Sentences with phrase «live images earlier»

The Meizu 15 Plus has leaked in live images earlier as well.

This handset had surfaced in real - life images earlier this month, while Vivo confirmed a while back that the phone will be announced on March 19 in China, which is only a couple of days away.

Not exact matches

Barbara Corcoran on Projecting a Big Image and Living Up to It Highlights from Corcoran's keynote speech at Entrepreneur Magazine's Growth Conference in Dallas early last year.

It was a bunch of chums who initially selected a drawing of Jake (done by John) and «Life Is Good» from an assortment of images and slogans the Jacobses were testing out during a between - sales - trips kegger in the early»90s.

In an attempt to polish Islam's image, Muslim activists usually quote verses from the Quran that were written in the early days of the Islamic movement while Mohammed lived in Mecca.

In Becoming Attached, psychologist Robert Karen explains, «[Early in life], one forms images of the self and others and of how they fit together, which have a powerful hold on the personality and serve as a blueprint for future relationships.»

It may be that tradition reinterpreted the present story in the light of this seeming heresy; but there is no reason to deny that the story was already in existence earlier in the tenth century and that, in fact, image representation began in the beginning of Israel's life as a people, in the first, Mosaic chapter of that life.

For a people who have constantly been subjected to injustice, cruelty and early death, the image of the crucified is the supreme symbol of life in spite of the multiple daily threats of death.

Praasha Desire Praatika Image / Symbolic Pracheeta Origin / Starting point Pradyuta To begin to shine Pragnika Clever lady Praharsha Happy girl Prahasini Continues smiling girl Prajisha Morning Pramik Best / Fulfilling desires Pranal God Pranamya Offering obeisances Pranani Most beautiful Pranavee Goddess Parvati / The first sound of universe Aum (Alternate Spelling: Pranavi) Pranaya Leader Pranidhi Spy Pranika Goddess Parvati Pranisha Love to life Pranja Very cute Pranusha Prathama Usha — first rays of the morning Sun Pranvi Forgiveness / Goddess of life / Maa Parvati Pranvuta Praised Prasheila Ancient time Prashi Accomplishment / Fame Prashvita Parvati / Lord Shivas wife Prathulya Incomparable Prathusha Saisudha / Early morning / Dawn Prathysha Saisudha / Early morning / Dawn Prathyumna Victory Prathyusha Saisudha / Early morning / Dawn Prati One who appreciates and loves music Pratichi West Pratika Image / Beautiful / Symbol / Symbolic Pratitha Well known Prattusha Beautiful / soft Prattysha Morning Pratusha Saisudha / Early morning / Dawn Pratushya Morning Pratyaksha One who is real Pratyaya Perception / Thought / Intention Pratyusha Bright morning Pravara Eminent Prayukta Experimented Prayushi Pure Prayuta Mingled with Saadhvi Religious women / Courteous / Polite Saahana Raga Saarya Name of a pious woman Saatvika Goddess Durga / Calm (Alternate Spelling: Saatwika) Saavi Goddess Lakshmi / The Sun Saavini Pertaining to the month of Saavan / One who prepares Soma Sabrang Rainbow Sachita Consciousness Sadhvi Religious women / Courteous / Polite Saesha With great desire and wish / Truth of life Sagnika Fiery / Passionate / Married / With fire Sahuri War / Powerful / Victorious / The earth Sahya A mountain in india Saisha With great desire and wish / Truth of life (Alternate Spelling: Saiyeisha) Saketa Lord Krishna (Alternate Spelling: Saketha) Samanvi One who has all the best qualities Sambhwi Durga Samiha Generous Samika Peaceful Samiksha Analysis Samita Collected Samithra Good friend Sanchana Gathering of good habits Sanchaya Collection Sanha Skilful / Radiance / Elegance / Conciseness Sanheeta A compilation or a bunch of vedic hymns / Code (Alternate Spelling: Sanhitha) Sanmaya Equal / Removal of obstacles / Etc Sanmita Goddess Parvati / Prasanna Lakshmi Sanoja Eternal Sanrakta Red / Pleasant / Beautiful Sanwari Dusky Sanya Eminent / Distinguished / Born on saturday Sarasvi Water / Saraswathi Goddess Sarayu A holy river Sarisha Charming Sarit River Sarjena Creative Sarunati Nobleminded Sarvani Durga / Universal / Complete Sarvari Night

«In an earlier phase I clinical study, our group has shown that increasing the dose of radiation delivered daily with high precision and using image guidance may offset the need for chemotherapy in improving survival, and it may also improve quality of life measures by reducing treatment periods in half.

