Sentences with phrase «live moving camera»

Not exact matches

I was at the game and you have to see it live to monitor how he was moving because on T.V the camera is panned in elsewhere.

Scrap materials can even move on to a life outside of research: Calorimeter crystals can be reprocessed for use in airport baggage scanners or medical gamma cameras.

So the team hopes that the robot and its camera can be deployed elsewhere to help us peer into the lives of marine animals — to better see how they move, what they're eating, and who they're swimming around with.

Although the robot didn't offer a glimpse of anything living there — it's not equipped with cameras or a sampling arm — it did provide invaluable data for scientists studying the swift - moving Pine Island Glacier ice shelf, which might be thought of as ground zero for the biggest Antarctic mystery of all, in the minds of many scientists: What is happening to the ice?

It is a style of filming that was no mistake (nor easy) as Zemeckis purposefully had the characters move around as the camera panned 360 degrees; giving an ultimate sense of reality and bringing the characters to life.

Hallmarks of Altman's aural and visual style are evident everywhere - overlapping dialogue, life - like improvised roles and ensemble acting, multiple means of communication to connect the characters (phone calls, tape recordings, radio and TV, and P.A. announcements), a continuously moving camera, long takes, and imaginative sound and film editing.

The trailers don't suggest much in the way of a fresh take on the genre, though Neveldine's live - wire, kinetic camera style might just be the moving's saving grace — at least when it comes time for the de rigueur freaky demonic possession scenes.

They use the camera in an expressive or poetic way so rarely that when they do bust out a heartfelt flourish (like the long, slow camera move that reveals the Guardians in their spaceship engaged in a sing - along, or the «wipes» that reveal the reality that Thanos» illusions hide, or a climatic fight between Thanos and multiple heroes) it's as if somebody had briefly sparked a dull wedding reception to life by going out on the dance floor and demanding a song with a backbeat.

Blu - ray: o Feature Film (HD) o Concert Dance - Off (HD)-- Justin and his crew showcase their incredible dance moves o Favorite Girl (HD)-- Live performance from Madison Square Garden o Giving Back (HD)-- An extended look at Justin's team surprising lucky fans with free concert tickets o R.I.P. Hair Flip (HD)-- The cameras were rolling when Justin cut his famous hair

The fact is, there isn't much life on the page, so Zemeckis tries to concoct some with swirling, impossible computer - generated camera moves through windows and sand storms and from the skies above, all as Alan Silvestri's intrusive and sentimental score tries to stir up some feeling.

The film is a beautiful piece of art, a painting come to life, every single frame so carefully crafted from the makeup to the costumes to the set design, to the way the camera moves from one room to another, and to the incredible performances.

for me I still play mario 64 now as we speak, It's stil very unique concept think about it, jumping through paintings in the love of your lifes houses who has cameras follow there moves to observe marios moves that was interesting, Galaxy is pretty far out there.

His camera is blank - eyed, capturing life as it moves backward and forward in these constricted spaces.

It has all the good and bad elements of Anderson's style, including some of his best straight - ahead compositions (the ones with the camera facing perpendicular to a rectangular object like a wall or train while the characters either look straight ahead or move sideways as the camera tracks with them, often in slow - motion) and a vibrant use of color (including the blues and yellows he also used well in The Life Aquatic).

We Live in Public (Unrated) 15 minutes of fame documentary revisiting the rise and fall of dotcom pioneer Josh Harris who with his girlfriend broadcast their every move over the internet 24/7 for half a year until he suffered a nervous breakdown and collapsed into mental illness after she dumped him and moved out of the surveillance camera - flooded apartment.

Trousdale and Wise staged and shot the production numbers with panache to match: that circular sweep around Belle when she sings «There must be more than this provincial life» in the Oscar - nominated curtain - raiser «Belle»; the indelible hilltop Sound of Music homage that is «Belle (Reprise)» (rendered all the more stunning by IMAX); the swinging camera moves in that showstopping musical monument of self - love, «Gaston»; the Busby Berkeley bustle of the also - nominated «Be Our Guest»; the eloquent simplicity of the Oscar - winning title number.

The camera in Mambo is in constant motion, floating back and forth, up and down as it traces the remembered life of a depressed young woman, but it never moves in or out: it can't get any closer to her, and can't pull away.

Hers is a life of great stillness, especially as she becomes older and more reclusive, and Davies» camera reflects that — remaining mostly still or moving with barely perceptible subtlety.

The camera backs slowly away from Barbara Jean, then reverse - cuts, disclosing the small assembly in the chapel: Barnett, waiting for it all to be over; an earnest young girl nodding and moving her lips in accompaniment to that voice; a group of mostly aged friends and relatives of other hospital inmates; and two men, Mr. Green (Keenan Wynn) and Pfc. Kelly (Scott Glenn), keeping what will turn out to be deathwatches over the crucial women in their respective lives.

- Publishers Weekly «While her stories are moving and the scenery is as beautifully caught as with a camera, Sovich reaches for spiritual life lessons that fail to ring true.»

And I bet R.L. Stine wishes his parents would've moved him to a town where he could've taken piano lessons from a teacher without a creepy hand fetish... and maybe lived on a cul - de-sac with fewer shadowy homeless men carrying cursed cameras.

