Sentences with phrase «loan exhibitions such»

In addition the museum presents international loan exhibitions such as Je Suis le Cahier: The Sketchbooks of Picasso (1988), German Expressionism After the Great War: The Second Generation (1989), and Picasso and the Age of Iron (1993).

His significance is widely acknowledged when it comes to music, music videos, dance, choreography and fashion, but his impact on contemporary art is an untold story; one that has not been recognised with an international loan exhibition such as this.

Not exact matches

His work can be found in many of the country's leading public and private collections, such as the Museum of Modern Art in New York, Brooklyn Museum and the San Francisico Museum of Modern Art, all of which have loaned work for our exhibition.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

Through some 120 works and documents loaned by museums in Vitebsk and Minsk and major American and European collections, the exhibition will present the artistic output of three iconic figures — Marc Chagall, El Lissitzky and Kazimir Malevich — as well as works by students and teachers of the Vitebsk school, such as Lazar Khidekel, Nikolai Suetin, Il» ia Chashnik, David Yakerson, Vera Ermolaeva, and Yehuda (Yury) Pen, among others.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

While works were loaned from a number of private collectors, HBCUs including the Howard University, Hampton University and Clark Atlanta University, Michael Rosenfeld Gallery, and institutions such as the Schomburg Center for Research in Black Culture, Art Institute of Chicago and Museum of Fine Arts Boston, Powell emphasizes that the exhibition required the cooperation of the two women.

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confines.

Robert Rauschenberg: Among Friends is the follow up to the Tate exhibition that opened in late 2016 and features masterpiece, after masterpiece, such as Monogram and Mud Muse (rarely seen) on loan from the Moderna Museet in Stockholm.

The exhibition will feature loans from both museums and private collections, and include examples from Hammons» major series from the past five decades, including Body Prints, found - object assemblages such as the Heads, Basketball Drawings, Basketball Chandeliers, Tarps, Fur Coats, and Mirrors.

In the exhibition «Drawn from the Antique», set in the context of his beloved home, visitors explore the honing of the classical form in rarely seen loaned works by artists such as Rubens, JMW Turner RA and Henry Fuseli RA.

Through the work of artists in the permanent collection such as Martin Johnson Heade and Andy Warhol, as well as loans by contemporary artists such as Jessica Pezalla and Kendell Carter, the exhibition gives visitors new ways of relating to flowers through relationships to the human figure, scientific study, and moments when the floral form becomes ornamentation.

This exhibition will feature loans from such notable institutions as the Smithsonian American Art Museum, The Metropolitan Museum of Art, The J. Paul Getty Museum, The Phillips Collection and The Pennsylvania Academy of the Fine Arts, among others.

Drawing on the extensive collection of the Norton Simon Museum with a few select loans, the exhibition includes works by the local founders of this movement such as John Altoon, Garo Antreasian, Sam Francis, Ed Moses, Ken Price, Ed Ruscha and June Wayne, as well as those who traveled to Los Angeles specifically to print, such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg and Robert Rauschenberg.

For example, museums such as the Whitney Museum of American Art, the Museum of Modern Art, New York, the Metropolitan Museum of Art, Burchfield Penney Art Center, and the Chicago Art Institute have all loaned works for this exhibition.

Selections of work form the Wadsworth's extraordinary collection of contemporary art by artists such as Glenn Ligon and Jacob Lawrence and the loan of a single stunning portrait of Ms. Horne from the Smithsonian will punctuate the exhibition and illuminate the narrative.

The exhibition includes major loans from private collections and notable German institutions such as the Städel Museum, Frankfurt and the Staatliche Graphische Sammlung, Munich.

The exhibition includes around one hundred artworks from the Tate Collection together with key loans by artists such as Sara Barker, Leon Golub, Jasper Johns, Julie Mehretu, Matthew Monahan, Richard Tuttle and Hannah Wilke.

The Linda Pace Foundation not only organizes exhibitions in its own spaces but since 2007 has loaned more than 200 works to institutions such as the Tate Museum in London, the Brooklyn Museum in New York and the Museo de Arte Contemporáneo de Monterrey - MARCO in Mexico.

This grand and grandly serious exhibition explored the creative exchange between Michelangelo and Sebastiano, with the help of exceptional loans such as the latter's Lamentation from Viterbo and the imaginative use of a 3D - printed model of the Borgherini Chapel in San Pietro in Montorio, Rome.

The exhibition includes works and documents on loan from collections from all over the world such as moma, moma archives, the Getty research institute, the Berkeley Art and Pacific Film Archive, Kunstmuseum bern, De Appel arts center, as well as two works acquired by Colección Jumex for this exhibition.

UC Davis artists will be represented by about 20 works, and the exhibition will include a few objects on loan from the Fine Arts Collection at UC Davis, such as Arneson cups.

Largely drawn from the Newark Museum's superb collection of U.S. geometric abstraction, the exhibition also includes major works on loan from acclaimed private and public collections across both continents, such as Colección Patricia Phelps de Cisneros, Malba - Costantini Foundation (Museo de Arte Latinoamericano de Buenos Aires), Philadelphia Museum of Art, Pinacoteca do Estado de São Paulo and Whitney Museum of American Art.

