Using a wide range of materials, including books, driftwood, peacock feathers, metal, concrete, foam, and
loans from other artists, Bove's works are subtle assemblages resisting categorization despite their determined relationships with modernist display methods.
Using a wide range of materials (e.g. books, driftwood, peacock feathers, metal, concrete, foam, and
loans from other artists), Carol Bove's works are simple yet intricate assemblages of found and made objects with a strong reference to modernist display methods.
Not exact matches
Museum of Stones, a massive installation by Brancusi - influenced Isamu Noguchi, will be supplemented with fifty works by thirty
other contemporary
artists, as well as by fifteen ancient Chinese rock - related objects, which are on
loan from the Met.
Drawing Then features
loans from The Museum of Modern Art and the Whitney Museum of American Art in New York, among
other institutions, and includes works
from the private collections of
artists Mel Bochner, Vija Celmins, Jasper Johns, Adrian Piper, and Dorothea Rockburne.
We would like to thank the many
artists, private collectors and colleagues
from other galleries, who are supporting this exhibition through generous
loans.
Hosted by Berlin's Czech Embassy and Cultural Centre, and comprising
loans from private collections and works
from upcoming sales, it will feature over 80 works by
artists including Georg Baselitz, Gerhard Richter, Thomas Struth, Neo Rauch, Joseph Beuys, Otto Dix, Max Pechstein, Caspar David Friedrich, Joseph Heintz, Lucas Cranach and many
others.
Sawdust and Sequins will feature works by contemporary
artists including Sir Peter Blake RWA (Hon), Abigail Lane, Eileen Cooper OBE RA, Beth Carter, PJ Crook MBE RWA, Stephen Jacobson VPRWA and George Tute RWA, as well as new commissions by
artists Sadie Tierney, Katharine Jones and Abigail Lane The exhibition will also include historic works by Dame Laura Knight RA RWA, Edward Seago, Walter Sickert RA, David Bomberg, Duncan Grant RWA, Robert Colquhoun, Thérèse Lessore (on
loan from The British Council, Arts Council Collection, Government Art Collection, Royal Academy, Royal College of Art and Leeds Art Gallery amongst
others).
Organized
from the Smart Museum's permanent collection and selected
loans, this exhibition included works in a variety of media by Chicago self - taught
artists Henry Darger, Bonnie Harris, Aldobrando Piacenza, Pauline Simon, and Joseph Yoakum, as well as Jesse Howard, Martin Ramirez and
others who did not live in Chicago but were influential and collected here.
Total Art features a diverse range of
artists — Dara Birnbaum, Mwangi Hutter, Pipilotti Rist, Michal Rovner, Janaina Tschäpe, and
others — and the videos include recently acquired works
from NMWA's collection as well as
loans from private and public collections.
Drawn
from the Museum's collection together with
loans from other institutions and private lenders,
artists include Albert Bierstadt, William Henry Jackson, Robert Henri, Elizabeth Dolan, Aaron Douglas, Aaron Pyle, William Ellsworth Artis, Donald Ruleaux, Carol Haerer, Sheila Hicks, Robert Weaver, Robert Adams, Barbara Takenaga, and Kent Bellows, among numerous
others.
Documents relating to John Biggers» work as an
artist and arts advocate include planning and promotional material
from a number of public exhibitions of Biggers» work as well as handwritten research notes on African art; financial documents about
loans and sales of his work; artwork and sketches by Biggers and
other artists; as well as a significant amount of material
from Biggers» tenure as the head of the Art Department at Texas Southern University in Houston.
A permanent exhibition that contextualizes the
artist's practice, presenting pieces
from the center's collection alongside works on
loan from other collections and institutions.
The solo show has been carefully selected featuring important earlier works
from the Arts Council and British Council collections presented alongside the Sky Mirror
from the
artist's studio together with
other loans from Norway.
This should not lead the visitor to deem the Peggy Guggenheim Collection's garden simply a pleasant haven, it is also an impressive open - air gallery of masterpieces by
artists such as Arp, Duchamp, Ernst, Giacometti, Holzer, Marini, Minguzzi, Merz, Moore, Noguchi, Ono, Paladino and Kapoor, just to name a few, partly coming
from the museum permanent collection and partly
from long - term
loans by
other institutions.
Augmenting pieces
from the collection are
other singular works graciously
loaned for the exhibition by
other collectors, galleries, and
artists.
