Sentences with phrase «loaned works for this exhibition»

His work can be found in many of the country's leading public and private collections, such as the Museum of Modern Art in New York, Brooklyn Museum and the San Francisico Museum of Modern Art, all of which have loaned work for our exhibition.

For example, museums such as the Whitney Museum of American Art, the Museum of Modern Art, New York, the Metropolitan Museum of Art, Burchfield Penney Art Center, and the Chicago Art Institute have all loaned works for this exhibition.

Collectors that had agreed to loan works for the exhibition have been informed.

Girls» Club and Olin Gallery gratefully acknowledges the generosity of collectors Debra and Dennis Scholl, and the numerous artists who loaned works for this exhibition.

Not exact matches

Read the Exhibition Guide Read about the first exhibition of the IMMA Collection: Freud Project where all 50 works of this five - year loan where on view for the first year of thExhibition Guide Read about the first exhibition of the IMMA Collection: Freud Project where all 50 works of this five - year loan where on view for the first year of thexhibition of the IMMA Collection: Freud Project where all 50 works of this five - year loan where on view for the first year of the project.

Miller loans works from his collection for exhibitions.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

The gallery collaborates regularly with international institutions for the loan of works for temporary exhibitions, including the Magritte retrospective A to Z at Tate Liverpool and the Albertina in Vienna in 2011, the Magritte exhibition Mystery of the Ordinary 1926 - 1938 at MoMA in New York, the Art Institute of Chicago and the Menil Collection in Houston, in 2013 - 2014, as well as Lisette Model at the Jeu de Paume in Paris in 2009 - 2010.

While works were loaned from a number of private collectors, HBCUs including the Howard University, Hampton University and Clark Atlanta University, Michael Rosenfeld Gallery, and institutions such as the Schomburg Center for Research in Black Culture, Art Institute of Chicago and Museum of Fine Arts Boston, Powell emphasizes that the exhibition required the cooperation of the two women.

Inspired by Stanford faculty member Jeff Chang's much lauded book «Who We Be: A Cultural History of Race in Post-Civil Rights America,» the exhibition features art from the Cantor collection, selections from the Stanford Institute for Diversity in the Arts, as well as loaned works.

(During the 1990s, he kept coming, both as an architecture aficionado and as a curator, borrowing Impressionist works from the DMA and other U.S. museums to supplement an exhibition with a trove of 41 loans from Paris's Musée d'Orsay, and Roy Lichtenstein's Head with Blue Shadow (1965), from Raymond Nasher for a Lichtenstein sculpture survey.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

The work will be one of several key Bacon paintings on loan to Tate Britain for the exhibition All Too Human.

For the first time, the Clyfford Still Museum in Denver, which holds 95 % of the artist's work, will loan nine major paintings to the exhibition, establishing the artist at the very forefront of Abstract Expressionism.

The foundation may be best known for its support of Artpace, downtown's artist - in - residency, exhibition and education space, but it also houses Pace's private art collection in what was her SoFlo (South Flores Street) apartment, loans work to museums worldwide, and maintains CHRISpark.

A format in which Turner had never worked before his sixties, these square paintings are displayed together within this exhibition for the first time, thanks to important loans from the Kimbell Art Museum, USA and the Ulster Museum, Belfast.

The scholarly, not - for - sale exhibition included loans from The Museum of Modern Art (New York), Musée départemental Matisse (Le Cateau - Cambrésis), The Hirshhorn Museum and Sculpture Garden (Washington D.C.), The Nasher Sculpture Center (Dallas), The Denver Art Museum, The Morgan Library and Museum (New York), as well as works from The Pierre and Tana Matisse Foundation, and private American and European collections.

Please Note: — Works are on loan to FLAG for the duration of the exhibition.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeFor Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indefor the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

I Need You to be There, Angles of Incidence, and The Volatile Real are three exhibitions curated by the first - year graduate students using works from the Marieluise Hessel Collection on permanent loan to the Center for Curatorial Studies.

Works for the exhibition are drawn from the Hammer Museum collection and from the Marieluise Hessel Collection, on permanent loan to the Center for Curatorial Studies.

Following the exhibition it will be displayed in rotation with other collection works at the National Portrait Gallery and the Royal Academy, and will be available for loan to exhibitions elsewhere, including the Cartwright Hall Art Gallery in Hockney's home town of Bradford where it is hoped it will be shown later this year.

The works, on loan from private collections, will be presented in a series of exhibitions in a dedicated Freud Centre in IMMA's Garden Galleries for five years, 2016 - 2021.

As Curatorial Fellow for European Art, Kelsey Brosnan will primarily work on the planning and implementation of the major international loan exhibition The Orléans Collection, to open October 26, 2018.

It was Joyner, a founding trustee of the Tate Acquisitions Committee for North America, that Nicholas Serota approached to help Tate fill the gaps in its collection of works by African - American artists, and her collection that loaned Gilliam's colossal, un-stretched, draped and sculptural canvas Carousel Change (1970) to «Soul of a Nation», a major highlight of the exhibition.

Kiefer is coming to the Royal Academy (27 September); the British Museum has called in some extraordinary loans for its exhibition of Ming dynasty art (18 September); and the Nationals are going head to head with Frieze, with «Rembrandt: The Late Works» launching at the National Gallery on 15 October and William Morris at the Portrait Gallery the following day.

More Store, a Colab - sponsored artists» outlet for low - priced multiples from the early 1980s The selling exhibition included over 100 artworks from over 50 participating Colab members, including works on loan from historic A.

For the exhibition, Gagosian has loaned the work Triptych Inspired by the Oresteia of Aeschylus (1981) from the Astrup Fearnley Collection.

