Sentences with phrase «live model sculptures»

We're fascinated by Deborah Paswaters» abstract figure paintings, which are often accompanied by «living model sculptures» at shows and exhibitions.

Not exact matches

Illustrated with performance, private videos, and recollections from those who knew him, this detailed and innovative documentary looks at the life of the always provocative artist Chris Burden, whose work consistently challenged ideas about the limits and nature of modern art, from his notorious performances in the 1970s to his later assemblages, installations, kinetic and static sculptures, and scientific models.

In Still Life Studio, celebrated Australian artist Petrina Hicks continues to take inspiration from mythology and art history, this time featuring models with luminous skin posing with various props in a style inspired by ancient Roman sculptures.

«All the Clothes of an Imelda I Know» (2011), is a sculpture comprised of the objects and ornate architectural models used in the film, «Full Firearms» (2011), a loosely adapted the real - life story of Sarah Winchester, the Connecticut gun heiress who, in the 1880s, built a manor to house the «spirits» haunting her: the victims of her father - in - law's arms empire.

The great cartoon artist, MacArthur genius and Omaha - born Chicagoan tells the story of his life in comic form, accompanied by family photographs, New Yorker covers, his toylike wood sculpture, and the wonderful dollhouse - like models he builds of some of his characters» homes.

A painter and sculptor, George Segal (1924 — 2000) came to be recognized primarily for his life - size white plaster sculptures made from casts taken from living models which he began making in 1961.

In one gallery, David Shrigley's 2013 Turner Prize installation «Life Model» is presented in London for the first time: a three metre high sculpture of a naked and comically disproportioned male model is set within a traditional life drawing classrLife Model» is presented in London for the first time: a three metre high sculpture of a naked and comically disproportioned male model is set within a traditional life drawing classModel» is presented in London for the first time: a three metre high sculpture of a naked and comically disproportioned male model is set within a traditional life drawing classmodel is set within a traditional life drawing classrlife drawing classroom.

Shrigley's Life Model (2012) opens proceedings with an installation featuring the sculpture of a lanky, naked male surrounded by the easels and chairs of a life drawing clLife Model (2012) opens proceedings with an installation featuring the sculpture of a lanky, naked male surrounded by the easels and chairs of a life drawing cllife drawing class.

Working in sculpture and in painting respectively, both artists begin by drawing from life; in Carol's case in the life room with a model, or with Andrew Hood, a chosen location in a city street or remote landscape.

Mar's shadow box is a social network of masks, figurines, model forms, and paper sculptures resembling both the life of the party and the detritus after.

We are Grammar, Pratt Institute, New York (2011) Clap, Marie Luise Hessel Museum, CCS Bard, Annandale - on - Hudson (2011) Learning from Vancouver, Western Front, Vancouver (2010) Portscapes, Museum Boijmans Van Beuningen, Rotterdam (2010) Making Ships in Bottles, CGP, London (2010) Impakt festival, Utrecht (2010) The Crude and the Rare, Cooper Union, New York (2010) Xth Lyon Bienniale, The Spectacle of the everyday, curated by Hou Hanru, Lyon (2009) Generosity is the new political, Wysing Art Centre, Cambridge (2009) One Day Sculpture, Auckland (2009) Pumphouse Gallery, London (2009); Becoming Dutch, Van AbbeMuseum, Eindhoven (2008) For Reasons of State, ISP Whitney, New York (2008) Utopia Transfer, Kiscelli Museum, Budapest (2008) Xth Istanbul Biennale (2007) Models For Tomorrow, European Kunsthalle, Cologne (2007) Moscow Biennale, Moskow (2007) Temporary Measures, Associates, London (2007) Naked Life, MOCA, Taipei (2006) Ford Boxes, Cork Caucus Cork (2005)

It initially involved drawing after prints, then after sculptures, then the drawing of the live model.

The self - constructed model interiors contain life - size objects and within this context, the objects are transformed into oversized sculptures, surreal representations of themselves.

Taken at the Rodin Museum in Paris, which was the home and studio of Auguste Rodin for the last nine years of his life, Wermer's photographs depict his marble sculptures and plaster models for several larger bronze commissions, along with a selection of works by Camille Claudel.

In VB64, she introduces a new element into the work, gesso sculptures cast from live models, resting on coffin - like bases.

Nicolas Guagnini, a young artist, gave a talk on Maciunas at the Sculpture Center, and turned the spotlight on Fluxus as an avant - garde impulse that had avoided institutional absorption and as a model for how artists, working cooperatively, secured viable living conditions in the city.

Her art challenges the static nature of sculpture as it models and navigates the ceaseless proliferation of information in contemporary life.

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

At night and on weekends, he used the large, open space of the companies» warehouse to create sculptures with live models.

Expression is further explored through a new series of sculptures: life - size armatures of artist models in dramatic postures, arranged strategically within the gallery's expansive exhibition space.

Finding no suitable life models, she began creating wooden constructions from which to draw; later she would start to imagine works that would simultaneously incorporate both painting and sculpture.

Klein used the pigment in many of his best - known works, including monochrome paintings, sculptures, and his Anthropometries, for which he would paint nude female models with IKB, then use the «human brushes» to make marks on paper and canvas, all in front of a live audience.

