During her career, she has curated numerous collection and
loan exhibitions including the acclaimed exhibition Grete Marks: When Modern Was Degenerate (Sept 6, 2012 — Feb 17, 2013).
The loan exhibition includes 83 objects, including mosaics, 10 stained - glass windows, dozens of liturgical objects, and scores of works on paper, design drawings and promotional ephemera.
Not exact matches
The impressive program of
exhibitions at Gagosian Gallery often
including loans and illustrated catalogues, as was done for this special event, are first and foremost concerned with supporting the artists they represent.
According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the
exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium —
including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on
loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.
Works
included in the
exhibition include those on
loan from SFMOMA, the Whitney Museum of American Art and the Smithsonian American Art Museum, and span De Forest's entire career.
«OVERLOOK» features The Olana Partnership's largest
loan exhibition in the Sharp Family Gallery with 55 works from CPPC
including «Penetrable» by Jesus Rafael Soto which will be sited within Olana's designed historic landscape and 18 site specific works by Fernández.
The Jerwood Gallery's
exhibition includes photographs,
exhibition catalogues and archive material generously
loaned by the William Scott Archive and screenings of the 1984 film Every Picture Tells a Story, a touching and personal biography of the life of William Scott told by his son, Academy Award - winning filmmaker, James Scott.
This
exhibition, which
includes works from the Museum's permanent collection and some local
loans, explores the diversity of Post-War abstraction in Southern California.
The
exhibition will
include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international
loans from museums and private collections.
Light sensitive works from the museum's collection are regularly rotated,
included in temporary
exhibitions and sent on
loan.
The «ARTIST ROOMS»
exhibition devoted to Hirst at the National Galleries of Scotland
included five important works from the d'Offay collection, as well as
loans from the artist.
This
loan exhibition features some 100 works from the artist's extensive body of work and
includes some wonderful portraits and landscapes
including this wonderfully monochromatic yet richly textured depiction of a Pennsylvania excavation site.
There will also be significant
loans in the
exhibition,
including objects coming to the UK for the very first time.
The critical reconstruction of the historical
exhibition includes loans from the State Russian Museum in St. Petersburg, the State Tretyakov Gallery in Moscow, 17 other Russian Museums, the Centre Pompidou in Paris, the Stedelijk Museum in Amsterdam, the Museum Ludwig in Cologne, and MoMA in New York.
Drawn primarily from the Grunwald Center for the Graphic Art's Frank Lloyd Wright Japanese Print Collection, the
exhibition will also
include rare
loans from the Norton Simon Museum, the Art Institute of Chicago, the Getty Research Institute, and the Beverly Hills Public Library.
Alongside this prestigious
loan, the
exhibition brings together the museum's magnificent selection of Damien Hirst works, which
includes some of the most significant pieces to have emerged from the artist's extraordinary career.
The
exhibition will
include over forty major paintings and papiers collés by the artist, all on
loan from prestigious international public and private collections.
The touring «ARTIST ROOMS»
exhibition devoted to Hirst, previously shown at the National Galleries of Scotland,
included five important Hirst pieces from the d'Offay collection, as well as
loans from the artist.
Requirements — Extensive experience curating
exhibitions,
including artistic production,
loans, shipping, and a pragmatic familiarity with installing
exhibitions.
The gallery collaborates regularly with international institutions for the
loan of works for temporary
exhibitions,
including the Magritte retrospective A to Z at Tate Liverpool and the Albertina in Vienna in 2011, the Magritte
exhibition Mystery of the Ordinary 1926 - 1938 at MoMA in New York, the Art Institute of Chicago and the Menil Collection in Houston, in 2013 - 2014, as well as Lisette Model at the Jeu de Paume in Paris in 2009 - 2010.
While works were
loaned from a number of private collectors, HBCUs
including the Howard University, Hampton University and Clark Atlanta University, Michael Rosenfeld Gallery, and institutions such as the Schomburg Center for Research in Black Culture, Art Institute of Chicago and Museum of Fine Arts Boston, Powell emphasizes that the
exhibition required the cooperation of the two women.
Curated by Arne Glimcher, the founder of Pace Gallery, the
exhibition evolved from the critically successful presentation of the series at Pace Gallery in London in 2017 and showcases several monumental paintings from that
exhibition, as well as new
loans from major museums
including the Albright - Knox Art Gallery and the National Gallery.
Several museums and private collectors have
loaned works to the
exhibition,
including the Museum of Modern Art, the Whitney Museum of American Art, and the Metropolitan Museum of Art in New York; the Tate in London; and Moderna Museet in Stockholm.
Additional
loans included in the
exhibition are works by Radcliffe Bailey, Michael Ray Charles, Willie Cole, and a video by renowned artist Kara Walker.
The sponsorship also
includes resources to facilitate
loans of items from the Keir Collection to other domestic and international institutions for related
exhibitions and installations.
Marianne Boesky Gallery and Marlborough Chelsea would like to express their gratitude to the many individuals and institutions whose generous
loans made this
exhibition possible,
including Cranbrook Academy of Art, Detroit Historical Society, Detroit Institute of Arts, The Henry Ford Museum, Mike Kelley Foundation for the Arts, New York Historical Society, Pewabic Society, and Wayne State University.
The first major presentation of Truitt's work at the Gallery, the
exhibition celebrates the museum's acquisition of several major artworks by Truitt in recent years,
including seminal works from the collection of the Corcoran Gallery of Art as well as several outstanding
loans.
