These works are accompanied by other major sculptures on
loan from private collections in Europe and America.
Not exact matches
In a controversy spanning the last several weeks, recent inquiries into
private lending
from organizations like HESAA sparked both investigation and hearings regarding
collection practices for student
loans.
Of important note is the fact that our successes have not only been related to National Collegiate Student
Loan Trust cases, we have defended cases from several different private student loan collection groups, and have seen nearly universal success in those ca
Loan Trust cases, we have defended cases
from several different
private student
loan collection groups, and have seen nearly universal success in those ca
loan collection groups, and have seen nearly universal success
in those cases.
To realize the show, the curators secured dozens of
loans from leading museums and
private collections in the US and many other countries; the lenders list is more extensive than that of most large - scale contemporary museum exhibitions.
The exhibition will include Looking for the Map 8 2013 - 14, a new work shown
in the UK for the first time on display alongside works made
in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international
loans from museums and
private collections.
The Kunsthistorisches Museum
in Vienna is billing «Bruegel» (2 October 2018 — 13 January 2019) as «a uniquely comprehensive survey of his oeuvre», with panels that are rarely, if ever,
loaned from international museums and
private collections joining the Viennese institution's holdings of 12 paintings by the artist (around 40 paintings by him survive).
Featuring works
from the BCMA's robust
collection of American art, as well as
loans from 30 prestigious public and
private collections across the United States — such as The Metropolitan Museum of Art; Phillips
Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations
in American art across generations and traditional stylistic confines.
On view through May 31, Senufo: Art and Identity
in West Africa features nearly 170
loans from museums and
private collections in Europe, Canada, and the United States.
Organized
in collaboration with her daughter, Catherine Hutin - Blay, the show includes nearly 140 paintings, sculptures and drawings borrowed
from museums and
private collections worldwide, as well as works on
loan from the Picasso family and the estate of Roque, a number of which are being presented publicly for the first time.
Drawing Then features
loans from The Museum of Modern Art and the Whitney Museum of American Art
in New York, among other institutions, and includes works
from the
private collections of artists Mel Bochner, Vija Celmins, Jasper Johns, Adrian Piper, and Dorothea Rockburne.
The majority of works
in the exhibition will be on
loan from private collections, and will comprise important, large - scale paintings
from his most memorable themes, including French Money, Vocabulary Lessons, Civil War Veterans, Camel cigarette packs, as well as portraits of his mother -
in - law Berdie, his then wife Augusta, and the poet Frank O'Hara.
Four years
in the making, the works are inspired by the artist's interest
in Renaissance drawings, so shown alongside Redefining Pleats of Matter (2015) is the Raphael drawing that influenced it, Saint Benedict Receiving Maurus and Placidus, on
loan from a
private collection.
Photographs of soldiers» graffiti
in training sites are shown alongside items
from the museum's
collections, as well as
loans from other museums and
private lenders.
With
loans from the New Walk Museum
in Leicester, the V&A and
private collections, this exhibition explores how Picasso enjoyed pushing the boundaries just as much
in drawing, printmaking and ceramics as
in painting.
An extraordinary Bacon triptych
from 1974 - 77, on
loan from a
private collection, will also be exhibited for the first time
in a UK public gallery
in over 30 years.
Dallas and Fort Worth, of course, have had their share of recent coups,
from the Modern Art Museum of Fort Worth's exclusive U.S. presentation of the Lucien Freud retrospective to the Nasher Sculpture Center's beautiful presentation of the traveling Ken Price survey to the Dallas Museum of Art's announcement that it's landed the long - term
loan of the Keir Collection, one of the world's largest
private collections of Islamic art — instantly transforming the DMA into a national powerhouse
in the field.
The exhibition will most notably feature
loans from MoMA and the Whitney Museum of American Art
in New York, and includes works
from the
private collections of artists Mel Bochner, Vija Clemens, Jasper Johns, Adrian Piper, Dorothea Rockburne, and Frank Stella.»
The presentation includes many objects that have seldom or never been exhibited before and offers a rare look at works
from Lyon's archives alongside important
loans from major public and
private collections in the United States.
Fifteen Stellas made between 1958 and 1962 are on
loan from major museums and the artist's
private collection to make up an exhibition that, if you are interested
in postwar painting, you must see.
Comprising more than 50 works with significant
loans from public and
private collections in the United States and Europe, «Richard Diebenkorn» demonstrates the variety and subtlety of the artist's oeuvre and reveals the vital role he played
in the development of American art.
In addition to a group of important paintings from the university's collection, loans of artwork from several private collections and public institutions, many shown publicly for the first time in years, provide a unique opportunity to observe the development of the artist's life and work through drawings, paintings, and prints dating from the 1940s to the 1980
In addition to a group of important paintings
from the university's
collection,
loans of artwork
from several
private collections and public institutions, many shown publicly for the first time
in years, provide a unique opportunity to observe the development of the artist's life and work through drawings, paintings, and prints dating from the 1940s to the 1980
in years, provide a unique opportunity to observe the development of the artist's life and work through drawings, paintings, and prints dating
from the 1940s to the 1980s.
Water and Shadow includes 74 works
from VMFA's extensive
collection of Hasui prints donated by René and Carolyn Balcer, complemented by
loans from private collectors
in New York and Washington, DC.
This exhibition includes four other paintings
in the series on
loan from private collections to recreate a 1971 exhibition at the Whitney.