Her work is not specific to a medium, since she makes sculpture, installation, video, animation, etc., but rather is produced at certain points through digital processes (3D modelling, video editing, Second Life photography) and is in part exhibited and distributed through the internet.

Together with Hanson and De Andrea, she was one of the three significant artists that started the hyperrealism movement in the late seventies by making life - like sculptures that portrayed their models precisely.

Modigliani's figures therefore blend the life model or muse with the sculpture, the present with the past, the 2D with the 3D, the marble with the flesh.

Actual objects are something of a rarity for him, though he's recently been building sophisticated, uncanny fish tanks, and populating them with various kinds of underwater plants and sea creatures, such as a hermit crab that lives inside a model of Brancusi's 1910 sculpture Sleeping Muse.

Drawing from casts of Classical and Renaissance sculpture and life models was long considered essential training for any aspiring artist, and was once a staple of the RA Schools, Britain's longest established fine art school.

It includes prints, collages, cut - outs, reliefs, small models of walls, hedges and other garden fragments and gloriously unnatural, life - size sculptures of trees and shrubs, cast in latex and foliated in flock.

Individual rooms feature 24 hard - edge abstract paintings, drawings and reliefs by Ellsworth Kelly; 18 figurative and abstract paintings by Gerhard Richter; 14 silkscreens on canvas by Andy Warhol (most from the crucial 1960s); 11 Photorealist artist portraits in various media by Chuck Close; seven Agnes Martin grid and stripe paintings (installed in a heptagon - shaped room, recalling the sublime space at the Harwood Museum in Taos, N.M., where the artist once lived); five geometrically ordered Minimalist sculptures by Carl Andre; and five monumental mixed - media paintings of a decaying German mythos by Anselm Kiefer (plus one large model airplane in lead, an emphatically heavier - than - air machine conjuring the cruel historical weight of the failed Luftwaffe and its celebrated pilot artist, Joseph Beuys).

For the exhibition's duration, the resulting sculptures — made of unfired clay, so that they started to disintegrate over time — were exhibited alongside the live nude models from which they were derived.

Whiteread is one of the few artists of her generation to have produced important public sculptures, some of which have achieved a monumental status and significance.Ghost, her breakthrough piece from 1990, is a plaster cast of a living room, modelled on a typical Victorian terraced house in north London, similar to the one in which the artist grew up.

Modelled on the artist's dog, this larger - than - life dog - shaped sculpture sits atop a table, its mouth open wide as it vomits.

But it also has a large collection of work by Gill, including, on permanent display, a sculpture now known as Ecstasy (1910 - 1), one of the models for which was the artist's sister Gladys, with whom he had an incestuous relationship that lasted most of his life.

It was outstanding work, particularly the installations by the São Paulo - based Bueno, who created living furniture that allowed nature to overtake manmade objects transforming them into rhizomatic and organic creatures, and Sergio Cezar, who brought his interpretation of Rio's favelas to the fair: a large - scale sculpture with detailed, dollhouse - like models.

Sarah Sze is an American artist known for her unique sculptures and site - specific installations assembled from ordinary objects such as plastic plants, candies, packing materials, and aluminum ladders, attempting to navigate and model the ceaseless proliferation of information and objects in contemporary life.

The Making of an Artist: Learning to Draw reveals the anatomical figures and plaster casts of antique sculptures (pictured: the Farnese Hercules) drawn by early students of the @royalacademyschools before they graduated to live models #royalacademy #ra250 #drawing #sculpture #ecorche #anatomy #art #artschool #thevaults #architecture #instaart #artstagram

According to the International Sculpture Center, «The highly personal contact and stay in the private environment of Heinz and Gertrud Aeschlimann and art - st - urban, the close coaching, the influences and habits of the new environment here in Switzerland as well as the personality of Heinz Aeschlimann as a model and his requirements profile to the young artists all contribute to ensuring that the fellows also pass through a kind of «school of life.

The Sluggard in this exhibition relates to Leighton's second life - size sculpture (1886, Tate Britain, London), and is one of the numerous bronze statuettes cast from his preparatory sketch - model.

The show features 10 new sculptures, each built around a backseat, from the same make and model of cars he and his family have owned over the course of his life.

For his MATRIX project, Dion combines the museum's collection with his practice of investigating the intersection of art and the history of science, developing a hierarchical chain of living creatures to create a Wadsworth - specific version of «The Great Chain of Being» (based on Aristotle's ancient model) through details of paintings, sculptures, and decorative arts found in the museum's collection.

In 1961 at the Galleria La Tartaruga in Rome, Manzoni began signing his name on models as well as gallery visitors, issuing them with a stamped certificate and declaring this body of work Sculture viventi (living sculptures); that same year he created arguably his most recognized work — Merda d'artista, an edition of 90 30 - gram cans, ostensibly containing the artist's excrement, each valued at the market price of gold.

On the Brighton Festival's website, Shrigley describes Life Model II as an artwork that begets other artwork... [with] a three - dimensional sculpture of the life model... trying to stand stLife Model II as an artwork that begets other artwork... [with] a three - dimensional sculpture of the life model... trying to stand sModel II as an artwork that begets other artwork... [with] a three - dimensional sculpture of the life model... trying to stand stlife model... trying to stand smodel... trying to stand still.