One room of the gallery features Blake's commissioned portraits ranging from the 1980s to 2014, many on
loan from private collections for the show.
Not exact matches
In a controversy spanning the last several weeks, recent inquiries into
private lending
from organizations like HESAA sparked both investigation and hearings regarding
collection practices
for student
loans.
Shifting the responsibility
for loan servicing and
collection from the schools to the
private sector
A federal student
loan enters default when a borrower fails to make a payment on it
for 270 consecutive days.9 When this happens, the borrower's
loan is transferred
from the student
loan servicer — a
private contractor responsible
for collecting payments on behalf of the federal government — to the Debt Management
Collections System.10 Borrowers then have 60 days to come to a repayment arrangement with the Education Department.
The exhibition will include Looking
for the Map 8 2013 - 14, a new work shown in the UK
for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international
loans from museums and
private collections.
Organized in collaboration with her daughter, Catherine Hutin - Blay, the show includes nearly 140 paintings, sculptures and drawings borrowed
from museums and
private collections worldwide, as well as works on
loan from the Picasso family and the estate of Roque, a number of which are being presented publicly
for the first time.
An extraordinary Bacon triptych
from 1974 - 77, on
loan from a
private collection, will also be exhibited
for the first time in a UK public gallery in over 30 years.
The scholarly, not -
for - sale exhibition included
loans from The Museum of Modern Art (New York), Musée départemental Matisse (Le Cateau - Cambrésis), The Hirshhorn Museum and Sculpture Garden (Washington D.C.), The Nasher Sculpture Center (Dallas), The Denver Art Museum, The Morgan Library and Museum (New York), as well as works
from The Pierre and Tana Matisse Foundation, and
private American and European
collections.
In addition to a group of important paintings
from the university's
collection,
loans of artwork
from several
private collections and public institutions, many shown publicly
for the first time in years, provide a unique opportunity to observe the development of the artist's life and work through drawings, paintings, and prints dating
from the 1940s to the 1980s.
The works, on
loan from private collections, will be presented in a series of exhibitions in a dedicated Freud Centre in IMMA's Garden Galleries
for five years, 2016 - 2021.
Mr. Galassi pointed out that «any
loan to a museum exhibition»
from a
private collection is potentially
for sale.
It has been received on temporary
loan from a
private collection, and is to be sent on to the Centre Pompidou this autumn
for a major retrospective on Salvador Dalí.
Because so many
loans are
from private collections, and collectors don't want to be without their prized art
for long, the show will not travel to any other institution.
The Museum also exhibits works of art given to the Solomon R. Guggenheim Foundation
for its Venetian Museum since Peggy Guggenheim's death, as well as long - term
loans from private collections.
[4] Through this popular annual
loan program, students may borrow original works of art
from the
collection for their
private rooms or communal spaces.
Specializing in: • Developing exhibitions internationally, securing
loans from institutions and
private collections • Strategic planning and project management
for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and
private collections of contemporary and modern art globally • Creating strategic partnerships between
private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the
private and public sector • Historic building preservation and conservation
The exhibition will include ten stacks of both large and small sizes, spanning
from 1968 to 1990, pairing
loans from private collections with works available
for sale.
This exhibition, organized by the Rubin Museum in New York, includes works of art and archival materials on
loan from the Foundation of the Works of C. G. Jung, the C.G. Jung Institute in Zurich, the C.G. Jung Foundation
for Analytical Psychology, the Jung family
private archive, and other
private collections.
For the inaugural exhibition of the Upper Galleries of our museum we will present a selection of work by English Surrealists & Crypto - Surrealists Pailthorpe and Mednikoff, Leonora Carrington, Robin Ironside, Angus McBean & Austin Osman Spare drawn
from the permanent
collection &
loans from private collections
Using grants
from the National Endowment
for the Arts and the Dedalus Foundation, among others, the Asia Society has been organizing
loans from public and
private collections in Europe, the U.S., and the Middle East — except, of course, Iran.
This exhibition is a cross-section of his oeuvre, combining both existing
loan from public &
private collections, new works and a site - specific installation produced especially
for this exhibition.
Comprising of highlights
from the upcoming Contemporary Art Evening Sale, works
for private sale and
loans from important
collections, the exhibition is a dynamic «very short» history of contemporary large - scale sculpture brought to life in our new galleries.
In addition to artworks
from WCMA and the Terra Foundation
for American Art, the exhibition features
loans from over 50 institutions and
private collections in the United States, including the Metropolitan Museum of Art, the Museum of Modern Art, the National Gallery of Art, and the Museum of Fine Arts, Boston.
