Sentences with phrase «living paint brushes»

In Yves Klein's anthropometry ANT 104 (1960), the imprint of bodies, «living paint brushes», is revealed by the single blue pigment.

These body print paintings were made when Klein choreographed naked models — he described them as his «living paint brushes» — that he had swabbed with paint.

Previous influential works by their peers and predecessors are also featured, such as examples from Yves Klein's Anthropométrie, which uses the naked female body as a living paint brush, and Andy Warhol's invocation of automatic movement and action through his series of Dance Diagrams.

Not exact matches

A lot of believers do that, I suspect because it's easier to paint atheists with the same brush than it is to realize that so many people from so many walks of life have found reason to reject the faith you cling to with such desperation.

I don't want to paint with too broad a brush, there are certainly exceptions to this — there are Christians who walk the walk when it comes to «respect for life» I admit that.

Check out this deal on paint brushes for the artist in your life!

We have a lot of dry wall, and because we live in a brick and timber loft with exposed duct work and pipes, we ended up spending lots of time «cutting in — a term I now know means painting carefully with a brush at the edges of a wall or around anything like a pipe or fixture — and taping.

This brush changed my life when painting.

I will be forever sad the day that I ruin this brush, because it not only made my life easy when painting these cabinets, but it has made every project thus far since painting the cabinets easy.

It all began with the wall color, the same tan tone I have in my living room with a Valspar Brushed Pearl Finish painted over that base color.

The To Do List is hardly realist, painting in crudely comedic, splayed brush strokes - but it does capture the sex - crazed spirit of that time in a girl's life: the crudity and mishaps, alongside the prurience.

In Painted in Words, internationally renowned artist and Holocaust survivor Samuel Bak sets aside his brushes to narrate the stories of his life — as a child in Nazi - occupied Poland, as a youth in European refugee camps, and as a maturing artist in Israel, France, Italy, Switzerland, and the United States.

Artist Kirby can summon living paintings to fight on his behalf or simply whack foes with his brush.

Developed by Climax Studios in collaboration with Ubisoft Montreal, Assassin's Creed Chronicles brings the thrill of being a Master Assassin to 2.5 D. Brought to life by fusing the essence of Chinese 16th - century traditional brush strokes with more contemporary impressionistic styles, Shao Jun's adventure will immerse players in a living painting as they traverse undetected across China's historical landmarks.

Each level in Crash Bandicoot: N.Sane Trilogy is both untouched and touched, with every area of a level left intact, but with a High Definition paint brush, splashing fresh, dynamic life into every corner of the screen.

I found myself caring for even the lowliest NPC, as just a snippet of their lives was just another brush - stroke in the masterpiece painting that makes up this game.

From pot plants to sail boats, the artist paints ordinary still life subjects and sun - soaked landscapes but in a way that makes them current, gliding the brush across the canvas, one line at a time.

At that time, she was painting small scale works, painted in Maine and New York City, landscapes combined with still lifes and goldfish using tiny triple 000 sable brushes.

From a very young she age lived among paint brushes, clays and musical instruments.

Upturned legs stick up alongside his brushes, as if painting has to mean throwing human life out with the trash.

I have taken stabs at making a decent small painting from time to time, but my natural inclination and disposition since I was a boy was to paint larger than life, to feel my brush strokes travel and explore the arc and extent of my reach.

Nor do I think, like Sam, that «Red Label» is a flat image; I think it has, along with quite a bit of Smith's very early, freely - brushed but clearly structured work of the late fifties, more spatial «life» in it than much of the stuff that came later, work that attempted to wed painting to literal three - dimensionality.

The Korean Cultural Center Washington, D.C. and Friends of Korea are proud to present â $ œSketches of Korean Rural Life in the»70s, â $ an evocative new exhibition of original ink brush paintings by U.S. Peace Corps Korea veteran Neil Landreville and photos from the Corpsâ $ ™ years of service in Korea during a bygone era, on display September 5 - 30.

«You're in your teens and you stand in front of a blue monochrome and someone tells you that this man in 1961 transforms the body of a woman into a living brush and uses that body to paint these incredible works,» recalls Lévy.

She was unswerving in her devotion to the abstract cause, refusing, for example, to exhibit the voguish painter Yves Klein (who coated his naked models in paint and then wielded them as «living brushes») because his canvases «did not spring from any abstract impulse» and to display them would have been «to deviate from my programme».

Since 2009, Hockney has painted hundreds of portraits, still lifes and landscapes using the Brushes iPhone [41] and iPad [42] application, often sending them to his friends.

