Sentences with phrase «little said about the film»

I assumed that the discussion of distribution difficulties would be a long shot; I didn't expect there to be so little said about the film as a whole.

Not exact matches

Well the picture was made under the title of Magnifico Straniero, so when it was Fistful of Dollars I didn't think anything of it, and then about the fourth or fifth time that they mentioned this film they said Fistful of Dollars with Clint Eastwood, little tiny letters down there and I said - I said oh god, that's it, huh?

Although she's been open about her struggle with an eating disorder, Pretty Little Liars star Troian Bellisario said filming her new movie Feed, which is based on many of her own personal experiences, wasn't easy.

I would encourage you to watch the film and make an informed decision about what is best for your health by doing a little research and not doing something because someone, including myself, says so.

One thing I will say about this movie is that is quite possibly one of the emotional films that I've seen in a while, and one of those reasons is because of the music, the music in this movie are brilliantly done and the film has little to none of it, but they know when to use it to the films advantage, and it works incredibly well when it is used.

Another amazing thing that comes out of this is that after watching the film, the most people can say about Alexander is that he was bisexual (back when sexuality mattered little) and he had serious mommy and daddy problems (amusingly enough, Jolie is only one year older than Farrell).

The same could be said about Jeff Baena's wacky «The Little Hours,» a film with echoes of Mel Brooks in its non-contemporary setting, broad physical comedy, unexpected punchlines, and gigantic ensemble (seriously, every other face is a recognizable one).

Lady Bird, a coming - of - age story starring Saoirse Ronan that The A.V. Club's own A.A. Dowd said is «so funny, perceptive, and truthful that it makes most other films about adolescence look like little more than lessons in cliché.»

At first, I think they were a little reticent about taking part in the film, but then they watched «Cartel Land» and called back and said, «Let's do it.»

Critic Bob Mondello says little is not a word he'd use to describe anything about the film.

Little remains to be said about the film's flopping.

It says a lot about the film's conscientiousness — hardly a word one normally applies to a slasher flick — that Mr. Harrison is acknowledged at the finale, struggling to stand up on knees reduced to jelly by confirmation that his little girl is dead; there's a reason the French chose to call this Tragic Christmas.

If the film says little more about «craziness» beyond pointing out its inherent connection to the bonds of imposed social order, it does so in purely cinematic terms.

SR: Benedict, in your film Mordo says he's a little disappointed about the dangers of messing with time.

«It always kind of felt like our little intimate thing, to be honest, until just now being released finally,» Dylan said about the film.

Unlike, say, Seán Ó Mórdha's films about Joyce, Beckett, or Elizabeth Bowen, however, there is little attempt to engage audiovisually with the specificities of the literary source.

About Prieur I can say a little more, because I own a rather good 1980 collection of his film criticism, Nuits blanches («White Nights»), that includes an essay on «Artaud and the Cinema»; the book's jacket informs me that Prieur was born in Paris in 1951, writes on film and literature, and is — or was — the film critic for La nouvelle revue francaise.

* Asked how he feels about going from very small indie films to a massive, effects - driven fantasy / comedy, Green said: «Well, just like probably all of you guys like to see different kinds of movies every week — a little of this, a little of that — it's fun professionally to, like, get in the ring and design creatures and have guys in suits and puppets and just, y ’ know, bring in all this stuff... I remember when I was a kid, and if something like «Behind The Scenes of Return of The Jedi» would come on, I'd just be glued to the screen, wishing that one day I'd be able to get my hands dirty doing something like that.

Alissa: I agree with all of this, but for the sake of the film, l do want to say that the sequence following Woody Harrelson's character through his last day, before he writes a letter to his wife and shoots himself in the head to avoid his slow, cancerous decline, makes my insides twist a little every time I think about it.

Check out what Karpovsky had to say about bringing those two wildly different features to life and also a little about his SXSW entry, «Good Night,» as well as a couple of other film ideas he has brewing in the video interview below.

I was about to say I hope Carey Mulligan takes it, but then I realized I haven't seen any of the other actress - nominated films, so I'm a little biased on that one.

Sufficed to say that the twist of the film is something about cheating and an evil confession overheard by a little boy in a bathroom stall.

No spoilers here, but suffice it to say Lee's follow - up to his successful first ensemble film ends up sending us home with a little bit to think about.

I've loved all of Malick's work, and I was excited when I first read about this film, but when I learned who had been cast, I must say I was a little disappointed.

Academy Award - winning actor, star of plenty of great films, star of more crappy films than dozens of actors combined, Internet legend, an endless source of memes... there's very little that can be said about Mr. Cage th...

Academy Award - winning actor, star of plenty of great films, star of more crappy films than dozens of actors combined, Internet legend, an endless source of memes... there's very little that can be said about Mr. Cage that hasn't already been said.

Del Toro is good with the little he has to work with on the page as Che, and the rest of the casts (including such too - generally - underseen faces as Julia Ormond, Catalina Sandino Moreno, Franka Potente, and Joaquim de Almeida) do well in limited time (though Matt Damon's cameo in the second film is distracting to say the least), and the HD - shot images look great, but by the end of the 4.5 hours I can't exactly say that I really learned much new about nor gained a whole lot of insight into Che.

Extras-wise, «Art & Alchemy» (15 mins., HD) interviews the titular veteran of TV's «Dallas» (oh, what Inferno could've been had James Woods, as planned, gotten to do it instead), a hunk of wood with little to say about the film besides the standard glowing platitudes.

It's got a simple premise to hook Hollywood execs (lone pilot blasts off to fight an evil Bydo empire), and if said executives get a little nervous about only having one human being in the entire film, we could rope Sam Rockwell in as the pilot of the R - 9 ship, and Kevin Spacey as the voice of his loyal weapon system, the Force.

I wrote an essay about this once were I said that painting was like a compression of time, whereas film or animation or anything photographic was a slice of time like an endless set of slices, so you have lots of little bits — and having lots of little bits is what physical culture is.

Director Noemí Weis says how surprised she was, in making this film, «to learn how little awareness there is about infant nutrition in emergency and disaster response in many areas around the globe.»