Sentences with phrase «lobby gallery with»

★ New Museum: «Laure Prouvost: For Forgetting» (through April 13) This new installation by the 2013 Turner Prize winner Laure Prouvoust commands the New Museum's lobby gallery with a mix of video, film and installation that, broadly speaking, explores the seductions and schemes of the Internet.

Prouvost: For Forgetting» (through April 13) This new installation by the 2013 Turner Prize winner Laure Prouvoust commands the museum's lobby gallery with a mix of video, film and installation that, broadly speaking, explores the seductions and schemes of the Internet.

While a 2006 exhibition looked within, on the occasion of the Whitney's seventy - fifth birthday, this one starts in the lobby gallery with its origins on West 8th Street, where Gertrude Vanderbilt Whitney had every reason to demand a showcase for American art: the Met had refused the gift of her collection.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

Not exact matches

The New York — based Thompson hotel group has transformed a once staid and average Sheraton into one of the capital's hippest hotels, packing the lobby with the requisite design books and a gallery's worth of original art.

Robynne explained that since it was a public building, with three restaurants and numerous galleries, she was not allowed to charge admission to the show in the lobby.

On Thursday the masochism strategy continued as the home secretary bravely turned up for a press gallery lunch where she was bombarded with questions by the lobby's finest.

The group, led by the Rev. Jason J. McGuire (pictured), claims that the state Senate, in adopting the legislation, violated the state's Open Meetings Law by closing off the Senate galleries and lobby; and by holding closed door meetings with Mayor Bloomberg and others who backed the law.

The only special feature is a photo gallery of advertisements, behind the scenes, lobby cards, and pamphlets associated with the release and re-releases of the film.

2 contains multiple digital bonus features, including an introduction by TCM host Ben Mankiewicz, behind - the - scenes photos, production stills, poster and lobby card galleries, an original essay by Film Noir Foundation founder and president Eddie Muller, and interviews with Muller and actress Julie Adams.

Rounding out the platter: a «Hong Kong Beauty Stars» animated picture gallery scored with the same sort of abhorrent techno - crap that plagues the film; a stills gallery that's brief and nudity - free, too; a few promotional stills, posters, and lobby cards; two trailers (a theatrical one and a «new» one); and a «Production Notes» segment — essentially a synopsis followed by perfunctory cast and crew biographies.

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

Bonus materials on the 2 - disc R - rated, widescreen Blu - ray / DVD Combo Pack include deleted scenes, commentary track, new hi - def transfers of several other kung fu film theatrical trailers (with bonus Bruce Lee trailers), poster and lobby card gallery, bad kung fu dubs, and reversible coverwrap.

Perhaps sensing that there's not much there, there, Blue Underground provides just the U.S. and international trailers (both clean and in widescreen, the latter with a good deal of nudity and gore), still galleries for posters (5), lobby cards (17), the four - page promo booklet, and four video box covers, and a nice Fulci bio written by Tracy Taylor.

Other decent bonuses on the DVD include a behind - the - scenes Still Gallery, Advertising Gallery, 4 postcard still / lobby card reproductions, and a short featurettes that briefly chronicles Tyrone Power's appearances in various swashbuckling actioners, with clips from a number of films extant on DVD, and a few likely on the horizon (like the CinemaScope epic King of the Kyber Rifles), plus comments from the son of director John Cromwell — actor James Cromwell (the benevolent father figure in Babe, and Jack Bauer's monster dad in Season 6 of Fox» TV series 24).

With an award - winning restaurant on the 32nd floor, an art gallery in the lobby, and the opportunity to discover local highlights such as the Temple of the Emerald Buddha, we can create a personalized journey to remember at Sofitel Bangkok Sukhumvit.

The stylish foyer entices guests with the sunlight flooding from the atrium roof down to the galleries, restaurant and lobby below.

Guests can absorb themselves in interactive art experiences in the lobby and take advantage of YVE Hotel Miami's partnership with local Wynwood gallery Art Bastion, which will curate hotel installations with notable artists from across the globe while also offering guests art tours throughout the city.

The New Yorker (March 29, 2010) reported on the 80 - foot - long mural she created for the lobby of Goldman Sachs and earlier this year, a Vogue (May 2012) profile coincided with her solo show at Marian Goodman Gallery.

The placement of the works purposefully reorients the visitors» awareness of areas outside the galleries, facilitating encounters with art often where one may least expect it: from the parking lot to work sheds, from the museum lobby to covered corridors between buildings, and out into the city streets of downtown North Adams.

The Cameroon - born, Belgium - based artist is transforming the galleries of the museum, presenting his own work from the past decade in context with a selection of works from the Bass collection, along with a site - specific lobby installation greeting visitors with a «welcome» message in 70 languages lit with LED lights.

Inside the lobby of the building, a grand staircase leads up to a series of three gallery spaces with concrete floors and white walls and ceilings.

Topics include his early childhood; his nomadic adventures to places such as Cuba, California, New York, and Florida; his involvement in various galleries with other artists; his work lobbying for artist rights in Washington, D.C.; and details about some of his most best - known works.

The exhibition starts dramatically in the lobby with Jim Lambie's striped floor, all sharp lines and acute angles, continues into the sixth - floor lobby where a Donald Judd painted aluminum sculpture dominates, and opens into the special exhibitions gallery, where you are greeted by a horizontal painting, installed up high, by Marcel Duchamp.