Choose a photo, video, a live camera shot, a pen, text or a sound (this media can be moved and manipulated to where you want it).

The 3 megapixel camera on the back is a little slower than we'd like to focus and to adjust the white balance (indoors we saw a yellow cast until the automatic adjustments kicked in) and with such a large image to paint on - screen, live preview can show a clear lag if you move the tab around.

Remember when Ferris Bueller says to the camera «Life moves pretty fast.

During the camera obscura show, see live moving images of Edinburgh projected onto a viewing table via a periscope.

This is how it should be done, which would be for everyone, from the most young and casual to the oldest and hardcore, in games that in real life you hold something and only your hands / arms are important like bowling than just use Move, for games that in real life there's nothing you hold like dancing than just use Eye (if Eye can't do it, it's time to release an improved camera Sony), for games that both arms / hands and full body is important like tennis than both Move and Eye

Seeing some of the people on here give this game low scores physically angered me I spend most of my life playing games and I can say without a doubt absolutely perfect and has earned its place among the greats the only thing people have been saying bad about it is like a clumsy control or a bug here and there and I have a feeling 90 % of the people complaining about the camera are those that have a hard time walking and moving the camera at the same time so lol I have over 40 hours into the game and I've loved every second and I know without a doubt that it will only continue to impress for the rest of the time I play it!

Throughout my career I've moved between — painting my face and body in preparation for live performance — to 2 - dimensionally rendering myself in private with a mirror, a paper, a canvas, or a camera on a tripod.

They are well known for constructing subjective databases of narrative material and making fragmentary miniature film sets with lights, video cameras, and moving sculptural elements to create live cinematic events.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

Steven Schreiber is an award - winning photographer who began photographing nature with his digital camera in 2002 when he moved to the East End after leaving a busy life in congested western Nassau County.

2010Today is not a Dress Rehearsal, SFMOMA live installation in collaboration with Mika Tajima / New Humans, New York Dance With Camera, ICA Philadelphia and touring to Contemporary Arts Museum, Houston Virtuoso Illusion: Cross Dressing and the New Media Avant Garde, MIT / LIST Visual Art Centre, Cambridge, Massachusetts Albrecht Dürer Gessellschaft, Kunstverein Nürnberg, Nürnberg, Germany Recent Acquisitions, De Hallen Haarlem, The Netherlands Move: Choreographing You, Hayward Gallery, London Body / Space Mechanics, De Hallen Haarlem, The Netherlands 100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage «100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage Centre for Contemporary Art, Moscow Time Based Arts Festival, PICA, Portland Institute for Contemporary Art, Portland Nobody Gets to See the Wizard.

Shirreff's mesmerizing fixed - camera view of the distant «Earthwork» shows an improbable succession of slow - moving climactic and light effects on the crater, creating a haunting meditation on the never - ending quest for resolution in life and in art.

To err is human, and if we're going to force people to live under such scrutiny, I propose that we run a 5 - year pilot project with all politicians having to record their every move on the road... But even without forcing anyone to do anything, the benefits of these cameras are big enough that many will voluntarily use them, especially once they are less expensive.

Paris, France About Blog This blog includes stories about the delicious regional food and wine from around France, European travel insights and experiences, recipes of my favorite sweet and savory dishes, photos of the stunning scenery and charming vignettes I capture through my camera lens, stories of life in France, including the ever - present challenge of French bureaucracy and practical advice about moving to France.

It also offers multishot burst mode to help capture the best picture of a moving photo subject, and a dedicated Windows Phone camera button to open the camera quickly, even when the phone is locked or sleeping, so users never miss an opportunity to capture life's most important moments.

There are impressive manual controls, portrait mode, moving picture mode (like Apple's Live Photos), and light painting, which lets you use the flash to «draw» pictures in the dark.You can even take portraits with the front camera, as well adjust your look with some «beauty» sliders.

But if you've got a particularly big living room, you might need to move your couch or camera for seated games.

Life moves pretty fast and you need a camera that can keep up and let you master a key component of great photos: light.

You can watch recorded footage in a connected smartphone app (and then share it elsewhere; Linkflow is also planning a live - streaming function), swiping around to change the camera's point of view or just moving the phone around in space as though it were your head.

With the Memographer feature, a 1.9 Megapixel camera, users who are on the move or participating in physical activities can record both photos and video to create quick, visual records of important information or events from their daily lives, as well as share them on their social networks.

Its cameras give you plenty of options to play around with photos — the Live Photo feature brings your pictures to life by creating moving images, the portrait mode puts the focus on your face when clicking selfies, and the Moonlight Selfie feature creates stunning light effects in pictures.

Credit: PryntStick one of the printed photos in front of the camera of an iPhone running the Prynt app, and the picture will start to move on your screen, displaying the same sort of Live Photo effects iPhone users are already used to.

Paris, France About Blog This blog includes stories about the delicious regional food and wine from around France, European travel insights and experiences, recipes of my favorite sweet and savory dishes, photos of the stunning scenery and charming vignettes I capture through my camera lens, stories of life in France, including the ever - present challenge of French bureaucracy and practical advice about moving to France.

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One home she marketed was a vintage house in Glendale, for which her tagline was «If Norma Desmond lived here...» Young played the part of the ghost of the 1950s starlet in her video of the property, with the camera capturing glances of her shadowy figure moving throughout the house.