Selected works
from the
collections of the Kunstmuseum Basel and eminent pieces on
loan from international museums and
private collections will be brought together
for a dense and exceptionally rich dialogue of positions in sculpture.
Loans for the exhibition have been secured
from public and
private collections, including several paintings that will be shown
for the first time in New York.
The exhibition «Pissarro in the Ports» will bring together
for the first time thirty or so of these works, most of which have been
loaned from public and
private collections abroad.
Museum - quality historical shows have also always played a major role in the gallery, with rigorously curated exhibitions focusing on specific moments in art or thematically arranged groups of work, and featuring pieces on
loan from a variety of institutions and
private collections (which are very often not
for sale).
Key works
from Blake's expansive career will be integrated into the booth, including seminal early work
loaned by
private collections shown alongside important works that have remained in the artist's
collection for a number of years, never seen by the public until now.
The rarefied selection (only a few pieces are
for sale) features
loans from major museums and
private collections, and includes one of Fontana's monumental ceiling sculptures in plaster and neon and a Klein installation incorporating a field of thrown pigment in his signature blue.
Pastel Portraits gives visitors the unusual opportunity to view these exquisite works in a museum exhibition, which includes
loans from the Princeton University Art Museum and the Yale Center
for British Art, New Haven, as well as
from the Frick Collection, Pierpont Morgan Library, and New - York Historical Society, New York, and several
private collections.
Featuring numerous
loans from major international museums and
private collections, it provides an extremely rare opportunity to view Eva Hesse's late works, some of which are being shown in Germany
for the very first time.
Blue Trees, on
loan from the Neuberger Museum of Art, with its vivid blues and yellows against a moss green hilltop, or Vermont Spring, on
loan from a
private collection, with pink rocks, almost lime green fields and deliberate scratchy lines
for branches, both demonstrate Avery's freedom in translating his surroundings.
This June the gallery added the estate of Piero Manzoni and a large pair of the late artist's works were on view in the booth — one of which is on
loan, but not
for sale,
from a
private collection.
This Sculpture Garden presents 3 - D works both
from the permanent
collection (
for example by Jean Arp, Raymond Duchamp - Villon, Max Ernst, Barry Flanagan, Alberto Giacometti, Andy Goldsworthy, Jenny Holzer, Marino Marini, and Henry Moore), as well as works on
loan from foundations and
private collections.
All works featured are on
loan from private collections, many on public display
for the first time in almost 20 years.
It includes 20 recent acquisitions
for the DAM's
collection and also spotlights important
loans from the fashion
collections of the Los Angeles County Museum of Art and the de Young Museum in San Francisco, as well as
from local and national
private lenders.
In 1992 the Phoebe and Belmont Towbin Museum Wing opened
for the exhibition the
collection, as well as
loans from prominent museums and
private collections illuminating Woodstock's formidable artistic heritage.
The show includes Looking
for the Map 8, (2013 - 14), a new work shown in the UK
for the first time, works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself (1972), as well as international
loans from museums and
private collections.
«Revolution in the Making» includes many works on
loan from nearly 60 major American museums,
private collections, and artists» estates, as well as new sculptures commissioned
for the exhibition.
More than 400 objects have been selected
for the presentation, and the
loans are drawn
from both public and
private collections in the United States and Europe, including significant pieces
from Austria.
The works, on
loan to the IMMA Collection
from Private Collections, are presented in a dedicated Freud Centre in IMMA's Garden Galleries
for five years, with all 50 works on display over the first 12 months.
This important body of work, on
loan to IMMA
from a number of
private collections, is the focus of several major programming initiatives
for the next five years.
Comprising of highlights
from the inaugural Contemporary Art Evening Sale, works
for private sale and
loans from important
collections, the exhibition is curated by noted scholar Francesco Bonami.
Loans for the exhibition are coming
from museums here and in Europe as well as
from private collections.
«Revolution in the Making» includes many works on
loan from nearly 60 major American museums, artists» estates, and
private collections, as well as new sculptures commissioned
for the exhibition.
Thanks
for bringing that up, PORT did a post on that Rothko painting, it wasn't in a
private collection, it was on
loan from a New York dealer.
This new exhibition, curated by Massimiliano Gioni, will feature more than 60 works
from 1997 to the present, on
loan from leading international institutions and
private collections, as well as several new works created especially
for this show.