Sentences with phrase «live action cinema»

Do not get me wrong CGI is great, for animation, but still needs some working on for live action cinema.
Some may lament that there aren't the open ends and questions that inevitably stem from Miyazaki's more fantasy - minded fare, but storytelling this compelling and effective is hard to come by, both in animation and live action cinema.
Clothes on Film talk exclusively to simulation supervisor for Brave, Claudia Chung, about this process and whether or not costume truly has a viable, practical function outside of live action cinema:

Not exact matches

This is the ultimate larger - than - life cinema experience for film fans wanting to feel part of the action!
Spider - Man 2 was well received (even if I didn't really appreciate it as much as most), Batman Begins was an incredible cinema experience, and Sin City was the ultimate in live action comics.
With just three weeks to go until Peter Rabbit arrives in US cinemas, Sony Pictures has released two new character featurettes for the upcoming live - action / CG - hybrid focusing on Daisy Ridley's Cotton - Tail and Elizabeth Debicki's Mopsy; check them out here...
The part - CGI, part live - action family adventure hits cinemas everywhere this December courtesy of David Heyman, the producer of the Harry Potter series and last year's superb GRAVITY.
This has all of the typical Guillermo del Toro touches, with gorgeously lavish dark, dingy sets, a wonderful score by Alexandre Desplat, an immense love for the art of cinema (she lives above a movie theater), not to mention a scaly fish creature (played of course by Doug Jones) who doesn't have any lines but does say plenty in his actions
Also noteworthy, in the category of cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monks.
This live - action entry is the Japanese film industry's latest attempt to parlay manga and anime into cinema.
This one will open in cinemas in March, and is part of the live - action release schedule for the Mouse House next year.
Like many live - action Disney efforts of the 1960s, Mr. Hobbs Takes a Vacation can not be called a great piece of cinema but can be celebrated as a comedy that remains thoroughly entertaining half a century later.
This little gem features American treasure and all - around genre cinema maestro John Carpenter discussing his 1988 sci - fi / action / horror cult classic They Live, going into detail about such things as the conceptual ideas behind the movie's premise, his casting of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight scene between Piper and the great Keith David.
Effortlessly moving between depictions of daily life, sprinkled with humor and warmth, to extraordinarily heartbreaking events (without straying into melodrama) and taut action sequences, Jang provides actor Song Kang - ho (Snowpiercer, The Host) another opportunity to prove that he's one of the finest character actors working in Asian cinema today.
A second Inbetweeners movie made # 2.75 m on its opening day at cinemas earlier this week, a record for a live - action comedy at the UK box office.
Though many of us have a soft spot for these relics of pre-Nolan, pre-Marvel Hollywood action cinema, revisiting Lara Croft: Tomb Raider and its torturously titled sequel Lara Croft Tomb Raider: The Cradle of Life today reveals just how far the genre has come in recent years.
People may have liked, to varying degrees, Zemeckis» mocap films, but they weren't as crazy about the technology as he was and many longed for him to return to good old - fashioned live - action cinema, where the director had dazzled with some of the century's most iconic works.
As commercial cinema goes, animation and live action are seen as divergent modes of filmmaking sharing the mutual goal of aesthetic cohesiveness; they only achieve it by different means.
It's art cinema instilled with a child's sense of wonder — which is also true of of the quirky auteur's live - action films, from Rushmore to The Grand Budapest Hotel.
The original A BITTERSWEET LIFE is another example of amazing Korean cinema from the past decade and mixes dark humour with shocking violence and memorable action sequences, not forgetting an emotional undercurrent.
With just two weeks to go until the highly anticipated live - action adaptation arrives in cinemas, Disney has released a new clip from Beauty and the Beast which sees Dan Stevens» Beast rather abrasively invite Emma Watson's Belle to dinner with a little help from his enchanted staff; take a look below, along with a featurette -LSB-...]
So let's see what I won't be seeing at the theatres this weekend: Hop Directed by: Tim Hill Written by: Cinco Paul & Ken Daurio Starring: Russell Brand, James Marsden & Elizabeth Perkins Synopsis: Blending state - of - the - art animation with live action, Hop tells the comic tale of Fred, an out - of - work slacker who accidentally... Continue reading «THIS WEEK IN CINEMA: APR 20TH»
Disney have just released the first teaser trailer for Beauty and the Beast, the live - action retelling of the classic tale, which arrives in cinemas...
UK fans of Tokyo Ghoul will want to keep Wednesday 31st of January free and find a cinema near that that'll be screening the new Tokyo Ghoul Live Action Movie.
A time - travel adventure featuring live action segments and a stellar cast, Quantum Break takes Remedy's love of cinema to its natural conclusion
Unlike the action - packed plots of traditional cinema, the adventures of Warhol's Superstars were the activities of daily life — chatting with friends, lounging in bed, cutting hair, getting dressed, going out.
Exclusively using analogue technologies, live - action footage, early computer graphics, stop - motion animation and in - camera effects on 16 mm films, Beckman's work is a carefully designed collage reminiscent of the 70s Structuralist filmmaking and the 80s No Wave cinema.
The new moon performance, receptive to the archeological layering and bleed of Miami which is hiding in plain sight beneath every footstep, was filmically documented for an expanded cinema and live action installation of the same title, the exhibition of which is still to be determined.
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