Not exact matches
This is at best misleading: Writing
in the
cultural context of the liberal West, Soloveitchik often devoted more words to emphasizing the necessity of humility and surrender for a genuine religious
life, but he had no more esteem for a purely submissive religious posture than for an exclusively assertive one — a point made clear by his frequent condemnations of mystical self - abnegation.
«The assumptions that have governed our understanding of Christian history during the past several centuries were all formed
in the European
context where the church was identified with the
cultural and religious majority and attention was focused largely on its institutional
life,» Shenk writes.
- God, the Absolute - humanity, the human condition
in its universal characteristics, - male and female, though different, equal
in rights and dignity, - the cosmos, especially the planet earth available, with its limited resources, for all humanity - the planet's ecology as common essential source of
life and hence of concern for all humans, present and future, - the human conscience guiding each one interiorly would be known only to each one personally, - the each group of humans has a history and a religio -
cultural background of its own is a universal factor that makes for particularity and different
contexts for theology, - the realization that the present increasing globalization of relationships, economy and culture impinge on theology and spirituality universally, though differently.
I believe that part of that listening process should include listening to the
cultural context in which the people we're trying to talk to
live their
lives.
To fulfll the Lord's mission worldwide, we must understand that we
live in different social, political, historical and
cultural contexts in and through which God acts and speaks to us, though we
live on the same globe.
Students themselves engage
in theological reality - testing from the workplace, family
life,
cultural ferment and
contexts of oppression.
The Word, by definition,
lives in the midst of the
cultural context of God's people.
In the present
cultural context, they may be the age group most likely to appreciate the relief of leaving the pressures and values of the old
life behind.
[16] This heritage, which many Indian - Christian theologians have too often accepted uncritically, accepting the broad brush - strokes, without going into the nitty - gritty details, needs to be re-examined and re-evaluated so that the meaning of several concepts which such a heritage has spawned and which is reflected, often unconsciously,
in the present attitudes of Indian - Christians, can be liberated «from the socio -
cultural, philosophical and historical
contexts in which they have been deified, and make their theological insights reincarnate
in the
life and concerns of the people.
The relativity of Niebuhr's theocentric relativism derives not from the variety of religious and
cultural contexts in which different people
live, but from the awareness that each person
lives in several of these
contexts at once.
However one looks at Scripture, as the «word of God» or just old writings, understanding the historical and
cultural context in which the writer's
lived and wrote can give us lots of insight.
Therefore,
in proclaiming the Kingdom of God
in our
context should mean taking seriously the
cultural and religious symbols and traditions which embody their vision of
life and wholeness.
God creates the possibility of new
life in each nation's religious and
cultural context (Isa.
It may be helpful to note, however, that an account of the perceptions and interpretations of the
cultural context of theology and church
life is as important as a description of a current trend
in some graduate schools.
She is the author of Dancing Skeletons:
Life and Death
in West Africa 1993, and the co-editor of Breastfeeding: Biocultural Perspectives (1995), which includes her chapters «Beauty and the Breast: The
Cultural Context of Breastfeeding
in the United States,» and «A Time to Wean: The Hominid Blueprint for a Natural Age of Weaning
in Modern Human Populations.»
I have
lived in two continents,
in four different
cultural contexts, and married an African Muslim with whom I
lived with for 12 years, and as a result, we spent extensive amounts of time
in Africa.
How can we help each other develop the capacity to make more conscious technology choices, especially when our
cultural context is one where everyone is now connected and technology is
in every aspect of our
lives?
But considerable recent research aimed at broadening this empirical base has revealed that children's knowledge about
living things and the relations among them is sculpted by the
cultural and environmental
contexts in which they are raised.
In five studies among three groups and seven cultural contexts, researchers from Denmark, Norway, Sweden and the US show that the same psychological processes explain mutual outgroup hostility between non-Muslim Westerners, Muslim minorities living in the West, and Muslims living in the Middle Eas
In five studies among three groups and seven
cultural contexts, researchers from Denmark, Norway, Sweden and the US show that the same psychological processes explain mutual outgroup hostility between non-Muslim Westerners, Muslim minorities
living in the West, and Muslims living in the Middle Eas
in the West, and Muslims
living in the Middle Eas
in the Middle East.
For
cultural context, i.e. to explain
in part why I've been comfortable going gray, I've
lived most of my
life -LSB-...]
