The majority of the proceeds from these tours benefit this non-profit foundation to help keep
living history alive.
Not exact matches
«The basic elements of this story are repeated in the
lives of all of the great Masters in
history: a youthful passion or predilection, a chance encounter that allows them to discover how to apply it, an apprenticeship in which they come
alive with energy and focus.
So our nonfoundationism is a decision against the progressive devotion to
History; the point of
life is to keep the people around right now as
alive, free, and comfortable as possible, not to use them as fodder for some glorious future.
Offred's efforts to weave together the different stages of her
life remake some crucial years of common
history, while keeping
alive the social idea by «testifying.»
On the other hand, and with far less obvious justification, he believes that Christ is very much
alive; that, indeed, he constitutes the
life of our
history.
It is the Jewish tradition that has kept this insight
alive — an insight which today contradicts and challenges all of those Christian fears that, in fact, deny belief in the
living God of
history.
Perhaps nothing in human
history ever vanishes completely — a disturbing or consoling notion, depending on the degree of one's faith in progress, but there it is: Astarte is
alive and well, and if she
lives anywhere, I suppose, it is in California.
Making sense of Christian
history as a
living resource, peopled not with venerated abstractions but men and women as
alive and individual as you or I, seems critical at a time when storytelling and imitation are more the province of secular entertainment than sacred order.
There's a lot I love about the Catholic tradition — the connection to
history, the liturgy and ritual, the time for contemplation, the sense that the «great cloud of witnesses» that surrounds us is very much
alive and active and a part of our
lives.
A man called Ted Washington was partly responsible for that — a blind
history teacher at my grammar school who taught the subject in a way that shot
life into it replete with anecdotes and bizarre stories that kept us
alive through the dates and the cold hard facts.
While I've always thought that 2013 is a great time to be
alive in the
history of the universe, I do wish we
lived in a time where space travel was affordable for civilians.
From the naturalistic performances of an ensemble that includes Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Mark Strong, Kyle Chandler, and Edgar Ramirez, to innovative cinematography in extreme low - light conditions, to the painstakingly layered art direction, every facet of the production became a proving ground for Bigelow to make
living history come
alive on screen.
Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin
Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of
History Nymphomaniac Of Good Report Only Lovers Left
Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret
Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror
Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!
With stand - out performances from Ben Stiller (* Night At The Museum, Meet The Parents) * Golden Globe ** and six - time Emmy Award *** nominated actress Kristen Wiig (* Saturday Night
Live, Bridesmaids, How To Train Your Dragon *), Adam Scott (* Step Brothers *) and Shirley MacLaine (* Wild Oats *), the THE SECRET
LIFE OF WALTER MITTY Blu - ray and DVD is loaded with more than an hour of behind - the - scenes special features, including deleted, extended and alternative scenes, featurettes that dive into filming in Iceland and Walter Mitty
history, a gallery of exclusive reference photography, and music video «Stay
Alive» by José González, and more.
Fiction can make
history seem more
alive and thus more kin to
life as we know it.
I do agree that the stories help keep memories
alive, preserving the
history and motivating the travelers to keep going with the hope of a better
life to come.
The material is dark, the characters vividly
alive and the
history as fresh and present as my own
life.
Juggling the contemporary story of a software designer who has created a program that allows its users to keep the past
alive with an account of the real -
life discovery of a repository of ancient Hebrew manuscripts, Horn delivers a richly textured blend of
history, religion, psychology, and human emotion.
History comes
alive in The First Frontier as Weidensaul retells the stories of many of the individuals whose
lives both shaped and were shaped by this rugged, violent and often terrifying frontier.
We use the term «
living history» at the Museum at Campbell River to stress the importance of keeping the stories of the past
alive and meaningful for today» explains Executive Director Sandra Parrish.
The information about the the artists»
lives and their roles in the
history of art seems so much more
alive and useful.
There are more people
alive today than have ever
lived in all human
history.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts
Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of
Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «
Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
McDonald brought the ideas of Black Mountain College
alive through an exhibition of artwork and ephemera from BMCM+AC's collection and a
live performance drawing on the rich
history of experimental performance at BMC.
Morgan Bassichis performs
live comedic stories that explore
history, mysticism, and just, like, being
alive.
Living with this kind of cognitive dissonance is simply part of being
alive in this jarring moment in
history, when a crisis we have been studiously ignoring is hitting us in the face — and yet we are doubling down on the stuff that is causing the crisis in the first place.
Your credit
history will indicate if you are financially stable to rule out the possibility of suicide stemming from depression from money problems or suicide to trigger the payout of a
life insurance policy to provide your family with the much needed funds that you can not provide while you are
alive.
We have a long, successful
history in these markets and while we don't want to discount the trend towards
live - work - play CBDs, we recognize that well - located suburban markets are
alive and well.