MK Gallery's summer exhibition, Cadences (27 June — 7 September 2014), brings together a selection of 40 historical and modern works on loan from one of Holland's most illustrious collections - the Museum Boijmans Van Beuningen, Rotterdam - alongside a contemporary film, Flight by Catherine Yass, a British artist who was shortlisted for the Turner Prize in 2002.

The semi-permanent exhibition occupies the whole first floor of the Ca» Pesaro building, while on the second floor both contemporary works from the museum's collection and pieces on long - term loan from the Sonnabend Foundation in New York are currently on display; the second floor is also used for temporary exhibitions.

Works from the contemporary art collection are on permanent, rotating display, particularly in the North Sketch gallery at Chatsworth while other works are loaned for exhibitions around the wWorks from the contemporary art collection are on permanent, rotating display, particularly in the North Sketch gallery at Chatsworth while other works are loaned for exhibitions around the wworks are loaned for exhibitions around the world.

DRAF continually receives significant numbers of requests for collection loans and partnerships: in 2017 alone, works have been loaned to exhibitions at Serpentine Galleries, London; BALTIC, Gateshead; Langen Foundation, Neuss; Bloomberg SPACE, London; Canada House, London; Hayward Gallery touring, UK - wide; FRAC Champagne - Ardenne; Ditchling Museum of Art + Craft, Sussex; Touchstones Rochadale, Yorkshire; Goldsmiths Edinburgh; The Hepworth Wakefield, Yorkshire; IMMA, Dublin; and PAC, Milan.

The Max Ernst Museum in Brühl (near Cologne, Germany) presents 13 works by the German painter Neo Rauch (born 1960 in Leipzig) which were specially painted for this exhibition at Max Ernst Museum (the only station after the Metropolitan Museum of Art in New York) and to which six further loans were added.

Though individual works are very seldom loaned, these iconic works of 19th - century landscape painting are traveling on a national tour for the first time and are circulating to four museums around the country as part of the Historical Society's traveling exhibitions program Sharing a National Treasure.

Augmenting pieces from the collection are other singular works graciously loaned for the exhibition by other collectors, galleries, and artists.

The exhibition will include ten stacks of both large and small sizes, spanning from 1968 to 1990, pairing loans from private collections with works available for sale.

Olana, the home and artist - designed landscape of nineteenth - century Hudson River School painter Frederic Edwin Church (1826 - 1900), loaned thirteen works from its collection for the exhibition Through American Eyes: Frederic Church and the Landscape Oil Sketch, which was on view at the National Gallery, London, from February 6 through April 28, 2013.

This exhibition, organized by the Rubin Museum in New York, includes works of art and archival materials on loan from the Foundation of the Works of C. G. Jung, the C.G. Jung Institute in Zurich, the C.G. Jung Foundation for Analytical Psychology, the Jung family private archive, and other private collectworks of art and archival materials on loan from the Foundation of the Works of C. G. Jung, the C.G. Jung Institute in Zurich, the C.G. Jung Foundation for Analytical Psychology, the Jung family private archive, and other private collectWorks of C. G. Jung, the C.G. Jung Institute in Zurich, the C.G. Jung Foundation for Analytical Psychology, the Jung family private archive, and other private collections.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

For the inaugural exhibition of the Upper Galleries of our museum we will present a selection of work by English Surrealists & Crypto - Surrealists Pailthorpe and Mednikoff, Leonora Carrington, Robin Ironside, Angus McBean & Austin Osman Spare drawn from the permanent collection & loans from private collections

Starting with works by artists Nicholas Africano, William Copley, VALIE EXPORT, Imi Knoebel and Ilene Segalove the curators expanded the exhibition with additional works on loan by John Cage (from Bard College's John Cage Trust), Carolee Schneemann and a new painting by Cheyney Thompson created specifically for the exhibition.

Over 70 works from the National Portrait Gallery collection have been loaned to Turner Contemporary for the exhibition, which has been organised in collaboration with the National Portrait Gallery with support from the Art Fund.

Starting with works selected from the Marieluise Hessel Collection (by artists Nicolas Africano, William Copley, Valie Export, Imi Knoebel and Ilene Segalove) the curators expanded the exhibition with additional works on loan by John Cage (from Bard College's John Cage Trust), Carolee Schneemann and a new painting by Cheyney Thompson created specifically for the exhibition.

This exhibition is a cross-section of his oeuvre, combining both existing loan from public & private collections, new works and a site - specific installation produced especially for this exhibition.

The painting, an emblematic example of his work from the decade, on loan for the exhibition, offers an underlining gridded pattern delineated by sporadic swaths of color that organize the composition.

For this exhibition, Artists» Work Classification was loaned from Manchester City Library together with all the books it shares a shelf with according to the indexing system used by this library.

For the month of August, we're proudly displaying contemporary works on loan from the 500 - acre institution — peeks at two special exhibitions on view in 2014: Zhang Huan: Evoking Tradition and Outlooks: Virginia Overton, as well as short video interviews and installation footage.

Comprising of highlights from the upcoming Contemporary Art Evening Sale, works for private sale and loans from important collections, the exhibition is a dynamic «very short» history of contemporary large - scale sculpture brought to life in our new galleries.

The exhibition includes works and documents on loan from collections from all over the world such as moma, moma archives, the Getty research institute, the Berkeley Art and Pacific Film Archive, Kunstmuseum bern, De Appel arts center, as well as two works acquired by Colección Jumex for this exhibition.

ROBERT BERMAN GALLERY pleased to announce on loan 26 works by Raymond Pettibon from our collection now on view at the New Museum, NY for Pettibon's exhibition «Raymond Pettibon: A Pen of All Work».