» has
little interest in the conventional mechanics
of suspense and surprise, as evidenced by an array
of flashbacks and flash - forwards that reveal at least one outcome
of Lena's journey (she lives!)
Flaked is such a flavorless affair that there's scant
suspense about the ongoing story, leaving
little over which to get excited other than a series
of guest - star - punctuated interludes.
Writer - director Tim Chambers does
little to generate
suspense, and appears determined to immediately defuse any situation that even hints at the possibility
of unpleasantness.
Bassett uses lots
of filtering and camera tricks to try and hide the budget
of the film and it hurts the horror and ruins what
little suspense is featured in the film.
Foley delivers a few moments
of tension and
suspense as the kidnapping plot kicks into gear, but it's clear he has
little interest in revisiting the superior genre efforts
of his long - ago youth as a director.
Twenty - one go below and 10 come out, and there's a touch
of «Ten
Little Indians» to the
suspense of who has the nerve or the strength or the luck to survive.
Adding to the
suspense, Pearce is very clever having his entire cast act a
little unhinged, whether it's the scene at one
of the girls» funerals, Pascal having dinner with Moll and her family, or Moll being interrogated by a particularly intense female investigator.
Wounded by the overwhelmingly baffled reaction to his tale
of deadly pollen, and crippled by his growing reputation as an ultra-sensitive yet ham - fisted megalomaniac auteur, Shyamalan threw in the towel — trading his usual
suspense for the generic CGI
of The Last Airbender and After Earth — but it was too
little too late.
Badged up, with half a cup
of coffee in me and the printed press screening guide — rendered mostly useless by a dozen last - minute schedule changes — stuffed into my backpack, I head into my first screening
of the day: The Lesson, a contrived, slightly smug
little Bulgarian number lightened by fitful bursts
of suspense and black comedy, and directed in the kind
of serioso handheld style that is traditionally associated with the Dardenne brothers, because they're the only ones who know how to pull it off.
There's very
little action, and yet, a high level
of suspense throughout.
Imagine a bit
of the Master
of Suspense's «Rope,» a hefty helping
of Henri - Georges Clouzot's «Diabolique» and more than a
little of the class conscious comedy
of Wes Anderson's «Rushmore,» and you're on the right track.
Yet, the film plays out with
little sense
of requisite
suspense that made the first Psycho such a great film, and many
of the scenes, including the murders, play out as if they were made for a psychological drama, rather than in a scary horror flick or tense, nail - biting thriller.
But Frozen River may have enough pure
suspense to break that jinx, which is strange when you consider how
little money is actually at stake in the movie: Hunt really manages to inflate the value
of a dollar, making you feel every nickel and dime.
While co-directors Jonathan Dayton and Valerie Faris (Ruby Sparks,
Little Miss Sunshine) wring tension and
suspense from the same - day build - up to the match, the match itself — captured by grainy, fuzzy TV cameras with the occasional, ground - level insert — and the immediate aftermath (symbolic and figurative, more than real or long - lasting), it's in the months - long lead - up to the match, following Billie Jean King (Emma Stone, never better) and Bobby Riggs (Steve Carell) where Battle
of the Sexes steps up its game to offer a sympathetic, insightful, poignant, behind - the - scenes look at the private lives
of the public personas who stepped onto the tennis court
of the Houston Astrodome on September 20th, 1973, as Americans on both sides
of the political divide watched in rapt attention.
But «Flaked» is such a flavorless affair that there's scant
suspense about the ongoing story, leaving
little over which to get excited other than a series
of guest - star - punctuated interludes, with Heather Graham as Chip's estranged actress wife, Kirstie Alley as Dennis» hippy - dippy mom and Annabeth Gish (briefly) as a developer.
One
of the greatest
of all
suspense films, this legendary French shocker is Clouzot's nerve - rending account
of four expatriate drivers trying to escape a horrible
little South American backwater by driving two truckloads
of nitroglycerin to a burning oil field over dangerous mountain roads.
It's a consistent
suspense thriller with a
little bit
of blood and gore in the final 20 minutes.
A very underrated heist film that deftly mixes dark humor,
suspense, and drama in one neat
little gem
of film.
Quirky
little suspense film that earns all
of its payoff.
I don't want to spoil anything so i'll end with this; Creep has just the right
suspense, peppered with
little gems
of laughter.
Do the false - alarm moments, like a group
of girls screaming playfully in a parking lot, come a
little too close to
suspense - thriller jump scares?
Admittedly, the production value has improved with more characterful creature effects and the claustrophobic locations make for more scope for
suspense, but the pedestrian direction and tired formula makes the film feel like a TV movie with
little in the way
of flair or imagination.
Of course with a film that solely depends on «is she or isn't she»,
suspense is the main ingredient for a film like this, and story focuses on
little else.
pleads a nearby placard as serial killer Hans Beckert (Peter Lorre) closes in on
little Elsie Beckmann... In his harrowing masterwork M, Fritz Lang merges trenchant social commentary with chilling
suspense, creating a panorama
of private madness and public hysteria that to this day remains the blueprint for the psychological thriller.
Based on the 1985 BBC mini series
of the same name this
suspense thriller takes a while to get going, and, even once it's in motion still feels a
little sluggish in its unraveling.
Directed and co-written by Phil Alden Robinson, the man responsible for the equally entertaining, Field
of Dreams, the film works on many levels, mixing comedy, action,
suspense, drama, and even a
little romance.
With
little in the way
of suspense or vested interest, all we can do is sit back and admire the visuals and Jim Carrey's manic performance, which just isn't really enough to make a series
of movies on.
It's clear that the movie is at its best within its deliberately - paced first half, as Carpenter does a superb job
of cultivating an atmosphere
of palpable
suspense - with this vibe heightened by a series
of tense subplots and digressions (including the now - notorious fate
of a
little girl looking for an ice cream cone).
With such a quality troupe
of actors, it's hard to go go wrong, and admittedly, there are good laughs and moments
of genuine tension, making this a surprisingly effective
little suspense vehicle for long stretches at a time.
If you step away from the tension and
suspense Our Kind
of Traitor builds, you will see how impressive this small
little film presents itself.
Much like last year's flashback extravaganza, «Before the Devil Knows You're Dead,» each flashback reveals new information, but there is
little suspense attached to any
of it.
Paltry comic relief,
little genuine
suspense, and unconvincing drama — it's a one - trick pony
of unsavory imagery and cacophonic assault.
The
little amount
of suspense that the film does generate eventually dissolves and is unrewarding.
A basic haunted house story that's way too scary for tots, Monster House held me almost to the end, when its need to hit all the notes
of a conventional action /
suspense climax finally wore me down a
little.
All
of that is done with
little action, no
suspense, minimal comedy and absolutely no logical sense.
Although very
little, if any, tension and
suspense is built, all the waiting and watching makes one anticipate some type
of a payoff, but there isn't one; there isn't really an ending, per se, so much as a stoppage.
This is a tangle
of witches and magic, vampires, alchemy, history, family lore,
suspense, and a
little romance into a very entertaining page - turner.
Romance with a
little bit
of suspense.
Mix a
little suspense with a lot
of romance and you get a series that's pretty hard to put down.
I always enjoy a good thriller and while this kept my attention with
suspense,
little romance thrown in, etc; it was the poignant remarks Unger made throughout this novel and the sequel, Sliver
of Truth, which really kept me reading.