Not exact matches
It will also be the first to explore the complete spectrum of his astonishing artistic output, stretching across five decades from the late 1940's to his untimely death in the 1980's — and the first to put Warhol himself — his background and history, his family
life and formative experiences in Pittsburgh, his crucial experiences
as a
commercial artist in New York, and his trajectory across three of the most transforming decades of the century — back into the presentation of his
life.
She has also authored several books on China's contemporary art scene and its history including
As Seen 2011: Notable Artworks by Chinese
Artists (Beijing World Publishing Corp., 2012 /
Commercial Press 2012) and Nine
Lives: The Birth of Avant - Garde Art in New China (Scalo, 2006, Timezone 8, 2008).
The model of the hermetic
artist - genius in the studio who
lives off a stipend from a wealthy
commercial gallery and has a museum retrospective by the time she is thirty - five has been replaced by the model of
artist as creative opportunity - maker and community - builder.
Marrakech already has an array of
artists» residencies, two new fine art schools, local
commercial galleries such
as Galerie 127, Galerie Noir sur Blanc, and David Bloch Gallery, and the Yves Saint Laurent museum, dedicated to the late French designer who
lived between Marrakech and Paris.
Drawing on the legacies of conceptual and
commercial photography, these
artists pursue a largely studio - based approach to still -
life photography that centers on the representation of objects, often printed matter such
as books, magazines and record covers.
While some
artists, such
as Mel Bochner, rejected painting and the sculptural object outright, calling for a «dematerialization» of the art object altogether, Sonnier and Merz collapsed the distinctions between painting and sculpture, employing
commercial or industrial materials to tie their work more closely to the
life of the street.
1908 - 1911 Fall 1908: moves to Chicago to work
as free - lance
commercial artist, again
living with uncle and aunt, the Tottos.
The Cold War era, the rise of
commercial advertising
as a dominant force in American
life, and the popularity of Hollywood and American cinema provided the backdrop against which both
artists developed their highly original and multi-media iconography.
In 1968 - 1970, her
commercial gallery, The Art Wheel, represented the best local
artists and crafts people, simultaneously Norwegian Caribbean Shipping line contracted her services
as a Caribbean
artist to paint some 360 works on paper that depicted Caribbean
life, characters young and old, scenery, vegetation, flowers and landscapes, that would be permanently mounted on three ships, The MS Starward, MS Skyward and MS Southward — a mammoth and rare
commercial undertaking which took her two years to complete.
Leading Pop
artist James Rosenquist — who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning — is well known for his large - scale, fragmented works that bring the visual language of
commercial painting onto canvas (notably, from 1957 - 60, Rosenquist earned his
living as a billboard painter).
Works by such Pop
artists as the Americans Roy Lichtenstein, Andy Warhol, Claes Oldenburg, Tom Wesselman, James Rosenquist, and Robert Indiana and the Britons David Hockney and Peter Blake, among others, were characterized by their portrayal of any and all aspects of popular culture that had a powerful impact on contemporary
life; their iconography — taken from television, comic books, movie magazines, and all forms of advertising — was presented emphatically and objectively, without praise or condemnation but with overwhelming immediacy, and by means of the precise
commercial techniques used by the media from which the iconography itself was borrowed.