As we grow older, our early life comes sharply into focus (Image: Philippe Lopparelli / Tendance Floue)

It is a cause for concern because strabismus can lead to permanent vision loss if not treated early in life, not to mention the adverse impact on the child's self - image.

Dozens of quotes from his writings and speeches, paired with images, capture his early life in the late 1870s in Germany, through his time in Zurich and Berlin, to his final 20 years at Princeton.

Dozens of quotes from his writings and speeches are paired with images of his early life in Germany and his final years at Princeton.

[Jamie L. Hanson et al, Behavioral Problems After Early Life Stress: Contributions of the Hippocampus and Amygdala] Researchers took images of the brains of 12 - year - olds who had suffered either physical abuse or neglect or had grown up poor.

Saturn's north polar hexagon appears to be a long - lived feature of the atmosphere, having been spotted in images of Saturn in the early 1980s, again in the 1990s, and then by the Cassini spacecraft in the past several years.

We are also able to view live images of tissue in the digestive tract at a microscopic level, enabling earlier and more accurate diagnosis of gastrointestinal cancers.

So for example, we are looking at ways to image the retina in the living eye and identify cells that become reactive very early on in the disease.

Because children without symptoms are not tested for the HD mutation, it is very difficult to obtain enough MRI images to understand how the HD brain changes during early life.

In my early career, I worked as an opera singer, actress, model, and voiceover artist in New York City, which certainly taught me a thing or two about the importance of self - care and maintaining a positive self - image, regardless of what life throws my way.

While it never quite becomes the twin narrative of Versace's and Cunanan's lives that's hinted at in the early episodes, it continues using them as mirror images of one another: creator and destroyer, mother's apprentice and father's favored child, doting brother and prodigal son.

Real Name: Emilio Estevez Image: 80s film star turned up - and - coming director Birth Date: May 12, 1962 Best Known For: Being part of the Brat Pack Early Life: Born in New York, Emilio is the eldest son of actor and activist Martin Sheen.

If you had to conjure up an image in your head of a stereotypical children's writer, sketching the author of Winnie the Pooh without ever knowing who he was, you would probably revolve your drawing around the key words: caring, fatherly, kind... But as we whiz through the early years of Christopher Robin's life, it is clear that his father is the total opposite of that persona.

Those distortions are given a life of their own with his digital tools and even become cinematic devices of their own, morphing from one image to another as if released by the ghosts of early cinema.

FilmCentrix's 4K scan gives the film a whole new lease on life: The image is far sharper and more vibrant than earlier SD editions, and the uncompressed surround mix really pops.

If it's not the sharpest presentation I've ever seen, thank heavens it's free of the edge enhancement that probably would've plagued the image had Disney released this earlier in the format's life (and no doubt rendered the visual effects laughably transparent rather than cozily - dated).

Aside from Proxima Midnight, who was earlier revealed in several leaked images from the film battling Cap, Black Widow, and Falcon, as well as, the life - size statues of them unveiled back in July during the D23 Expo, we have yet to see the rest of the Black Order in action.

The scenes provide opportunities to explore different aspects of life in an ancient Mesopotamian city, such as banqueting, war, dress and social structure as well as the earliest known image of a wheel in human history.

And these image tell us that early stages of love are not only the peak stages of love but the most thrilling, pure, transcendent times of our life.

But in stark contrast to the image of a perpetual «urban underclass» depicted in television by shows like The Wire, sociologists Karl Alexander, Doris Entwisle, and Linda Olson present a more nuanced portrait of Baltimore's inner - city residents that employs important new research on the significance of early life opportunities available to low - income populations.

