Sentences with phrase «little screen print»

I love how comfortable it is and the cute little screen print.

Not exact matches

Yes, my little 8 - page guide turned into 184 pages of detailed instructions, screen shots, publishing tips, and suggestions for helping you get published, get your book into print, and ultimately, get it into people's hands.

We took it to a dumpy little store in the mall where they screen printed «I < 3 My Tinies» onto it for $ 7.45 plus tax.

We have an extensive range of standard beer bottles, most of which are available from stock and can be customised with your logo embossed on the bottle in small volumes and with little outlay.Alternatively, our experienced design team can create a premium bespoke bottle for your brand as we have done for breweries such as Meantime, Brooklyn and Robinsons.We offer the complete packaging solution including crown closures, screen - printing and many more decoration techniques.So whether you are looking for standard beer bottles, a small run of a customised bottle, or a completely bespoke design, Beatson Clark has it all.

And by aligning a frit pattern, which is little dots on the surface — that's printed on the surface — by aligning those dots together in a collapsed fashion, you actually screen the sunlight; and then if you pull them apart, it lets the sunlight in.

I think it looks fine in these photographs, but in person it just looks a little too screen printed and shiny for my taste (if that makes sense?).

With it's easy breezy fit, bright colors and easy to throw on fit (it has an elastic waistband) I can mix and match it with tucked in blouses, blazers, tied up tops, screen print tees, jean jackets and even a leather jacket for a little edge.

Badged up, with half a cup of coffee in me and the printed press screening guide — rendered mostly useless by a dozen last - minute schedule changes — stuffed into my backpack, I head into my first screening of the day: The Lesson, a contrived, slightly smug little Bulgarian number lightened by fitful bursts of suspense and black comedy, and directed in the kind of serioso handheld style that is traditionally associated with the Dardenne brothers, because they're the only ones who know how to pull it off.

And it's no doubt, with just a casual perusal of the film fare planned, including opening night's gala offering of a 50th anniversary screening of In The Heat of the Night in the TCL Chinese Theatre IMAX with Sidney Poitier, Lee Grant and director Norman Jewison in attendance — a special festival long showing of original nitrate prints of essential and little known classics — and a screening of one of the greatest comedies of all time — The Jerk — offering Steve Martin and Carl Reiner fans the opportunity to share in the excitement of new phone books arriving.

Because they did little if any screening of manuscripts, much less editing or proofreading, these companies (and the books they printed) garnered a reputation for a severe lack of quality.

Because they did little if any screening of manuscripts, much less editing or proofreading, these companies (and the books they printed) garnered a reputation for a severe lack of -LSB-...]

Unlike print books, the margins of eBooks need to be a little smaller to allow for user customization on screen.

The problem I see with the science fiction and other communities is that we have so little material released on the big and small screen compared to the printed world that we turn out quality filters off just so we can be entertained by the medium.

The black and white displays from E Ink, an offshoot of the Massachusetts Institute of Technology Media Lab that makes screens resembling the printed page and require very little power, would look good for one month and then degrade alarmingly.

The black - and - white displays from E Ink, an offshoot of the Massachusetts Institute of Technology Media Lab that makes screens resembling the printed page and requiring very little power, would look good for one month and then degrade alarmingly.

I have a Kindle but I prefer to read print books because I find the constant scrolling on a tiny screen a little annoying, and somehow using a device feels like work to me.

The only thing I'd say is that I found writing on the Sony with the stylus a little challenging, but Smart Bitch Sarah and I worked out that if you write in cursive (ie don't let the stylus lose contact) it takes better notes than if you try to print, which makes the touch screen re-assimilate the touch data each time you lift the stylus and doesn't work quite as well.

Her collaged screen prints chronicle the high school walkouts organized by Black and Latinx students in Pilsen and Little Village neighborhoods on Chicago's West Side between 1968 - 1973.

The pastel, candy - coloured palette makes these little screen - printed postcards the perfect way to brighten up your day.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Opening: «Alex Katz: Black Dress, A Suite of New Prints» at Mary Ryan Gallery The 87 - year - old American artist will be showing his most recent large - scale screen prints at Mary Ryan gallery, all of them featuring women wearing different iterations of the ever - fashionable evening essential: the little black Prints» at Mary Ryan Gallery The 87 - year - old American artist will be showing his most recent large - scale screen prints at Mary Ryan gallery, all of them featuring women wearing different iterations of the ever - fashionable evening essential: the little black prints at Mary Ryan gallery, all of them featuring women wearing different iterations of the ever - fashionable evening essential: the little black dress.

With its serifs (those little lines at the end of each stroke in a letter; we'll get to them soon), Microsoft states that it was «designed for on - screen reading and to look good when printed at small sizes.»

With silhouettes of witches, owls and bats and bordered by a spider's web, this 100 % cotton tablecloth is screen printed by hand and is sure to delight little ones.