When Ben Affleck's directorial debut GONE BABY GONE was released, the real
life tragedy of Madeline McCann was at the peak of a media frenzy, and it was practically impossible to view that film outside of the
cultural context in which it fell.
In this context, a radically different vision of human well - being, one that is in tune with nature and respects other species, promotes socio - economic equity amongst all people, enhances the cultural, material, economic, social, and political opportunities for all, and one that empowers each person and community to take part in decision - making affecting their live
In this
context, a radically different vision of human well - being, one that is
in tune with nature and respects other species, promotes socio - economic equity amongst all people, enhances the cultural, material, economic, social, and political opportunities for all, and one that empowers each person and community to take part in decision - making affecting their live
in tune with nature and respects other species, promotes socio - economic equity amongst all people, enhances the
cultural, material, economic, social, and political opportunities for all, and one that empowers each person and community to take part
in decision - making affecting their live
in decision - making affecting their
lives.
It is concerned with making critical judgements based on a sound knowledge of a variety of
contexts; judgements about
cultural values,
cultural history, aesthetics, quality, craftsmanship and fitness for purpose, and provides an opportunity for and engagement
in leisure pursuits that can yield lifelong benefits
in health, well ‑ being and
life satisfaction.
Programs like ours can become vehicles for promoting students» awareness of their own perspectives and why and how they might be similar or different to those of people
living in other
cultural contexts.
The author of the Common Core Standards for English Language Arts, David Coleman, has said over and over at conferences,
in interviews and
in online presentations that students» personal responses and interpretations have no place
in the classroom nor does discussion of the
cultural and historical
context in which books are written or
in which students
live belong
in that classroom.
By introducing and researching teacher - led book discussions of ethnic literature, we hoped to investigate alternative texts and
contexts for teachers to learn about the
cultural foundations of literacy
in their own and others»
lives.
SRI holds that the practice of ensuring that each child is successful regardless of their external or internal, social or
cultural contexts requires racial identity work — exploring the role that race has played
in shaping our own and our students»
lives.
This biography /
cultural journey seeks to right that wrong and place Brown's
life and music
in the broader
context of the South's racial struggles.
As a Thai artist born
in Argentina and now
living between New York, Berlin, and Chiang Mai, Tiravanija's work often carries strains of his own nomadic existence, the blending and re-combination of different
cultural contexts.
His
life and career are redolent of the history of New York City at a crucial moment
in its art and
cultural history — a
context so eloquently drawn
in Patti Smith's 2010 bestseller Just Kids...
These exhibitions emphasize historical,
cultural, social and artistic contributions, providing a broader
context for the
lives of African American Marylanders explored
in the permanent exhibition.
The work he produced
in the 60s certainly reflects the socio -
cultural context the artist
lived in: the Rome of «La Dolce Vita,» Fellini's iconic film that well describes the city's sweet, glamorous lifestyle of those years.
In another work, Hong Hao collected many red header documents and food tickets to create a collage that comment on the sense of authority among hierarchy in Chinese cultural context to show the relationship of humanity in people's daily lif
In another work, Hong Hao collected many red header documents and food tickets to create a collage that comment on the sense of authority among hierarchy
in Chinese cultural context to show the relationship of humanity in people's daily lif
in Chinese
cultural context to show the relationship of humanity
in people's daily lif
in people's daily
life.
Alongside the distinct formalism that underpins six decades of practice, Brisley has unflinchingly probed the contemporary political,
cultural and social
contexts in which we
live.
The aim of their work is to portray a group of people
living in a specific
cultural, social and economic environment and mapping the spatial and architectural
context where they
live.
While
living and working for decades
in various
cultural contexts s such as Guyana, Canada, and the United States, Lyght creates a wide range of works that analyze the structural properties of painting and reanimate pictorial space as an open system.
Oppenheim speaks of growing up
in Washington and California, his father's Russian ancestry and education
in China, his father's career
in engineering, his mother's background and education
in English,
living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out
in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest
in athletics during high school, fitting
in with the minority class
in Richmond, prejudice and
cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers
in high school, attending California College of Arts and Crafts, homosexuality
in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education
in art history, Oakland Wedge, earth works,
context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines
in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction
in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement
in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.
«One way of understanding the relation of the terms «modern,» «modernity,» and «modernism» is that aesthetic modernism is a form of art characteristic of high or actualized late modernity, that is, of that period
in which social, economic, and
cultural life in the widest sense [was] revolutionized by modernity... [this means] that modernist art is scarcely thinkable outside the
context of the modernized society of the late nineteenth and twentieth centuries.