VSCC Lakeland — Trial Tom Threfall reports / Business and pleasure — Meet a happy Danish enthusiast who makes a living out of his hobby / Keeping the flag flying In the early 30s — John Black gave Standard a new image — and saved the company / Lost in the Wash — Michael Ware tells of Malcolm Campbell's ill - starred plans for a rival to Brooklands / Sit - up - and - beg - sort - out The pre-war and early post war Ford Eights were similar but... Bill Ballard sorts them out / A sports car by accident — M.W - W on the legendary Prince Henry Vauxhall / The Freehollow Flyer — Chris Edwards concludes his story of the Gordon England Austin 7 found in an American barn / «For ordinary usage and for racing» — Keith Clare found a 1913 Singer Ten with a chequered history in New Zealand / The Geelong Sprints — Australia's answer to the Brighton Speed trials / Rallying to Ballarat — Peter May reports on the VCC of Ausralia's Melbourne to Ballarat Rally / Body language — The final part of Mike Worthington - Williams» magnum opus on body styles.

The images shown here were supposedly captured from an online car configurator that went live early, revealing Ferrari's next convertible ahead of its official debut.

Not sure if any of it will be directly related to the live action images leaked earlier.

Duggan writes that Poeschke's book «demonstrates the seemingly eternal life of these pre-Renaissance mosaics, which contain some of the earliest images of Christian art.

This resplendent monograph, which accompanies the exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» — paintings made of fragments and scraps of oil paint culled from previously painted images — to his more recent «transfers» and innovative sculptural work in porcelain and steel or iron.

They recall early Modernist images of life as a tragicomic circus of love and loss, stylish dignity struggling with inelegant humiliation.

The images shown are from early performances, films and photographic and graphic works from Ms. Schneeman's «Life Book 3,» 1970 - 1990s, and «Life Book 2,» 1970 - 1990s.

You could say that Leckey's early negotiations between image and substance, his early attempts at self - transformation, were a kind of preparation for life as an artist.

For many artists in the exhibition, the radical language of modernist painting developed during the early twentieth century - of collapsing and expanding picture planes responding to the frenetic pace and fragmentary encounters of modern life - continues to evolve as distortions and mutations of the image take on new permutations with each technological advance.

The exhibition's dreamy, domestic cues recall the work of another Canadian - born photographer, Moyra Davey, particularly the images she captured in her apartment in the early 2000s of dust trapped under a paw or collected under a bed — framing the particles as an intimate index (hair, fibres, skin) of time and lived experience.

In the early 1950s, when Rauschenberg was living with artist Susan Weil in a one - room apartment on West 95th Street in Manhattan, they produced a series of cyanotypes — images produced without a camera, by shining an ultraviolet light on an object or nude model resting on blueprint paper, exposing the paper where the light isn't blocked and creating a negative shadow of the object or model's outline, similar to the way an X-ray is done.

These images fit within the early modern genre of still life where the visual treatment can lend permanence to the most disposable substances and lend pristine newness to the most obsolete or worn - out materials.

Nor do I think, like Sam, that «Red Label» is a flat image; I think it has, along with quite a bit of Smith's very early, freely - brushed but clearly structured work of the late fifties, more spatial «life» in it than much of the stuff that came later, work that attempted to wed painting to literal three - dimensionality.

The artist generates the subject matter of his art from the material substances with which he works, an approach made most memorable perhaps in Zucker's «cotton ball paintings» of the early 1970s with their narrative images of plantation life in the American south.

From early Vogue shoots and Hollywood's golden era to domestic still lifes, the photographer reveals the images that have inspired her

In 1993 the filmmaker Cheryl Dunye approached Leonard about producing a trove of images recording the life and career of a fictional black lesbian actress working in Hollywood in the early 20th century.

«It is clear that even McGinley's earliest images are not as «documentary» in their nature as initially perceived -LRB-...) In place of reality, he explains that his «photographs are in truth closer to a record of (his) imaginary life.»

His earliest collection was probably the dozens of movie - star photographs he acquired as a child, and he continued to acquire images of celebrities past and present throughout his life.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Unlike Warhol's earlier work the Still Life 1976 paintings do not repeatedly reproduce the same image (or screen) from canvas to canvas.