Sentences with phrase «loaning works for shows»

Wal - Mart heiress Alice Walton and founder of the Crystal Bridges Museum of American Art in Arkansas, has plans for a new foundation, Art Bridges, loaning works for shows of American art and assisting in moving exhibitions across the US.

Not exact matches

Imagine their surprise when investors in a small business I once worked for received the company's internal loan repayment spreadsheet, showing that the business owner was pulling out bucks by paying his family exorbitant interest on loans while investor loans were repaid at rock - bottom rates over as long a time period as possible.

Far too many are saddled with mountains of student - loan debt and have little more than scant work experience and a liberal arts degree to show for it upon graduation.

The Member for Murray, Damian Drum, said take — up of the loans showed they were a valuable product for local farm businesses working to return to viability.

Last summer, Silva was granted the right to work in the UK, and was then sent out on loan to Bolton Wanderers, but has so far failed to live up to the potential shown when trialling for our side in 2010.

Gerard Terry, an influential political operative and chairman of the North Hempstead Democratic Committee, has for years received government work paying him hundreds of thousands of dollars even as he compiled an income tax debt of $ 1.4 million and battled lawsuits alleging fraud and failure to pay back loans, a Newsday review of public records shows.

They include Emily Callahan and Amber Jackson, who are using their skills and intellect to turn oil rigs into coral reefs; Nate Parker, the activist filmmaker, writer, humanitarian and director of The Birth of a Nation; Scott Harrison, the founder of Charity Water, whose projects are delivering clean water to over 6 million people; Anthony D. Romero, the executive director of the ACLU, who has dedicated his life to protecting the liberties of Americans; Louise Psihoyos, the award - winning filmmaker and executive director of the Oceanic Preservation Society; Jennifer Jacquet, an environmental social scientist who focuses on large - scale cooperation dilemmas and is the author of «Is Shame Necessary»; Brent Stapelkamp, whose work promotes ways to mitigate the conflict between lions and livestock owners and who is the last researcher to have tracked famed Cecil the Lion; Fabio Zaffagnini, creator of Rockin» 1000, co-founder of Trail Me Up, and an expert in crowd funding and social innovation; Alan Eustace, who worked with the StratEx team responsible for the highest exit altitude skydive; Renaud Laplanche, founder and CEO of the Lending Club — the world's largest online credit marketplace working to make loans more affordable and returns more solid; the Suskind Family, who developed the «affinity therapy» that's showing broad success in addressing the core social communication deficits of autism; Jenna Arnold and Greg Segal, whose goal is to flip supply and demand for organ transplants and build the country's first central organ donor registry, creating more culturally relevant ways for people to share their donor wishes; Adam Foss, founder of SCDAO, a reading project designed to bridge the achievement gap of area elementary school students, Hilde Kate Lysiak (age 9) and sister Isabel Rose (age 12), Publishers of the Orange Street News that has received widespread acclaim for its reporting, and Max Kenner, the man responsible for the Bard Prison Initiative which enrolls incarcerated individuals in academic programs culminating ultimately in college degrees.

; Scott Harrison, the founder of Charity Water, whose projects are delivering clean water to over 6 million people; Anthony D. Romero, the executive director of the ACLU, who has dedicated his life to protecting the liberties of Americans; Louise Psihoyos, the award - winning filmmaker and executive director of the Oceanic Preservation Society; Jennifer Jacquet, an environmental social scientist who focuses on large - scale cooperation dilemmas and is the author of «Is Shame Necessary»; Brent Stapelkamp, whose work promotes ways to mitigate the conflict between lions and livestock owners and who is the last researcher to have tracked famed Cecil the Lion; Fabio Zaffagnini, creator of Rockin» 1000, co-founder of Trail Me Up, and an expert in crowd funding and social innovation; Alan Eustace, who worked with the StratEx team responsible for the highest exit altitude skydive; Renaud Laplanche, founder and CEO of the Lending Club — the world's largest online credit marketplace working to make loans more affordable and returns more solid; the Suskind Family, who developed the «affinity therapy» that's showing broad success in addressing the core social communication deficits of autism; Jenna Arnold and Greg Segal, whose goal is to flip supply and demand for organ transplants and build the country's first central organ donor registry, creating more culturally relevant ways for people to share their donor wishes; Adam Foss, founder of SCDAO, a reading project designed to bridge the achievement gap of area elementary school students, Hilde Kate Lysiak (age 9) and sister Isabel Rose (age 12), Publishers of the Orange Street News that has received widespread acclaim for its reporting, and Max Kenner, the man responsible for the Bard Prison Initiative which enrolls incarcerated individuals in academic programs culminating ultimately in college degrees.

What kind of documentation do I need to keep to show that I worked for a qualifying PSLF employer while making the required 120 payments on my Direct Loan (s)?

Potential buyers who have had a recent, sustainable spike of income (due to self - employment or existing work promotion) can qualify for a loan by showing just one year of income.

This shows how important it is to check through a number of comparisons to work out the cheapest loan you can have and the best repayment period to go for.