In addition to significant loans from prestigious private collections and institutions such as the National Gallery of Art in Washington, D.C., the Andy Warhol Museum in Pittsburgh, The Museum of Modern Art in New York and The Museum of Contemporary Art in Los Angeles, the exhibition will include seminal work from several of the artists» personal collections.

Featuring unique and rarely exhibited works by such artists as František Kupka, Egon Schiele, Johannes Baader, Heinrich Vogeler, Friedrich Schröder - Sonnenstern, Friedensreich Hundertwasser, Joseph Beuys, and Jörg Immendorff on loan from the National Gallery in Prague, the Leopold Museum in Vienna, the Centre Pompidou in Paris, the Hundertwasser Stiftung in Vienna, the Kunsthaus Zürich, the Staatliche Museen zu Berlin as well as numerous private foundations and collectors, the presentation at the Schirn is the highlight of the 2015 spring exhibition season.

Drawn mostly from The Blanton's notable collection, along with several choice loaned objects, the exhibition includes works by artists known for their probing investigations of the genre, such as Albrecht Dürer, Rembrandt van Rijn, Jean - Auguste - Dominique Ingres, John Singer Sargent, Diego Rivera, Sir Jacob Epstein, Antonio Berni, Alice Neel, Chuck Close, Robert Henri, Andy Warhol, Yasumasa Morimura, Oscar Muñoz, and Kehinde Wiley.

Furniture and decorative arts from the collection have been on loan or appeared in exhibitions at numerous museums throughout the United States, such as The Metropolitan Museum of Art, New York, NY; the Philadelphia Museum of Art, PA; the Museum of Fine Arts, Boston, MA; Winterthur Museum, Garden, and Library, Wilmington, DE; the Chrysler Museum of Art, Norfolk, VA; and the Smithsonian Institution and the U.S. State Department, Washington, DC.

While the exhibition includes much of the Museum's profound collection of Knifer's works, many others have been loaned by private and public collections including foreign institutions such as MoMA in New York, the Centre Georges Pompidou in Paris, the bait in Geneva.

None of such works of art [the works by Clyfford Still in her estate] are ever to be sold, given, exchanged, loaned, circulated and / or otherwise disposed of at any time, for any length of time, and / or for any purpose but, to the contrary, shall be retained at all times in the Quarters exclusively and permanently provided for such art works for the purpose of the exhibition, study, preservation, maintenance and storage of the same.

The exhibition, co-curated by MIA Director Dr. Julia Gonnella and Rania Abdellatif, draws on MIA's own spectacular collection, shown alongside loans from other world - renowned international museums, including the Louvre in Paris, the Museum of Ancient Near Eastern Art in Berlin, the Berlin State Library, other significant Qatar Museums (QM) collections such as the Orientalist Collection, as well as the Qatar National Library and Sheikh Faisal Bin Qassim Museum.

Loans of such valuable and high - quality works are practically impossible to obtain, making it highly unlikely that such an exhibition can ever be organised again in the Netherlands.

The exhibition presented examples of portraiture, landscape paintings, and figure sketches, including such well - known works as Madame X from the Metropolitan Museum of Art, The Daughters of Edward Darley Boit, loaned by the Museum of Fine Arts, Boston, and Carnation, Lily, Lily, Rose from the Tate Gallery, London.

The exhibition includes around one hundred artworks from the Tate Collection together with key loans by artists such as Sara Barker, Leon Golub, Jasper Johns, Matthew Monahan, Nancy Spero, Richard Tuttle and Hannah Wilke.

It has also sponsored such publications as MoMA's Contemporary Chinese Art: Primary Documents and loaned many artworks to accredited art institutions for exhibitions such as the Big Brother — Artists & Tyrants exhibition in Dinard, France.

The exhibition brings together a selection of exceptional works loaned from major American museums, such as Washington's National Gallery of Art, the Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, the Philadelphia Museum of Art, and the Terra Foundation in Chicago; works are also loaned by prestigious institutions in France — the Musée d'Orsay, the Petit Palais, INHA, and the BnF (French National Library)-- and in Europe, such as the Bilbao Museum of Fine Arts, the Calouste Gulbenkian Foundation in Lisbon, and the Bührle Foundation in Zurich.

Newly mainstream (thanks largely to astute exhibitions at her Miami Institute of the in - depth Ella Fontanals - Cisneros collection, to generous loans and funding by former sister - in - law Patricia Phelps de Cisneros, and to the full commitment of the Perez Art Museum of Miami), Latin American artists such as Carmen Herrera and Julio Le Parc showed here front and centre, taking their rightful place in the western canon alongside Diego Rivera, Gabriel Orozco, Frida Kahlo and Wifredo Lam.

The exhibition features wool creations loaned by the big names such as Burberry, Alexander McQueen, Maison Martin Margiela and John Galliano.