Sentences with phrase «live in the sea between»

If this weren't enough of an invitation (bearing in mind that you may need to live in the sea between January and March as the city's humidity can get unbearable), the clarity of the water and the phenomenal sea life also make Durban the perfect place to snorkel, particularly along the n...

If this weren't enough of an invitation (bearing in mind that you may need to live in the sea between January and March as the city's humidity can get unbearable), the clarity of the water and the phenomenal sea life also make Durban the perfect place to snorkel, particularly along the north coast (Ballito, Salt Rock and Sheffield areas).

Not exact matches

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Before the sea corridor between Turkey and Greek islands became a grave for hundreds of refugees in 2015, Evros had claimed at least 1,500 lives over the past 18 years.

... and, it's no one person or post or thing, and its not that I have all the answers, or that I live my beliefs the way that I aspire to... I just see lots of really great - hearted people tying themselves in knots, feeling shame and guilt and depression and anger... and at times it seems it is because they are trying to differentiate between seas and lakes and rivers and oceans... instead of just going for a swim.

Oden also has a curious habit of including excerpts whose only distinction is that they contain somewhat involved metaphors — a journey from Peking to Canton, one thief accusing another to the police, a merchant momentarily given false hope as he watches his ship founder at sea, an emperor choosing a day - laborer as his son - in - law, the difference in value between a pound of gold and a pound of feathers, a corpse still able to perform some of the functions of a living body — as if such metaphors were intrinsically humorous.

I live, in other words, in a mess of imprecision, on the edge of the land, between sea and sky.

Many Arab Mediternian Sea countries has Christions and Jew among them and they have their disputes no and then because of few lunatics here and there case disruptions otherwise living as civilians close in life and business but times when politics motivated in the name of religion then thre come disputes but they are merrily like the disputes that happen between political parties or football fans but not hatred.

Cape Town is truly stunning with mountains, the sea with harbour and beaches, the city life, all the vineyards and everything in between.

Holiday and Sea Bay were both accused of discrimination in 2007 after a single mom struggling to find a place to live complained about a Holiday policy that limited the time that families with a child between the ages of 5 and 17 could stay on the grounds.

This approach allowed them to create a metabolic index for each species, which sets clearly defined limits for oxygen - breathing sea life: «Marine animals like eelpouts, rock crabs and Atlantic cod can only survive in environments with enough oxygen for them to increase their metabolism to between two and five times their resting metabolic rate if need be.

To help clear up the evolution of farming in the West, the investigators compared genetic information from Europeans living during the Neolithic period (a.k.a. the late Stone Age, 10,000 - 4,000 years ago; the chronology varies between Europe and the Near East) with that from nine individuals excavated from two ancient settlements in Anatolia (the area between the Black and the Mediterranean Seas).

For their study, the researchers looked at three sets of fossils (now housed in museums in Denmark, England, and Texas) of widely disparate creatures from different eras: a leatherback turtle that lived about 55 million years ago, a large predator called a mosasaur that lived about 86 million years ago, and an ichthyosaur that swam the seas between 190 million and 196 million years ago.

Blobfish live at depths of between 600 and 1,200 meters where the pressure is several dozen times higher than at sea level, and they can grow up to 12 inches in length.

Acorn worms are marine creatures that live on the ocean floor and feed by filtering a steady flow of sea water through slits in the region of their gut between mouth and esophagus.

Scientists monitoring the Cayman reefs noted a 40 percent decline in live coral cover between 1999 and 2004 during a period of warmer seas in the Caribbean.

These findings suggest that there's a defined window for altitude living — between 2000 and 2500 meters — that can improve sea level performance in competitive runners.

In contrast, Dalziel suggests the development of a deep oceanic gateway between the Pacific and Iapetus (ancestral Atlantic) oceans isolated Laurentia in the early Cambrian, a geographic makeover that immediately preceded the global sea level rise and apparent explosion of lifIn contrast, Dalziel suggests the development of a deep oceanic gateway between the Pacific and Iapetus (ancestral Atlantic) oceans isolated Laurentia in the early Cambrian, a geographic makeover that immediately preceded the global sea level rise and apparent explosion of lifin the early Cambrian, a geographic makeover that immediately preceded the global sea level rise and apparent explosion of life.