Exhibitions feature works
from PAAM's permanent collection, the work of contemporary
artists, youth program exhibitions, and works on
loan from other museums and private collections.
Thematic, curated exhibitions feature works
from the Good / Horvitz collection, works
loaned from other collections, and works
from local, national and international contemporary
artists.
09 Jun. - 28 Oct. 2018 / An intimate look at the Yeats Family through the portraits of John Butler Yeats and a selection of
other artists featuring work newly acquired
from the Yeats Family sale and now on long - term
loan to The Niland Collection.
The ongoing policy of identifying and filling significant gaps in the Collection continues, with the recent addition of 39 work by the distinguished Irish
artist Hughie O'Donoghue on permanent
loan from the American Ireland Fund, plus the acquisition of major works by Sean Scully, Patrick Scott, Barry Flanagan, Brian O'Doherty / Patrick Ireland, Anne Madden, Willie Doherty, Cecily Brennan and many
others.
«The Williams College Museum of Art has the largest collection of Prendergast works in the world, and coupled with
loans from 50
other institutions, this is an unparalleled opportunity to see such a complete collection of the
artist's output
from his trips to Italy on view here in Houston,» stated Peter C. Marzio, MFAH director.
This fresh exhibition combines non-Haitian works
from the Rodman Collection with
loans from private collections and
other sources, extending the traditional of focus to include art
from various geographies including Jamaica, Africa, Cuba, and a number of works by self - taught
artists from Southern U.S.
Monet came to Montana, along with
other international
artists, through a landmark exhibition of masterpieces on
loan from the private collection of billionaire William I. Koch.
The Kunstmuseum Stuttgart closes this gap and, assembling
loans from cities such as Los Angeles, New York, London, Paris, and Berlin, brings the
artist's work back to where it all started: Majerus studied with, among
others, Joseph Kosuth at the State Academy of Fine Arts in Stuttgart between 1986 and 1992.
With approximately 200 works on
loan −
from London's Tate Modern and Paris's Centre Pompidou, among
others − created by 90 internationally known
artists, the show deals with Picasso and his impact on art without showing a single Picasso.
According to director of the art galleries Sydney Jenkins, «With the Collection Dialogue series, we intermittently present collection works with
loaned pieces by contemporary
artists or
from other sources to set up a kind of conversation or dialogue between art objects.
The presence of these works is completed by a substantial
loan from the
artist which includes, among
other pieces, the largest sculpture that he has made, created in 2007 and never previously exhibited.
Pulled primarily
from the Mississippi Museum of Art's extensive collection of his work, along with
loans from other public and private collections, this exhibition explores the life and work of this Mississippi
artist.
Commissions by
other artists include murals by Allison Katz and Shaan Tariq Hassan - Syed, flower arrangement sculptures by Carter Mull, a video by Luiz Roque, with
loans from iconic designers Claude and François Xavier Lalanne, a selection of paintings by Anj Smith, works by Cindy Sherman and jewellery by designer Frances Wadsworth - Jones.
Beyond Reality will include paintings and sculpture on
loan from nationally - recognized
artists as well as museums and major private collections, and will include works by Richard Estes, Duane Hanson, and Robert Bechtle among
others.
Other significant acquisitions over the past five years include three notably film works by the leading Irish
artist James Coleman; a sculpture by the iconic French - born
artist Louise Bourgeois, donated by the
artist; 52 works
from the important PJ Carroll Collection of Irish art
from the 1960s and»70s, and the permanent
loan of 39 works by prominent Irish
artist Hughie O'Donoghue.
In some ways, Louis's immersive works seem to have more of an affinity with paintings by
other Color Field
artists like Newman and Rothko than they do with Frankenthaler's stains; they evoke sublime, magisterial experiences of caves and grottos (as in the somber «Curtain,» with its stalactitelike points) or waterfalls (in the luscious «Tet,» on
loan from the Whitney Museum of American Art).
Drawn primarily
from the Arts Council Collection and supplemented by
loans from other major UK collections, as well as the
artists themselves, this exhibition features
artists who have made some of the greatest contributions to art in Britain in the past forty years or more, including Tony Cragg, Antony Gormley, Hamish Fulton, Richard Long, Anthony McCall and David Nash.
There have been
other embassy art programs, which were based on borrowing
from artists, and there have been difficulties with that because sometimes the work didn't get back to the
artist in the same condition in which it was
loaned.