Sentences with phrase «live painting booth»

Not exact matches

Attractions include artisan and amusement vendor booths, fireworks, a car show, live musical performances, face painting for kids, a magic show, a little mermaid contest, fishing workshops and the planned «return» of centuries - old pirate Black Caesar and his crew to give buccaneering demonstrations.

Trick - or - Treat at The Street, and enjoy a photo booth, face painting, live music, and a pooch parade and canine costume contest (Chestnut Hill)

This event also consisted of live music, an illusionist, face painting, photo booth pictures, games, a petting zoo, ice cream, popcorn, lemonade, and MORE!

Multiple dog rescues will be on site as well as food trucks, live music, more than 30 vendors, a dog kissing booth, microchipping, contests, face painting and a silent auction with more than 100 items, including a pair of tickets to the OKC Thunder game against the Golden State Warriors and OU and OSU Yeti coolers.

Other than tattooing and booze, at the event will be; food / dessert, educational booths, vendors, face painting, photography, live music, special guest speakers sharing their amazing Pit Bull stories, and more!

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

There, there were a few memorable highlights, such as mirror paintings by Michelangelo Pistoletto from the 1970s and 80s, shown by the Repetto Gallery; striking portraits and still - lifes by Wayne Thiebaud, shown by Allan Stone Projects; small paintings by Gerhard Richter and Alexej von Jawlensky in the Galerie Ludorff's booth; and Yayoi Kusama's glittering collages, reminiscent of precious stones, shown by Omer Tiroche Gallery.

Select highlights include: Lehmann Maupin's sale of several McArthur Binion works ranging from $ 50,000 - 175,000 to trustees of two leading U.S. museums, as well as collectors new to the gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 100,000.

Lehmann Maupin has gathered primarily new works by three Californian women spanning two generations, making for a booth featuring monochromatic paintings by the Light & Space Movement artist Mary Corse, labor - and identity - focused sculptures from Liza Lou, and a spread of photographs examining American life and landscape by Catherine Opie.

PPOW showcased a booth of Martha Wilson work sold as one unit, David Zwirner bravely displayed a suite of six Ad Reinhardt prints (with a price tag of 3 million for the set), and Tibor de Nagy brought a booth of detailed Sarah McEneaney paintings depicting interiors and people in her life.

Patrick Lakey's flatly lit blend of still life and (nude) self - portraiture, from a series in which he plays dozens of characters from the Marquis de Sade's writings, caught hold of me at The Happy Lion's booth; at Madrid's Travesia Cuatro, Gonzalo Lebrija's intimate communion between himself, wearing a red hooded sweatshirt, and the lone red canvas in a selection of On Kawara «Date Paintings» brought out the latent melancholy in any notation of time; and at Cherry and Martin, Elad Lassry's small - scale conceptual tableaux possessed at once a fierce confidence and an estranging oddness.

Set in a stadium - sized space, artists were invited to present existing or commissioned large - scale sculptures, paintings, installations, projections, and live performances, free of the confines of the traditional walls of art fair booths.

Other standout female booths include Gillian Wearing's magnetic selfie installation charting 17 years of her life at Tanya Bonakdar, Sherrie Levine's plywood «knot» works at David Zwirner (a nod to her current show), early Marilyn Minter paintings at Salon 94, and Mary Bauermeister's whimsical mixed - media assemblages at Pavel Zoubok Gallery.

Highlights included an installation of works by Louise Nevelson at Pace (New York, London, Menlo Park, Beijing, Hong Kong), a solo booth dedicated to Robert Mangold at Galería Elvira González (Madrid), «Man in Blue VI» (1954) by Francis Bacon at Van de Weghe Fine Art (New York), «Tutto» (1992 - 1994) by Alighiero Boetti at Tornabuoni Art (Paris), Jimmie Durham's enormous «Still Life with Xitle and Spirit» (2007) at Peter Freeman, Inc. (New York, Paris) and delicately textured Dansaekhwa paintings by Ha Chong - Hyun at Kukje Gallery / Tina Kim Gallery (Seoul, New York).

In the «living room» there are a few delightful Milton Avery paintings from the 1940s, as well as masterful portraits by Alice Neel and, through booth walls set up into a corridor, paintings by Yayoi Kusama.

Dominique Lévy's booth features Tête de Diego au col roulé, a painted bronze bust of the artist's brother Diego, a departure from Giacometti's previous elongated forms and a signal of the new framework he developed in the early 1950s for creating sculpture from life.

Gagosian gallery is turning its Masters booth into a version of a room at the 1989 Bilderstreit exhibition in Cologne's Ludwig Museum for the unlikely pairing of Georg Baselitz and Roy Lichtenstein, including Lichtenstein's «Paintings: Oriental Still Life» (1984), which was in the original show.

The painters made big tents out of plastic, tape and even poles to basically create a «painting booth» for spraying in our living room and entry.