These oceans can be kept warm despite their great distance from the Sun because of gravitational interactions between the moons and their host planet, and they might support the kind of life found in deep sea vents on Earth.

The direct linkages between life and planetary processes on the volcanically active, deep - sea, mid-ocean ridge system can only be understood through tightly integrated studies across a broad range of disciplines in geophysics, geology, chemistry, biology, and oceanography, according to the NSF.

In a world divided between those inhabiting the mainland («landlockers») and those who float on the sea («damplings»), loneliness has become a way of life for North and Callanish, until a sudden storm offshore brings change to both their lives — offering them a new understanding of the world they live in and the consequences of the past, while restoring hope in an unexpected futurIn a world divided between those inhabiting the mainland («landlockers») and those who float on the sea («damplings»), loneliness has become a way of life for North and Callanish, until a sudden storm offshore brings change to both their lives — offering them a new understanding of the world they live in and the consequences of the past, while restoring hope in an unexpected futurin and the consequences of the past, while restoring hope in an unexpected futurin an unexpected future.

I'm bound to wild life, could be a bear wandering in the deepest forest, or a dolphin swimming the large sea, and sometimes an eagle flying to the sun... maybe i'm just a duck trying to manage it between earth, water and..

Between Land Sea A Year in the Life of a Coastal Surf Town DATE 23 February More info.

Other highlights in this section include: Pablo Larraín's THE CLUB, a mordant morality tale set in a sleepy Chilean coastal town, which won Berlin's Grand Jury Prize; CHRONIC, Michel Franco's uncompromising study of grief and isolation, featuring a revelatory performance by Tim Roth; brothers Tarzan and Arab Nasser's feature directorial debut, DÉGRADÉ, a smart drama that moves seamlessly between humour and despair, set in a women's hair salon in Gaza; the European Premiere of George Amponsah's intimate documentary THE HARD STOP, revealing the story of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?»

Sometimes it seemed that my life was slowly disappearing behind me, fading like footprints in the rain, until perhaps I had always been the quiet man living an unremarkable life in a cottage between the forest and the sea.

In a world divided between those inhabiting the mainland («landlockers») and those who float on the sea («damplings»), loneliness has become a way of life for North and Callanish, until a sudden storm offshore brings change to both their lives - offering them a new understanding of the world they live in and the consequences of the past, while restoring hope in an unexpected futurIn a world divided between those inhabiting the mainland («landlockers») and those who float on the sea («damplings»), loneliness has become a way of life for North and Callanish, until a sudden storm offshore brings change to both their lives - offering them a new understanding of the world they live in and the consequences of the past, while restoring hope in an unexpected futurin and the consequences of the past, while restoring hope in an unexpected futurin an unexpected future.

Amid this dramatic shift, another sea change was afoot: As seen in the accompanying graphic, «The Gap Between Life Expectancy and Retirement Ages,» over the past half century the average life expectancy has increased significantly while the average retirement age has decreaLife Expectancy and Retirement Ages,» over the past half century the average life expectancy has increased significantly while the average retirement age has decrealife expectancy has increased significantly while the average retirement age has decreased.

This fall, Georgia Aquarium, together with Litton Entertainment and Jeff Corwin, is taking the cameras around the world in an effort to fathom the ancient connections between life in the sea - and life on the rest of the planet.

For a city person, sampling the «pura vida,» or natural life, in this strip of Central America between the Pacific Ocean and the Caribbean Sea is a bit like awakening in a tropical Eden.

There are as many as 25 dive sites on the Gili Islands with varying topography and diverse marine life which includes reef sharks, turtles lionfish, cuttlefish, sea snakes, scorpion fish, octopus, moray eels, and many types of rays, among others.It is possible to dive in Gili Islands throughout the year, and the best time is between the month of May — October, during the dry season.

Belize, often referred to as «Mother Nature's Best Kept Secret» has one foot embedded in the tropical jungle of Central America tucked between Mexico (north) & Guatemala (southwest) and another foot immersed in the Caribbean Sea (east), with hundreds of islands ripe for exploration protected by the longest living coral reef the Western Hemisphere.

