Sentences with phrase «living dead relatives»

Not exact matches

In my long life I can assure you that I have dead relatives that need all the help they can get.

Mormon's don't do this for people that are living, only the dead relatives of members of their church.

Within that dynamic relationship, the dead are given back to themselves in a continual way by the experience of the living, and the relative contribution of the dead to the living does shift from one occasion to another.

This impression is of course relative: matter appears as «dead» in contrast to the variety of higher forms that manifest themselves in the living being.

To some extent, this attitude of denial has come about because of changes in our society in this century: the marked decrease in the number of deaths at an early age; the development of specialized professions for the care of the dying and the dead; the emergence of geographical mobility, with the consequence that most of us live at some distance from aging and dying relatives, including parents; the growth of separate communities for the aging, not only nursing homes but retirement communities.

He also grants the common - sense view that a human corpse is a dead thing as a human body, but he still makes his panpsychistic point by insisting that even a corpse is composed of many living things and, as far as our knowledge runs, nothing else.29 In addition, he claims that his belief that there is only a relative and not an absolute distinction between mind and matter is given support by recent developments in physics that have shown that the differences between matter and various kinds of radiation are differences of degree and not of kind.

If I could actually have lunch with any three people, living or dead, I'd probably choose three of my dead relatives.

They also worked out which of 221 dead relatives would have carried the gene variant, and analysed how long each of these lived.

Once a patient goes brain dead, and relatives sign his organ donation consent form, he will get the best medical care of his life.

They also worked out which of 221 dead relatives would have carried the gene variant, and analysed how long each of them lived.

In a fit of desperation, Miguel attempts to steal a guitar that belonged to Ernesto while he was alive, and in doing so, Miguel crosses over to the Land of the Dead as his deceased relatives are making their way over to the Land of the Living.

Coco takes a deep dip into Mexican culture by setting the movie south of the border on the Dia de Muertos (Day of the Dead), when the spirits of the departed can visit their living relatives.

Miguel goes to extreme lengths to try and perform in a talent contest during Dia de los Muertos (Day of the Dead), the Mexican holiday where dearly departed relatives come visit their living family members.

Miguel must meet Ernesto, fend off his own dead relatives (who KNOW why the family cursed musicians forever and ever) and negotiate a return to the land of the living in time for the Big Show.

But getting to Ernesto, who's as famous with the dead as he is with the living, proves difficult — even with Miguel getting help from a trickster, Hector (voiced by Gael Garcia Bernal), who's desperate for help to get across to see his living relatives.

On Día de los Muertos, the Day of the Dead, all of Miguel's living relations gather for a feast to honor their long - deceased relatives, whose photographs grace the family home shrine.

After he gets married and returns to live in his gothic family estate, various relatives begin to get killed and strange occurrences are taking place that suggest Evelyn may not be dead after all.

Lauren Oliver, known for her YA books, succesfully ventures into adult territory with Rooms, a novel focusing on a family haunted by their painful pasts, as well as the ghosts that live in their dead relative's home.

His parents are dead and he's stuck with his heartless relatives, who force him to live in a tiny closet under the stairs.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.