I appropriate familiar objects and social events, which are universally recognisable within specific
cultural contexts (games, souvenirs), to invite audiences to take a look at the society that they
live in, often revealing underlying belief systems, drawing audiences into a series of questions that ask «how do we come to know what it is that we know» — Yara El - Sherbini, 2015
(catalogue) Persona, The Renaissance Society at the University of Chicago, Chicago, IL; Kunsthalle Basel, Basel Switzerland 1995 It's How You Play The Game, Exit Art, New York; curated by Thelma Golden, Nancy Spector, Robert Storr, Jeanette Ingberman and Papo Colo Strung Into the Appolonian Dream... an exhibition of a private collection, Feature, NYC, NY Seven Llongish Wodden Sculptures, Feature, New York, NY 1994 The Ecstasy of Limits, Gallery 400, School of Art and Design, UIC, Chicago, IL Amenities, Frederick Layton Gallery, Milwaukee Institute of Art and Design, Milwaukee 1993 A Sequence of Forms: Sculpture by Illinois Artists, Chicago
Cultural Center, Chicago, IL Mettlesome & Meddlesome: Selections from the Collection of Robert J. Shiffler, Contemporary Arts Center, Cincinnati, OH; Urbana - Champaign, IL; I Space, University of Urbana - Champaign Gallery, Chicago, IL 1992 Drawing New Conclusions, Betty Rymer Gallery, The School of the Art Institute of Chicago, Chicago, IL 1991 Office Party, (March) Feature, New York, NY Power: Its Icons, Myths and Structure
in American Culture 1961 - 1991, Museum of Fine Art, Richmond VA: curated by Holliday T. Day (catalogue) 1990 Toward the Future Contemporary Art
in Context, Museum of Contemporary Art, Chicago Awards
in the Visual Arts, New Orleans Museum of Art, New Orleans, LA; Southeastern The Thing Itself, Feature, New York, NY (brochure) New Generations Chicago, Carnegie Mellon Art Gallery, Carnegie Mellon University, Pittsburgh, PA; curated by Elaine A. King (catalogue) Half - Truths, The Parrish Art Museum, Southhampton, NY; curated by Marge Goldwater 1989 On Kawara: Date Paintings 1966 - 1988, The Renaissance Society at the University of Chicago, Chicago, IL Signs of
Life: Contemporary American Sculpture, Fundacao Calouste Gulbenkian; Fundacao Luso - Americana Para O Desenvolvimento, Lisbon, Portugal; curated by Judith Russi Kirshner.
Motley (1891 - 1981) was born
in New Orleans and
lived in Chicago, where he painted the
cultural life of the city's African American neighborhood known as Bronzeville, portraying it with an eye for calibrations of class and race, and with a sense of his own conflicted position within its
context.
Motley (1891 - 1981) was born
in New Orleans and
lived in Chicago, where he painted the
cultural life of the city's African - American neighborhood known as Bronzeville, portraying it with an eye for calibrations of class and race, and with a sense of his own conflicted position within its
context.
They acknowledge that «the fact of
living in Cuba has already influenced us
in our way of thinking and
in our logic to perceive the artistic,
cultural events,» but stress that this is simply an irreversible effect of their background: «Although our work never made a direct statement towards the political reality of Cuba our
context, our culture, and our homeland [always lie]
in our artistic practice.
There are
contexts in adult
life where splitting is a
cultural norm though one could argue it also has deleterious effects.
Social workers work with individuals, families, groups and communities
in the
context of their physical, social and
cultural environments; their past and current
lived experiences, and their
cultural and belief systems.The Australian Association of Social Workers (AASW) is the professional representative body of social workers
in Australia.
These properties make it particularly useful
in diverse
cultural and global
contexts, where it can easily be molded to the real
lives of real clients.»
She has a PhD
in Social and Organizational Science and considers an important element of her work to include reflections on the social and
cultural context within which our clients
live and grow
in.
You will also gain a working model of how to begin intervening
in a child and family's
life affected by trauma respectful of the child and family's
cultural context.
I will attend to your relational, self, and
cultural contexts in order to co-construct wished - for outcomes, find desired meanings, and develop expanded perspectives to pressing issues
in your
life.
Hope to have more availability soon ** I have a warm, collaborative working style that integrates a systemic theoretical orientation (understanding people's
lives in the
context of biology, relationships, work, and larger social /
cultural systems) with highly individualized, evidence - based treatment.