Various species of sea birds like the crested cormorant and the Eleanor falcon live in this coastline away from civilisation where there are also unusul endemic flowers that shoot up between the rocks.

In the book, which takes place between 1834 and 1836, Dana gives a vivid account of «the life of a common sailor at sea as it really is».

At the height of its importance, almost 2,000 people lived in and around Cerros, working as farmers and as merchants in the trade between the sea coast and inland communities.

Living the Dream (Going longer, cheaper & living your dream) Liz en España (A strong desire to rove or travel about) LL World Tour (The World Travels of LLWorldTour aka Lisa Lubin) Locomotion Scotland (All the help you'll need for trips to Scotland) Lola Akinmade (Nigerian - born Lola's photography / writing characterized by vibrancy / hope) Looking For The Sweet Spot (In search of life's best moments) Lost Intentions (The best time to travel is now, no more lost intentions) Low Cost RTW (Travel blog guide to flying around the world and saving money) Lunaguava (Between the moon & the sea, a harbor for travelers: our extraordinary Living the Dream (Going longer, cheaper & living your dream) Liz en España (A strong desire to rove or travel about) LL World Tour (The World Travels of LLWorldTour aka Lisa Lubin) Locomotion Scotland (All the help you'll need for trips to Scotland) Lola Akinmade (Nigerian - born Lola's photography / writing characterized by vibrancy / hope) Looking For The Sweet Spot (In search of life's best moments) Lost Intentions (The best time to travel is now, no more lost intentions) Low Cost RTW (Travel blog guide to flying around the world and saving money) Lunaguava (Between the moon & the sea, a harbor for travelers: our extraordinary living your dream) Liz en España (A strong desire to rove or travel about) LL World Tour (The World Travels of LLWorldTour aka Lisa Lubin) Locomotion Scotland (All the help you'll need for trips to Scotland) Lola Akinmade (Nigerian - born Lola's photography / writing characterized by vibrancy / hope) Looking For The Sweet Spot (In search of life's best moments) Lost Intentions (The best time to travel is now, no more lost intentions) Low Cost RTW (Travel blog guide to flying around the world and saving money) Lunaguava (Between the moon & the sea, a harbor for travelers: our extraordinary world.

Take your pick between the large number of bars, restaurants, pastry shops and pubs, which offer traditional food, live music, entertainment, karaoke and — in some cases — a view of the sea.

Outrigger Koh Samui Beach Resort is nestled on the shore of charming Hanuman Bay, a 500m - long beach in the northeastern part of Koh Samui, between Chaweng and Choengmon beaches.The cove is peaceful and secluded yet actually not that far away from the large scenes of restaurants, shops and nightlife entertainment venues available in Chaweng and Bophut beaches.The resort motto is outside living - in and its 52 suites and villas are the exact translation of this philosophy; coming in four types: Pool Suite, Pool Suite Sea View, Pool Villa, and Two - Bedroom Pool Villa.All residential categories have Asian decor, genuine antiques and top - of - the - range amenities such as LCD large - screen television, iPod dock station with a large music library, naturally sourced toiletries, fully - stocked mini-bar, tea / coffee / maker, individually controlled air conditioning, and large terrace.

Choose between Bali's north or east coast, the remote and incredible Raja Ampat, or a top dive resort in Sulawesi where the people of Manado and the Lembeh Strait are privileged to have this amazing array of sea - life right on their doorsteps...

The Family Tree of Russian Contemporary Art; Field Research: A Progress Report and Rikrit Tiravanija: Tomorrow is the question at Garage Museum of Contemporary Art, Moscow Julien Prévieux, Francisco Sobrino, Raphaël Zarka at Jousse Entreprise, Paris Antje Majewski: E.F.A. im Garten at neugerriemschneider, Berlin Oscar Tuazon: Break the Glass at Kastro, Antiparos, Cyclades Rochelle Goldberg: The Cannibal Actif at Vava, Milan Mark Bradford: Sea Monsters at Gemeentemuseum den Haag, The Hague Momentum 8: The Nordic Biennial of Contemporary Art: Tunnel Vision, various venues, Moss After Babel / Poetry will be made by all / 89plus at Moderna Museet, Stockholm Giorgio Griffa: A Retrosptective, 1968 — 2014 at Centre d'Art Contemporain, Geneva Eloise Hawser: Lives on Wire at ICA, London Thomas Hirschhorn: In - Between at South London Gallery Glenn Ligon: Encounters and Collisions at Tate Liverpool Radames «Juni» Figueroa at Edel Assanti, London Not with nothing but.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timIn St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin many of the carvings of this time.

