Sentences with phrase «live action sequences»

Additionally, the live action sequences take place in Brooklyn.

Said story is delivered through a mix of impressive in - game, in - engine scenes with incredible character models and lengthy live action sequences that fill in the blanks between each of the game's five acts.

I said before Twisted Pixel was all over the game and I meant that as they are featured in several live action sequences through the game.

Just curious, what kind of rendering time was put into the opening titles with all those crazy lightning bolts and «pow» symbols for the live action sequences?

At many points, particularly during the live action sequences, it seems to be out of focus.

A combination of stop - frame animation and live action sequences set in the real world, the series uses fun and laughter to encourage children to think for themselves and gain confidence in their perceptions of the world.

Not exact matches

The fact that such irregular events as aid to Hispanic refugees can be typified as actions of plot gives evidence that congregational life possesses a larger coherence than its sequence of liturgies and standard programs by themselves suggest.

Using a mix of live - action sequences, animation and satellite data, the NASA - produced film Water Falls melds science with art to convey the dynamic nature of the water cycle.

As you play with the sequence over time and explore opposite actions, notice that such exploration is even more compelling as a life practice.

Here's what you'll get: — Clarity on what actually makes you feel good and experience joy in your body — A plan of action to ditch insecurities and bring your feel good to life — A Buti Yoga class to let go, feel good, & have fun in your body — A soothing yoga flow sequence to nurture, soothe, & restore mind, body, & soul — Closing guided meditation with live chanting — Chocolate, tea, essential oils, & secret body love goodies.

Along with that there are the quite stunning underground machines of the «Krell» which are again a combination of some fantastic matte painting work set against live action, again the forced perspective really tricks the eye (these sequences look like Duck Dodgers).

As writers, Jon Hurwitz and Hayden Schlossberg run their characters through a bunch of funny situations, work in flashbacks and dream sequences to great effect (Harold & Kumar is, in the best possible way, something of a live action «Family Guy»), but their directing skills are nil.

The guys behind Banshee has done right again by involving more action - packed punches, more characters making into play, and a gripping plot sequence that makes Banshee the most wonderful town to live!

Yet even if The Counselor fails to live up to its hype, with its snappy dialogue and satisfying action sequences, it is a good bit of naughty fun.

amasses soundbites from the adorable Michelle Kwan, who provided a live - action reference for the «Belles on Ice» sequence.

Ready Player One Rated PG - 13 for sequences of sci - fi action violence, bloody images, some suggestive material, partial nudity and language Rotten Tomatoes Score: 76 % In Theaters Based on the best - selling novel by Ernest Cline (and one of my favorite books in recent memory) Ready Player One explores a futuristic world where life in the real world is quite terrible, but people can escape into a virtual reality program called the OASIS, where they can be anyone and do anything.

4 Rank, minimum, on any list of live - action holiday movies with classic Claymation sequences.

Pacific Rim Uprising Rated PG - 13 for sequences of sci - fi violence and action, and some language Rotten Tomatoes Score: 46 % In Theaters Years after the events of the first film, John Boyega (Finn from Star Wars) is a promising young Jaeger pilot who has abandoned his military career to explore a life of crime.

The action sequences and visuals this film attempts to live off of come off as stale regurgitations from the first film.

The Incredible Hulk C Starring Edward Norton, Liv Tyler, Tim Roth, and William Hurt Directed by Louis Leterrier (Transporter 2) Rated PG - 13 for sequences of action violence, some frightening images and brief suggestive content Appropriate for ages 13 + The Story: Following up where Ang Lee's Hulk left off, mild - mannered Bruce Banner (Norton) is living in Brazil, desperately trying to find a cure to his predicament of turning into a giant green behemoth.

Thor Rated PG - 13 for sequences of intense sci - fi action and violence Available on Blu - ray 3D, Blu - ray and DVD Marvel superhero Thor is a god who is cast to Earth by his father, Odin, and forced to live there as a mortal until he learns the valuable lesson his father wishes to teach him.

There is a live - action sequence, and it does jar the proceedings a bit — but it is there to make a point about the lesson - to - be-learned, and to parallel the Lego world within a child's imagination.

As expected, the HBO series marks the arrival of a larger - than - life sci - fi epic jam packed with memorable characters, excellent turns from actors Ed Harris and Evan Rachel Wood (among others), and enrapturing action sequences that have emotional payoff to match.

If Shyamalan is to the point where he's actively flipping the bird to audiences and expectations, eschewing his life - support systems for twists and protracted takes in favour of ugly, flat, uninspired action sequences and blighted implications, then I might actually at this point be looking forward to his next one.

Unfortunately, it's also at times these layers looked a bit fake as it sort felt obvious the cast was filming in front of a green screen, but to be honest, a lot of the action sequences would have been too dangerous to perform in real life or to realistically recreate solely with practical effects.

Van Pelt is perhaps the creepiest part of the production, although the constant peril and life - threatening action sequences will likely be too intense for little ones as well.