The works, on
loan from private collections, will be presented
in a series of exhibitions
in a dedicated Freud Centre
in IMMA's Garden Galleries for five years, 2016 - 2021.
The painting, considered a key example of Wood's artistic development
in the late 1920s, had been on long - term
loan to the gallery
from a
private collection since 2009.
The work is on
loan from a
private collection, New York, and will be the source of discussion
in a show as it is juxtaposed with and against the work of ten contemporary artists.
The ten works
in this exhibition span
from 1964 to 1975, with works
from the Block's
collection complemented by
loans from institutional and
private collections.
The partnership includes the
loan to the Museum of major paintings by Mark Rothko
from their
private collection; paintings will be
loaned individually
in rotation over the course of the next two decades.
Other extraordinary items include the Boarstall Cartulary
from the 11th century which featured
in the BBC's History of the World; memorabilia
from «godfather of British aviation» Frank McLean's hair - raising flights under the bridges on the River Thames; taxidermied pelicans
from a
private zoo; an Aston Martin DB4 on
loan from Aston Martin Works Service and a unique self - portrait by David Bowie
from a
private collection.
In addition to showcasing VMFA's extensive Fabergé
collection, the exhibition will feature
loans from distinguished
private collections.
In addition to the
loan from the Astrup Fearnley Collection the exhibition also includes important
loans from international museums and
private collections including Centre Georges Pompidou, Paris; Fondation Beyeler, Riehen / Basel; Smithsonian Institution, Washington, DC; Museum of Modern Art, New York and Tate, London.
These works, some of which are on
loan from museum and
private collections, have never been seen together since the initial exhibition at Paula Cooper Gallery
in the late 1970s.
Featuring
loans from institutions and
private collections in North America and Europe, along with selections
from the artist's
collection, the exhibition includes around 130 works across several mediums, including individual sculptures and immersive sculptural environments and a distinctive body of drawings, prints, and photographs.
The
loans come
from German and European public and
private collections, such as the
collection Deutsche Bank, the museum of modern Art Leipzig, the Pinakothek of the Moderne
in Munich, the Fondation Beyeler
in Riehen.
Major examples
from most periods
in Mr. Stella's long career are here, many on
loan from prominent public and
private collections.
«Art and China after 1989» focuses on and highlights the conceptual and artistic achievements of 71 artists and collectives, of whom nearly 150 significant works — on
loan from private and public
collections across Asia, Europe, the Middle East, and the United States, as well as
from the Guggenheim's
collection — are on view
in the New York's iconic museum.
A long - term
loan from what's billed as one of the world's largest
private collections of Islamic art will transform the Dallas Museum of Art's Islamic
collection into «the third largest of its kind
in North America,» the DMA announced
in February.
Color and black & white single panels, diptychs, triptychs, and a five part reclining figure were all made using a 40 - by - 80 inch Polaroid camera and will be on view alongside the 10 - by - 21 foot Big Nude, a 1967 painting on
loan from a
private collection and never before exhibited publicly
in New York.
The exhibition includes over 200 works, the exhibition will include
loans from the State Russian Museum
in St Petersburg and the State Tretyakov Gallery
in Moscow as well as some of the most significant international
private collections.
This astonishing exhibition, which would not be possible without the
loans from museums, foundation and
private collections, will be on the display at the Mnuchin Gallery
in New York
from 27 April until 9 June, 2018.
Specializing
in: • Developing exhibitions internationally, securing
loans from institutions and
private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and
private collections of contemporary and modern art globally • Creating strategic partnerships between
private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member
in the
private and public sector • Historic building preservation and conservation
Juried exhibitions and
collections on
loan from galleries, museums and
private collections are also included
in our scheduling.
In this lecture recorded on June 9, 1996, Brown described bringing together 129 objects - including Rodin's The Kiss (1889) and Munch's The Scream (1893)- spanning seven centuries,
loaned from prestigious museums and
private collections around the world.
This exhibition, organized by the Rubin Museum
in New York, includes works of art and archival materials on
loan from the Foundation of the Works of C. G. Jung, the C.G. Jung Institute
in Zurich, the C.G. Jung Foundation for Analytical Psychology, the Jung family
private archive, and other
private collections.
The exhibition will include over a dozen works on
loan from private collections, never before exhibited
in the UK.
Using grants
from the National Endowment for the Arts and the Dedalus Foundation, among others, the Asia Society has been organizing
loans from public and
private collections in Europe, the U.S., and the Middle East — except, of course, Iran.
Major
loans from private collections — including works never displayed
in public before — will be united with iconic paintings
from museums around the world.
It featured 30 major works made throughout the artist's career,
from 1965 to 2011, on
loan from public and
private collections in America and Europe and was curated and organized by Paul Nesbitt and Chloe Reith (Curator of Exhibitions, Inverleith House).
Numerous
loans from private collections and institutions make this survey the most important Hopper retrospective seen outside of his native New York City
in over a quarter century.
Jason Andrews has prepared a group show of contemporary drawings featuring 10 young artists well - known
in the neighborhood and beyond (Anthony Browne, Maria Calandra, Kevin Curran, Ryan Michael Ford, Libby Hartle, Francesco Longenecker, Eric Mavko, Thomas Micchelli, Mathew Miller, Andrew Szobody and Alberto Giacometti) AND a precious double - sided drawing by a modern master Giacometti
loaned from a
private collection.