To add on previous comment I was renting a room for only $ 350 a month in San Diego (insane deal) in a house and nice neighborhood from Real Estate Agent that worked in same office as I. Everyday he would tell me «you are making so much money you need an interest deduction,» «I can start showing you houses,» and so on - this went on for months on end until I decided yes I needed to offset my income via the interest paid on a home loan.

While a recent survey showed that nearly 80 % of Millennials would like to work for an employer that offered reimbursement benefits, while approximately half of the same survey respondents would decline a 401 (k) match for student loan reimbursement benefits, very few employers currently offer it.

Some real estate agents won't even work with you unless you have a letter from a mortgage lender that shows you have been preapproved for a home loan.

Loan officers who show up at their closings have a tremendous marketing opportunity — to put first - time homebuyers» social media behavior to work for them.

So, a couple of examples to show you how this works for a conforming versus a jumbo loan.

I started working towards my nursing degree in 2012, and after 4 years and having to transfer to a different school, I have nothing to show for my hard work besides $ 66,000 worth of debt; $ 30,000 of federal loans, $ 6,000 of private loans and $ 30,000 of parent loans (of which my parents are expecting me to pay, of course) I received no free financial aid because of my parents income, which forced them to take out parent loans, which I'm going to end up paying in addition to my other loans.

I just said forget it why work on credit... But I went a ahead for husband sake and wanting to buy bigger home in near future decided ok let's try first my payment history for credit cards was in the dumps but never a late house payment or car payment and some furniture installment loans showed great then recently paid cars and that dropped score..

Loans for the Durham show have included works lent by the British Museum, the V&A, the National Galleries of Scotland and the Government Art Collection.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

Organized in collaboration with her daughter, Catherine Hutin - Blay, the show includes nearly 140 paintings, sculptures and drawings borrowed from museums and private collections worldwide, as well as works on loan from the Picasso family and the estate of Roque, a number of which are being presented publicly for the first time.

Although they are currently displayed together on loan to Tate Modern in London, the artist's estate has made life easier for future curators by stipulating that the works can either be shown together or separately.

Alongside early works by Georgia O'Keeffe, cityscapes by Edward Hopper and photographs by Alfred Stieglitz, Paul Strand and Edward Weston are rare loans such as a painting by E E Cummings, better known for his poetry, and Edward Steichen's c1920 work Le Tournesol (The Sunflower)-- one of the few paintings not destroyed by the artist when he turned to photography and not seen in Europe since being shown in Paris in 1922.

From 6 June to 14 October the Tinguely Museum in Basel will show over one hundred works on loan from Moscow (Tretyakov - Gallery; A.A. Bakhrushin State Central Theatre Museum, Moscow; State Archive for Literature and Art; Schusev Museum of Architecture; Museum of the Moscow Art Theatre), St. Petersburg (Russian Museum), Kostroma (Museum for History, Architecture and the Visual Arts), Wiesbaden (Museum Wiesbaden), Friedrichshafen (Zeppelin Museum), Vienna (Austrian Theatre Museum), Paris (Centre Georges Pompidou), London (Annely Juda Fine Art; Grosvenor Gallery), Thessaloniki (State Museum of Contemporary Art — Costakis Collection), Penza (Russia), and Athens.

In addition to a group of important paintings from the university's collection, loans of artwork from several private collections and public institutions, many shown publicly for the first time in years, provide a unique opportunity to observe the development of the artist's life and work through drawings, paintings, and prints dating from the 1940s to the 1980s.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeFor Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indefor the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

Following the exhibition it will be displayed in rotation with other collection works at the National Portrait Gallery and the Royal Academy, and will be available for loan to exhibitions elsewhere, including the Cartwright Hall Art Gallery in Hockney's home town of Bradford where it is hoped it will be shown later this year.

The show includes 76 of Hofmann's works on paper as well as four of Hofmann's paintings, all loaned for the show by Jacksonville collectors.

Mr. Elderfield spent the next two years negotiating loans of 51 works from across four centuries, drawn predominantly from museums and foundations, and brought in Mr. Galassi to organize a photography counterpart for the «In the Studio» show.

For it's U.S. premiere at SFMOMA, the video work will be paired with an unprecedented showing of The Deluge (1805), a visceral and ravishing large - scale oil painting by the 19th century English Romantic artist J.M.W. Turner, selected specifically by Akomfrah to be shown alongside his work and on loan from London's Tate.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

As early as 1964, when Pin - up and $ he were loaned for a solo show of Hamilton's works at the Hanover Gallery in London, they were found to be cracked, with plastic lifting off the supporting surfaces.

When the new MoMA opened, Gund loaned about 10 works, all promised gifts, for a show highlighting the museum's collection.