«There was nothing extraordinary about my mum and dad,» narrates Briggs during a brief live - action introductory sequence.

There are many action sequences in this movie, and each and every one of them practically hums with movement and life.

The combination of clever how - to details and wild fantasy is a throwback to the days of Disney's live - action man - against - nature films (only slightly grimmer), but it's flanked by a more down - to - earth depiction of the hero's youth in a zoo - owning Indian family, as well as a closing sequence that changes the meaning of everything that's come before.

Del Toro shows that Pan's Labyrinth was no fluke as he sets up action sequences and emotional situations that are simultaneously larger than life and as real as oxygen.

Sadly, Triple 9 does not live up to its promise (nor its premise), despite a few good action sequences.

The action sequences in «Bound by Debt» are intriguingly influenced by the real - life champion martial artist's action idols, including Bruce Lee, Chuck Norris and Jean Claude Van Damme, and the work they have brought to their respective films.

«Bound by Debt» is stunningly driven by its use of realistic action sequences, gripping performances by the real life martial artists who were cast in the supporting roles and the alluring camaraderie between the main actors, particularly Paul, Ciasulli, Frantzeskos and Silva.

When Kick - Ass 2 stays focused with the goofy nature of real - life super-heroes, or the crazy action sequences (albeit with a too much shaky - cam for my tastes) it works.

It tries to be in certain sequences, notably those featuring Lumière the candelabra (voiced by Ewan McGregor), Cogsworth the pendulum clock (Ian McKellen), and Garderobe the wardrobe (Audra McDonald)-- all of whom are basically tactile, live - action animated characters.

And then we work with Nick and the live - action unit and film some of these sequences and try to find the comedy there.

It is a fun and whimsical film which combines live - action sequences with a blend of genre (expressionism, fantasy, melodrama) with an animated sequence of the classic tale ««Appointment in Samarra».»

Before getting into how spectacular the action sequences truly are (and trust me, they save the blockbuster from plundering to the bottom of the ocean), it must be said that Oscar - nominated Kon - Tiki directors Joachim Ronning and Espen Sandberg have no idea whose story the movie should actually belong to, starting out as Henry Turner's (Brenton Thwaites) quest to free his cursed father at sea Will Turner (Orlando Bloom in a glorified cameo along with Keira Knightley as his partner Elizabeth Swann) to locate the Trident of Poseidon subsequently lifting that curse, and while the ultimate goal of the movie for all characters is finding said artifact for different reasons, by the end it's hard to fault the audience if they have forgotten all about that plot element and are just living in the moment of Jack Sparrow and company battling an army of decomposing, undead ghost pirates led by Captain Salazar.

There's nothing here as emotionally powerful as the live - action sequences from 2014's The LEGO Movie, but its pitch - perfect understanding of LEGO's cross-generational appeal is alive and well.

Compared to Brad Bird and Andrew Stanton, who parlayed the excessive planning and storyboarding of animation to craft large - scale but fluid action sequences, Lord and Miller bring to live - action the mania that animation enables.

Effortlessly moving between depictions of daily life, sprinkled with humor and warmth, to extraordinarily heartbreaking events (without straying into melodrama) and taut action sequences, Jang provides actor Song Kang - ho (Snowpiercer, The Host) another opportunity to prove that he's one of the finest character actors working in Asian cinema today.

It's not that The Wild Life, directed by Vincent Kesteloot and Ben Stassen (Fly Me to the Man, an animated endeavor of similar temperament), is a bad movie, but more that it lacks much interest for adult viewers: there are no interesting characters, the comic material is threadbare, and the action sequences lack the requisite thrills.

Score and effects came off stronger, Surrounds were utilized more often than anticipated and gave the action sequences some life.

«The Wilson Identity: From People to Puppets» (1:33, HD) observes director Zeb Wells getting real - life reference for an action sequence.

Young Dev Patel, who plays Jamal, races through eye - popping, music - fueled action sequences like some latter - day D'Artagnan, always intent — even when he's appearing on TV — on finding and rescuing the love of his life, who forever seems to be just out of reach.

Star Wars: Episode VII - The Force Awakens: The Star Wars franchise roars back to life with this consistently enthralling entry that boasts several compelling new characters and a surfeit of thrilling action sequences.

An improved variety of textures makes action sequences, like a crumbling building look almost as great as their live - action counterparts.

The truly spectacular action sequences never falter, more seamlessly blending live - action performance and stunt work to CGI marvels: a rampaging battle staged on the side of a building and a runaway train sequence easily trounce the efforts of the first film, and Raimi's effects team (again supervised by John Dykstra) also subtly improves upon the hero's web - slinging transit high above the city streets.

However, a handful of action sequences used the various speakers in a broad, interactive manner that added good life to the circumstances when necessary.

The lossless DTS - HD Master Audio 5.1 mix is top of the line, roaring to life in the action sequences and otherwise providing punchy music and crisp dialogue.