This
exhibition celebrates the two - hundredth anniversary of Brontë's birth in 1816, and marks an historic collaboration between the Morgan, which holds one of the world's most important collections of Brontë manuscripts and letters, and the Brontë Parsonage Museum, in Haworth, England, which has
loaned a variety of key items
including the author's earliest surviving miniature manuscript, her portable writing desk and paintbox, and a blue floral dress she wore in the 1850s.
The majority of works in the
exhibition will be on
loan from private collections, and will comprise important, large - scale paintings from his most memorable themes,
including French Money, Vocabulary Lessons, Civil War Veterans, Camel cigarette packs, as well as portraits of his mother - in - law Berdie, his then wife Augusta, and the poet Frank O'Hara.
The
exhibition will
include three of Höfer's most notable large - scale pieces — Musée du Louvre Paris XXI 2005, Hermitage St. Petersburg VIII 2014 and Trinity College Library Dublin I 2004 - which are on
loan from Ben Brown Fine Arts, London.
The
exhibition includes many important
loans -LSB-...]
Animal Farm is a group
exhibition curated by Sadie Laska,
including works from The Brant Collection and
loans from museums, galleries and other private collections.
The
exhibition loans come from a wide variety of leading public and private collections,
including: Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; Virginia Museum of Fine Arts; Mugrabi Collection; Berardo Collection; Robert B. Mayer Family Collection, Chicago; Frederick R. Weisman Art Foundation, Los Angeles, as well as from the Estate of Tom Wesselmann, New York.
It supports the artist's legacy through a variety of initiatives,
including exhibitions,
loans of artworks, research and publications, conservation, grants, educational programs for the public and the scholarly community, and the publishing of a catalogue raisonné.
The
exhibition, organized thematically and
including important rarely
loaned works by both artists, plus a new painting by Saville, will illuminate aspects of each artist's work that might otherwise go unnoticed outside of this context.
Further highlights of the
exhibition include Mêle moments (1976), Les données de I «instant (1977), and Site aux disjonctions (1977) on
loan from the Fondation Dubuffet and private collections.
Pictures, this
exhibition featured four costumes on
loan from the film In the Heart of the Sea with additional artifacts
included from the Museum collection.
Beginning Sunday, May 14, 2017, The Brant Foundation Art Study Center will present a group
exhibition curated by Sadie Laska,
including works from The Brant Collection and
loans from museums, galleries and other private collections.
The DMA show
includes work on
loan from the collection of Bowling's contemporary and fellow artist Melvin Edwards, whose work will be on concurrent
exhibition at the Nasher.
Although she achieved some success in her lifetime, her work is not widely known and so this
exhibition, which
includes loans from Derby Museum and Art Gallery, hopes to contribute to a history of her work.
In 1870 the Academy expanded its
exhibition programme to
include a temporary annual
loan exhibition of Old Masters, following the cessation of a similar annual
exhibition at the British Institution.
The
exhibition will feature
loans from both museums and private collections, and
include examples from Hammons» major series from the past five decades,
including Body Prints, found - object assemblages such as the Heads, Basketball Drawings, Basketball Chandeliers, Tarps, Fur Coats, and Mirrors.
The
exhibition includes loans from the Museum of Modern Art, Dallas Museum of Art, Albright - Knox Art Gallery, Walker Art Center, Johnson Museum at Cornell University, and several private collections along with key works from the artist's estate.
Innes has recently been
included in several group
exhibitions including: Sphere (
loans from nvisible Museum), Sir John Soane's Museum, London; FRESH: Recent Acquisitions, Albright Knox Art Gallery, Buffalo, NY and Heads and Hands, Loans from the nvisible Museum, Washington Project for the Arts, Corcoran Gallery of Art, Washington
loans from nvisible Museum), Sir John Soane's Museum, London; FRESH: Recent Acquisitions, Albright Knox Art Gallery, Buffalo, NY and Heads and Hands,
Loans from the nvisible Museum, Washington Project for the Arts, Corcoran Gallery of Art, Washington
Loans from the nvisible Museum, Washington Project for the Arts, Corcoran Gallery of Art, Washington, DC.
The
exhibition will most notably feature
loans from MoMA and the Whitney Museum of American Art in New York, and
includes works from the private collections of artists Mel Bochner, Vija Clemens, Jasper Johns, Adrian Piper, Dorothea Rockburne, and Frank Stella.»
The
exhibition at Fondation Beyeler, which focuses on the late work of the Swiss painter Ferndinand Hodler, comprises some 80 works and
includes loans from renowned Swiss and American private collections and major national and international museums.
The scholarly, not - for - sale
exhibition included loans from The Museum of Modern Art (New York), Musée départemental Matisse (Le Cateau - Cambrésis), The Hirshhorn Museum and Sculpture Garden (Washington D.C.), The Nasher Sculpture Center (Dallas), The Denver Art Museum, The Morgan Library and Museum (New York), as well as works from The Pierre and Tana Matisse Foundation, and private American and European collections.
Drawing on the extensive collection of the Norton Simon Museum with a few select
loans, the
exhibition includes works by the local founders of this movement such as John Altoon, Garo Antreasian, Sam Francis, Ed Moses, Ken Price, Ed Ruscha and June Wayne, as well as those who traveled to Los Angeles specifically to print, such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg and Robert Rauschenberg.
The
exhibition includes 18 objects on
loan from The William Louis - Dreyfus Foundation, many of which were acquired by him from Steven Harvey Fine Art Projects.
The
exhibition includes loans from the Museu d'Art Contemporani de Barcelona (MACBA), the Museum of Fine Arts Houston (MFAH), and the Fundación Gego.