Alexanderhenry: I have certainly never argued with the proposition that I am odd; most people who have spent their working
lives in the arts tends to be like that.
Not exact matches
While personalization is generally defined
in terms of the degree to which a curriculum is individualized for a child, I
tend to define it as the
art of making learning personal with children, and through this portfolio, I hope to provide some examples of how I've tried to make this come to
life in my classrooms.
Like so many key decisions
in life, matching dogs with new families
tends to be two-fold: part «science,» part «
art.»
Toward the end of his
life, when he had turned his camera to the private garden he
tended in Orgeval, France, Strand donated a comprehensive collection of his photography to the Aperture Foundation as a gift to future generations, and
in 2012 the organization sold the holdings of nearly 4,000 prints, intact, to the Philadelphia Museum of
Art.
Recently, exhibitions have
tended towards the ludic quality of Klee's oeuvre: last year, «Bauhaus:
Art as
Life» at the Barbican presented an array of Klee's extraordinary puppets, while BOZAR's 2008 exhibition «Paul Klee: Theatre Here, There and Everywhere» explored Klee's colour harmonies based on musical notation, as well as his interest
in dance, circus and masks.
They
tend to be the Civil War re-enactors of the
art world, making artwork that has little to do with genuinely reflecting on the era we currently
live in.
My works
tend to land somewhere between Game
Art (in the context of contemporary art) and gamification leaning towards gamified life - coachi
Art (
in the context of contemporary
art) and gamification leaning towards gamified life - coachi
art) and gamification leaning towards gamified
life - coaching.
The exhibition Fuel to the fire forms a bridge between the two figures Ricardo Brey unites within himself: on the one hand the historical artist at a crucial time
in the history of Cuban
art, and on the other the artist who
lives and works
in Flanders, and makes work that is highly contemporary, critical to the consumption of images and the slickness
in which they now
tend to dress themselves.
Altoon Sultan
lives on an old hill farm
in the Northeast Kingdom of Vermont, where she makes
art and
tends her garden.
Altoon Sultan is a New Yorker, Brooklyn born and bred, who now
lives on an old hill farm
in Vermont's Northeast Kingdom, where she makes
art and
tends her garden.