Such an amazing artist who took the time to talk to us about his process, show off his latest works, and his infectious excitement regarding his paintings made me want to head back into the studio my living room and put brush to canvas.

The life of what one drops the brush into counts for more than the size of what one paints on.

Each painting begins with a personal reflection that is formed in color; then etched, brushed or scrubbed onto the surface to become another page in my novel of life.

Unlike his contemporaries, especially the Teutonic - shamanistic Joseph Beuys or the orgiastic Viennese actionists Otto Mühl and Hermann Nitzsch, Klein always presented himself and his art in a proper, civilized manner — notably during his performances of the Anthropometries, when he directing his «living brushes» from a distance like a Master of Ceremonies, never touching the models or the paintings with his own hands.

The Zwirner show includes a wide array of subjects that recapitulate Courbet's scope: still - lifes, seascapes, landscapes, portraits, group scenes, and — most startling — a large and lovingly detailed photograph of a man's buttocks and scrotum, the gay man's version of «The Origin of the World,» Courbet's notorious and exquisitely brushed painting of a woman's groin.

Klein used the pigment in many of his best - known works, including monochrome paintings, sculptures, and his Anthropometries, for which he would paint nude female models with IKB, then use the «human brushes» to make marks on paper and canvas, all in front of a live audience.

This quality is something McLaughlin has spoken of in relation to the brush paintings of the 15th century Japanese master, Sesshu, whose work he studied scrupulously while living in Japan.)

Rhodochrosite Sunrise, Caldera in the Mist, Highlands and Flight of Imagination are a blending of the very abstract brought to life through the use of traditional brush work necessary for the painting to be successful.

They bear all the signs of dedication — corduroys, red shirts, long hair and as many beards as would keep them all in paint brushes for a life - time.»

Known for his paintings Jules has rendered scenes from everyday life, geometric compositions, and abstracted symbols incorporating painterly gestures that show his true alliance with the brush and the process of pushing paint.

Using rough and dynamic brush - strokes Joffe brings the images to life, whilst often leaving the paint to dry and drip down the canvas.

Living for most of her adult life in penury, she painted everyone she encountered on the streets of New York, from prostitutes to brush salesmen, museum curators to transsexuals... Her abiding subject, though, remained her extended family.»

The Oil Painting Still Life Course is designed to enhance your observational skills, as well as adding to the repertoire of textures and effects you can render with your brush.

Paintings from his ground - breaking Anthropometry series will also be on display, for which Klein employed models as «living brushes» to create marks on the canvas in front of an audience, as well as Fire Paintings and Klein's later works in gold.

In Tim Davis's «Permanent Collection» series he takes photographs of classic paintings ranging from still lifes to religious, using the light of the camera's flash to obscure bits of the composition and / or bring surface qualities, such as brush strokes and crackling, of the physical object to light.

«When I sit down to paint I reach a certain point of calmness and a state of relaxation, where my inner most thoughts come to express themselves through my brush, as I spread the watercolour across the paper seeing my ideas and thoughts come to life; it is my way of trying to make sense of the world and people around me».

For his most performative works, his so - called Anthropometries, Klein employed naked bodies as «living brushes» in his increasingly theatrical painting practice.

With her curiosity of techniques, unique sense of colour and versatile brush - strokes, she creates dynamic paintings while exploring the vitality of human beings and other living things.Some of her achievements include a solo exhibition in 2001 organized by sculptor, Katsura Funakoshi, a placement in the VOCA 2006 at the Ueno Royal Museum, and first prize in the13th Maebashi Art Competition Live 2009 (the prized work now a part of Arts Maebashi Collection).

As a visual accompaniment, he had naked models slathered in paint serve as «living brushes.»

But the swiftly moving art world, latching on to the latest, often - superficial thing, had little time for this contemplative artist who considered every brush stroke, whose works were small, who favored landscape painting and studio still lifes, and whose portraits were homely but sensitive studies of people he knew, rather than celebrities.

In Shelf Life Number 6, standards, like the banana peel and the paint brush, get center stage.

He is even known to use twigs of various trees instead of brushes, applying paint and modifying the piece using bamboo and hemlock branches and sticks to bring his ideas to life.

Both paintings record a path... Garrison's path of life's mundane errands; a calendar in color of ubiquitous activities and Oleksyn's the path of his brush guided by intense concentration; an artifact of a meditation.

• Introduction • Yves Klein's Romanticism • «Le Vide» (The Void) • «Living Brush Painting» • Seeking Immateriality • Klein's Demise • Related Articles