«When Attitudes Become Form: Bern 1969 / Venice 2013» brings together the original works presented at the Kunsthalle and Schulwarte, loaned for the event by important private collections and international museums (for example the works of Carl Andre, Claes Oldenburg, Bruce Nauman, Eva Hesse, Giovanni Anselmo, Hanne Darboven, Reiner Ruthenbeck, Marinus Boezem and Richard Tuttle); site - specific interventions «reenacted» directly or in association with the artists and their Estates (for instance the works of Joseph Beuys, Daniel Buren, Walter De Maria, Jan Dibbets, Alain Jacquet, Joseph Kosuth, Sol LeWitt, Keith Sonnier, Ger van Elk, Lawrence Weiner and Gilberto Zorio); plus a selection of photographs, videos, books, letters, ephemeral objects and other original materials relating to the 1969 show and its context.

Museum - quality historical shows have also always played a major role in the gallery, with rigorously curated exhibitions focusing on specific moments in art or thematically arranged groups of work, and featuring pieces on loan from a variety of institutions and private collections (which are very often not for sale).

Key works from Blake's expansive career will be integrated into the booth, including seminal early work loaned by private collections shown alongside important works that have remained in the artist's collection for a number of years, never seen by the public until now.

«People loan their art work out for various museum shows throughout the world, so maybe it comes out of their storage for a while, and then maybe it goes into their homes,» said Andrea Hazen, an art adviser with Hazen Partners Art Advisory.

Featuring numerous loans from major international museums and private collections, it provides an extremely rare opportunity to view Eva Hesse's late works, some of which are being shown in Germany for the very first time.

«When Attitudes Become Form: Bern 1969 / Venice 2013» brings together the original works presented at the Kunsthalle and Schulwarte, loaned for the event by important private collections and international museums (for example the works of Carl Andre, Claes Oldenburg, Bruce Nauman, Eva Hesse, Giovanni Anselmo, Hanne Darboven, Reiner Ruthenbeck, Marinus Boezem and RichardTuttle); site - specific interventions «reenacted» directly or in association with the artists and their Estates (for instance the works of Joseph Beuys, Daniel Buren, Walter De Maria, Jan Dibbets, Alain Jacquet, Joseph Kosuth, Sol LeWitt, Keith Sonnier, Ger van Elk, Lawrence Weiner and Gilberto Zorio); plus a selection of photographs, videos, books, letters, ephemeral objects and other original materials relating to the 1969 show and its context.

Forty - eight works, including sculpture and works on paper — for sale or for private loan — will be presented in a show that takes place in the elevated setting of the 20th floor of 1230 Avenue of the Americas, at Rockefeller Center.

In October, 30 Berkeley Square's new exhibition gallery, which is bigger than the equivalent space at either Sotheby's or Christie's in London, will be hosting «A Very Short History of Contemporary Sculpture,» a show conceived by the curator Francesco Bonami that will mix loaned works with pieces that Phillips is offering either privately or for public sale.

Here in the Frick's sumptuously paneled oval gallery are three grand works, the centerpiece of this show, and exhibited together for the first time: Harbor of Dieppe: Changement de Domicile (1825 — 26) and Cologne, The Arrival of a Packet - Boat: Evening (1826), both from the Frick's collection, flank Harbor of Brest, The Quayside and Chateau (ca. 1826 — 28), an unfinished work on loan from Tate Britain.

The show includes Looking for the Map 8, (2013 - 14), a new work shown in the UK for the first time, works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself (1972), as well as international loans from museums and private collections.

The foreign schools rotated until 1825 when only selected loaned works by living British artists were shown, and for the next two years only works from the Royal Collection, essentially the new collections of the Prince Regent, by now King George IV.

Eight large and recent paintings by Shaw will be shown alongside two paintings normally on display at the National Galleries of Scotland (NGS) that have long obsessed the artist, Joseph Noel Paton's (1821 - 1901) The Quarrel of Oberon and Titania, 1849 and Lucas Cranach's (1472 - 1553) An Allegory of Melancholy, 1528 (the latter work has been on long loan to the Galleries for more than 20 years).

Mr. Ropac, who also has spaces in Paris and Salzburg, Austria, debuted at 37 Dover Street in London with four presentations, two of which combine works on loan and for sale: Early - 1970s Gilbert & George videos and photographic «Drinking Pieces,» one of which is available for 145,000 pounds, or about $ 185,000, and another at 150,000; Conceptual and Minimal works from the collection of Egidio Marzona (prices yet to be disclosed); new works by the British sound sculptor Oliver Beer, priced at # 10,000 to # 100,000; and early drawings by Joseph Beuys, shown alongside the enigmatic cast - iron sculpture «Backrest of a Fine - Limbed Person (Hare - Type) of the 20th Century A.D.,» dating from 1972 to 1982 and on sale for 2.5 million euros.

In 2003, the McNay loaned Hudson River Day Line, a major Joan Mitchell abstraction from 1955, for a traveling retrospective of the painter's work, but had to pass on hosting the show because the museum lacked the space to present large numbers of her monumental canvases.

He was also an early proponent of the museum - quality show within a private gallery, securing sought - after loans of historic works that are often not for sale.

This new exhibition, curated by Massimiliano Gioni, will feature more than 60 works from 1997 to the present, on loan from leading international institutions and private collections, as well as several new works created especially for this show.