1995 Learn to Read Art: Lawrence Weiner — The Books, New York Public Library, New York, US & Vers Les Etoiles, Port de Chagny, FR Painted Stones Ringing..., Kunstmuseum Winterthur, CH Between The Pyrenées & The Mediterranean Sea, Fundacio Pueblo Barcelona, Barcelona, ES Von Punkt zu Punkt / From Point to Point, Kunstmuseum St. Gallen, CH (Works) In the Stream, IVAM Centre Julio Gonzales, Valencia, ES Stage Set for the Kygen of the Noh Play of our Lives, Gallery 360º, Tokyo, JP To Build a Square in the Rhineland, Museum Ludwig, Wolfgang Hahn Prize, Cologne, DE Two Sites by Lawrence Weiner, Regen Projects, Los Angeles, US Heart of Darkness, Holstebro Kunstmuseum, DK Some Things Brought To Hand: The Multiples of Lawrence Weiner, Marian Goodman Gallery, New York, In the Stream, IVAM Centre Julio Gonzales, Valencia, ES Stage Set for the Kygen of the Noh Play of our Lives, Gallery 360º, Tokyo, JP To Build a Square in the Rhineland, Museum Ludwig, Wolfgang Hahn Prize, Cologne, DE Two Sites by Lawrence Weiner, Regen Projects, Los Angeles, US Heart of Darkness, Holstebro Kunstmuseum, DK Some Things Brought To Hand: The Multiples of Lawrence Weiner, Marian Goodman Gallery, New York, in the Rhineland, Museum Ludwig, Wolfgang Hahn Prize, Cologne, DE Two Sites by Lawrence Weiner, Regen Projects, Los Angeles, US Heart of Darkness, Holstebro Kunstmuseum, DK Some Things Brought To Hand: The Multiples of Lawrence Weiner, Marian Goodman Gallery, New York, US

Chopin lived in Vonna - Michell's hometown of Leigh - on - Sea in Essex, England, between 1968 and 1986, and created a large body of pioneering recordings using early tape recorders, studio technologies, and sounds of the manipulated human voice.

The vegetal high seas and their melodious waves: Between these two healing paradises I live not in myself But sense myself mingle with their surroundings.

It may take us a century to halt it and reverse it during the worst times of it when we are living in a very harsh world not too different from the 3 million year time between the Great Dying of the Permian and the beginning of the Triassic where life in the sea was on a razor's edge and there was only one major tetrapod on land much further north.

Nevertheless, according to observations by Liu et al. (2009) the pH in the South China Sea over the last 8000 years has fluctuated between 7.90 to 8.30 and marine life appeared to have had no trouble surviving.

To an Earth - system scientist the difference between the Quaternary period (which includes the Holocene) and the Neogene, which came before it, is not just what was living where, or what the sea level was; it is that in the Neogene the climate stayed stable whereas in the Quaternary it swung in and out of a series of ice ages.

The National Climate Assessment sounds the harsh warning that sea levels will rise between 1 - 4 feet by 2100, and with nearly 5 million people in the United States living within four feet of the local high - tide level, the economic impacts will be severe.

Their unbelievable adventure together starts with a battle between the Sea Shepherd and shark poachers in Guatemala, resulting in pirate boat rammings, gunboat chases, mafia espionage, corrupt court systems and attempted murder charges, forcing them to flee for their lives.

Jenna Jambeck and her colleagues at the University of Georgia found that an incredibly large amount of plastic waste is mismanaged by the populations living in coastal area, and that even a conservative estimate of how much ends up in the sea puts adds up to between 4.8 million to 12.7 million metric tons of plastic.