Sentences with phrase «loan from the private collection of»

Monet came to Montana, along with other international artists, through a landmark exhibition of masterpieces on loan from the private collection of billionaire William I. Koch.

Not exact matches

Caldwell says that the fossil wasn't actually part of the museum's collection, but was on loan from a private owner.

While the cost of placing your loan with a private collection agency is usually the largest collection cost you may face if you default, there may be other collection costs, such as Treasury offset processing fees and costs associated with potential civil litigation from the Department of Justice.

If you defaulted on student loans that you took out from a private lender, such as Sallie Mae, Navient, National Collegiate Student Loan Trust, then they will use their vast debt collection resources and teams of attorneys to sue you to collect the debt.

Of important note is the fact that our successes have not only been related to National Collegiate Student Loan Trust cases, we have defended cases from several different private student loan collection groups, and have seen nearly universal success in those caLoan Trust cases, we have defended cases from several different private student loan collection groups, and have seen nearly universal success in those caloan collection groups, and have seen nearly universal success in those cases.

A federal student loan enters default when a borrower fails to make a payment on it for 270 consecutive days.9 When this happens, the borrower's loan is transferred from the student loan servicer — a private contractor responsible for collecting payments on behalf of the federal government — to the Debt Management Collections System.10 Borrowers then have 60 days to come to a repayment arrangement with the Education Department.

Government's Private Collection Agency Evaluation System Harms Borrowers The Department rewards collection agencies based on the total amount of money collected from student loan borrowers, regardless of the harm caused to borrowers and regardless of legal compliance.

Other works include key local and national loans, including one from the private collection of Mrs. Donald Fisher and others from the Hirshhorn Museum and Sculpture Garden, Washington, D.C., and Storm King Art Center, Mountainville, New York.

The exhibition will offer 270 objects made of ceramic, glass, stucco, paper, wood, metal, and various textiles, all of which are on loan from public and private American, European, and Middle Eastern collections.

50 Years at Pace will bring together some of the key masterpieces that have passed through Pace's doors, featuring loans from important public and private collections worldwide.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

To realize the show, the curators secured dozens of loans from leading museums and private collections in the US and many other countries; the lenders list is more extensive than that of most large - scale contemporary museum exhibitions.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

After establishing the Ferus Gallery and promoting the local avant garde, Hopps arrived at the Pasadena Art Museum well prepared to tackle this ambitious paean to Duchamp, one that would necessitate loans from private collections and art institutions, as well as the re-fabrication of several lost works.

This landmark exhibition brings together a stunning array of works loaned from museums and private collections throughout the U.S. and Europe to follow the trajectory of Diebenkorn's long and successful career with some of the powerful works by Matisse that the younger artist would have seen.

This special exhibition of works by Allen Jones is possible thanks to loans from major public institutions and private collections.

The show, from March 15 through May 27, will offer a sampling of about 40 works, most on loan from museums and private collections.

The exhibition features a total of eleven works on loan from the Museum of Illustration at the Society of Illustrators, the Illustrated Gallery, the Salmagundi Club, and two private collections.

Selected works from the collections of the Kunstmuseum Basel are displayed alongside eminent pieces loaned from international museums and private collections.

The Kunsthistorisches Museum in Vienna is billing «Bruegel» (2 October 2018 — 13 January 2019) as «a uniquely comprehensive survey of his oeuvre», with panels that are rarely, if ever, loaned from international museums and private collections joining the Viennese institution's holdings of 12 paintings by the artist (around 40 paintings by him survive).

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confines.

England & Co have loaned a 1938 painting by Paule Vézelay from a private collection to Surface Work at the Victoria Miro Gallery: an international, cross-generational exhibition of women artists who have shaped and transformed, and continue to influence and expand, the language of abstract painting.

Working among Flowers will feature major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.

«John Graham: Maverick Modernist,» which opened on May 7 and runs through July 30, features 66 paintings loaned from museums as well as many private collections, which together make it possible to understand this artist's aesthetic trajectory and level of skill.»

Organized in collaboration with her daughter, Catherine Hutin - Blay, the show includes nearly 140 paintings, sculptures and drawings borrowed from museums and private collections worldwide, as well as works on loan from the Picasso family and the estate of Roque, a number of which are being presented publicly for the first time.

Drawing Then features loans from The Museum of Modern Art and the Whitney Museum of American Art in New York, among other institutions, and includes works from the private collections of artists Mel Bochner, Vija Celmins, Jasper Johns, Adrian Piper, and Dorothea Rockburne.

The majority of works in the exhibition will be on loan from private collections, and will comprise important, large - scale paintings from his most memorable themes, including French Money, Vocabulary Lessons, Civil War Veterans, Camel cigarette packs, as well as portraits of his mother - in - law Berdie, his then wife Augusta, and the poet Frank O'Hara.

The exhibition loans come from a wide variety of leading public and private collections, including: Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; Virginia Museum of Fine Arts; Mugrabi Collection; Berardo Collection; Robert B. Mayer Family Collection, Chicago; Frederick R. Weisman Art Foundation, Los Angeles, as well as from the Estate of Tom Wesselmann, New York.

Featuring 36 paintings and 53 drawings, many on loan from major museums and private collections, the exhibition draws together a compelling body of work that reveals the artist grappling to reconcile gestural and field painting, figuration and abstraction.

Further highlights of the exhibition include Mêle moments (1976), Les données de I «instant (1977), and Site aux disjonctions (1977) on loan from the Fondation Dubuffet and private collections.

Four years in the making, the works are inspired by the artist's interest in Renaissance drawings, so shown alongside Redefining Pleats of Matter (2015) is the Raphael drawing that influenced it, Saint Benedict Receiving Maurus and Placidus, on loan from a private collection.

A major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

«The luminosity and depth of his work stands up to any Old Master or 19th Century Master that we have ever seen, but with an added modernity — employing the use of innovative materials and collage to tie it all together,» said gallerist Laura Grenning, who arranged the show by selecting works from private collections as well as those on loan from Marlborough Gallery.

Photographs of soldiers» graffiti in training sites are shown alongside items from the museum's collections, as well as loans from other museums and private lenders.

The retrospective of this master photojournalist's work is unusually complete, showcasing more than 300 prints on loan from major museums and private collections.

One room of the gallery features Blake's commissioned portraits ranging from the 1980s to 2014, many on loan from private collections for the show.

The exhibition includes loans from the Museum of Modern Art, Dallas Museum of Art, Albright - Knox Art Gallery, Walker Art Center, Johnson Museum at Cornell University, and several private collections along with key works from the artist's estate.

Dallas and Fort Worth, of course, have had their share of recent coups, from the Modern Art Museum of Fort Worth's exclusive U.S. presentation of the Lucien Freud retrospective to the Nasher Sculpture Center's beautiful presentation of the traveling Ken Price survey to the Dallas Museum of Art's announcement that it's landed the long - term loan of the Keir Collection, one of the world's largest private collections of Islamic art — instantly transforming the DMA into a national powerhouse in the field.

The exhibition will most notably feature loans from MoMA and the Whitney Museum of American Art in New York, and includes works from the private collections of artists Mel Bochner, Vija Clemens, Jasper Johns, Adrian Piper, Dorothea Rockburne, and Frank Stella.»

The first museum survey of these pathbreaking works showcases more than 70 key loans from public and private collections.

Van Gogh, Manet, and Matisse will feature major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.

The exhibition at Fondation Beyeler, which focuses on the late work of the Swiss painter Ferndinand Hodler, comprises some 80 works and includes loans from renowned Swiss and American private collections and major national and international museums.

The scholarly, not - for - sale exhibition included loans from The Museum of Modern Art (New York), Musée départemental Matisse (Le Cateau - Cambrésis), The Hirshhorn Museum and Sculpture Garden (Washington D.C.), The Nasher Sculpture Center (Dallas), The Denver Art Museum, The Morgan Library and Museum (New York), as well as works from The Pierre and Tana Matisse Foundation, and private American and European collections.

Ensembles on view draw from the Fowler Museum at UCLA's collections, private loans, and the extensive archives of the Dutch textile manufacturing company Vlisco.

Van Gogh, Manet, and Matisse: The Art of the Flower features major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.

Comprising more than 50 works with significant loans from public and private collections in the United States and Europe, «Richard Diebenkorn» demonstrates the variety and subtlety of the artist's oeuvre and reveals the vital role he played in the development of American art.

In addition to a group of important paintings from the university's collection, loans of artwork from several private collections and public institutions, many shown publicly for the first time in years, provide a unique opportunity to observe the development of the artist's life and work through drawings, paintings, and prints dating from the 1940s to the 1980s.

Water and Shadow includes 74 works from VMFA's extensive collection of Hasui prints donated by René and Carolyn Balcer, complemented by loans from private collectors in New York and Washington, DC.

Although drawn primarily from the rich holdings of The Mint Museum, this exhibition also includes special loans from private collections and new work by some of today's leading artists who continue to mine and invigorate this approach.

After establishing the Ferus Gallery and promoting the local avant - garde, Hopps arrived at the Pasadena Art Museum well prepared to tackle this ambitious paean to Duchamp, one that would necessitate loans from private collections and art institutions, as well as the re-fabrication of several lost works.