Artist Shana Moulton will activate her two - week contribution to A Public Fiction with an opening night performance that involves movement and plays with her video installation and props in the lobby gallery.

As construction of the Whitney Museum's future home enters its final year, focus is shifting from structural components to interiors, with work beginning on the gallery walls, staff offices, and the enclosure of the lobby.

The Nasher Museum has a simple but novel design, with rectangular galleries radiating out from an airy lobby.

Other highlights of Happenings: New York, 1958 — 1963 include Jim Dine's «Car Crash,» 1959 — 60, a dark oil and mixed - media painting on burlap with crosses, exhibited during «Car Crash» (performed at Reuben Gallery, November 1 — 6, 1960), and «The Valiant Red Car,» 1960, on loan from the Smithsonian American Art Museum, the painting that hung in the lobby of the gallery during the same perfoGallery, November 1 — 6, 1960), and «The Valiant Red Car,» 1960, on loan from the Smithsonian American Art Museum, the painting that hung in the lobby of the gallery during the same perfogallery during the same performance.

Internationally - acclaimed artist Josephine Meckseper, known for her film, photography, and installations that conflate art objects with commodities, responds to the museum's architecture, location, and collection with five large - scale sculptural works installed in the outdoor gallery, lobby, and permanent collection galleries.

Over the course of the fall, the museum's courtyard and lobby galleries, as well as other public spaces, will remain open and active with new programming and exhibitions.

Things must generally look good in an office lobby, such as Willem de Kooning after he settled into pleasant cream colors or Thomas Struth at his most symmetrical, with his sly take on the Giovanni Bellini room in London's National Gallery.

Its lobby gallery sure looks ghostly enough for the occasion, with its dark walls and lights from above.

After months of waiting, museum visitors are yearning to see what the Hartford museum has done with the closed - off gallery behind the reception lobby.

Featuring the work of local artists, this second floor gallery is a great space to rent for special events with a unique vantage point at the top of the Grand Staircase overlooking the lobby.

Next spring, however, the gallery will return to its roots with a major retrospective dedicated to Patrick Heron, a British painter who lived and worked in nearby Zennor, and whose exuberant stained glass window greets visitors in the lobby.

In the lobby of gallery, the canvas titled Barefoot Dreaming occupies prime real estate with self - assurance; its saturated colors make it the perfect choice for tempting window shoppers.

Interior view of (top to bottom) the museum's lobby, of the «meandering path», one of the contemporary art exhibition rooms, and the special exhibition gallery with the Isamu Noguchi Court; photos © Roland Halbe, courtesy of Steven Holl Architects

What he posited as one of the «new ways of existing» away from a «traditional white - cube model» was a display of four David Adamo sculptures in the lobby of Finsbury Circus House, a newly renovated office building just around the corner from Liverpool Street station, listed as an «Ibid Gallery London» exhibition in collaboration with art consultancy HS Projects.

Smithson's timeless, shining lobby had come to mind even before the election was announced with Ibid Gallery's announcement in March that it would be closing the doors on its London space on Margaret Street.

Passing artists Tim Noble and Sue Webster on the stairs from the bar, comparing early notes with artist Nathan Carter and Biennial catalogue designer Miko McGinty back in the lobby, and clocking the show's cocurator Henriette Huldisch across the room, I finally made a break for the galleries.

In addition to the art gallery, the hotel lobby also offers a contemporary library with a variety of literary works curated by the luxury book publisher, Assouline.

With a selection from Steven Kasher Gallery, curated by director Cassandra Johnson, Cachet Boutique NYC's lobby showcases a fine art photography exhibition highlighting the work of established and upcoming artists.

The three - month program will conclude with an exhibition in the lobby gallery of the New Museum.

The commission Main Gallery normally closes at 6 p.m. but will stay open until 8 p.m. on Veterans Day to coincide with the dedication of a San Francisco Veterans Vietnam Memorial to be installed in the lobby of the Veterans Building.

In the Hammer's lobby gallery, he has ground away multiple layers of paint and wall to create a massive map of the United States in which each state is labeled with its statistical number of AIDS cases as of 2009.

14 February, 2011 - The gallery will reopen to the public on 10 March 2011 with a new lobby, a new visual identity and website, as well as three new exhibitions

Work from her Espectaculares series offers a massive curtain stitched from found fabric with ceramic vessels and structural elements that viewers have to navigate, while a new sculptural installation invites visitors to exchange a meaningful object or work of art for previously bartered items that are displayed on a giant grid in the museum's lobby gallery.

Every year a contemporary artist is invited to come up with an idea for a tree to fill the rotunda lobby of the gallery in Millbank, London.

These include two walls from a mobile wall system developed for the Art Institute of Chicago, present in the previous venue; a wall from a work of mine from 1991, which itself was a reconstruction of a wall built by Peter Nadin and Christopher D'Arcangelo in the 1970s; wall fragments where exhibition design elements from previous exhibitions in the space at MoMA are visible; vinyl - clad walls built with MoMA's wall system, two of which are clad with vinyl graphics that continue from the lobby; and a cinder block wall which reconstructs a wall system used by the Whitechapel Gallery in the 1950s, a system which will be used in the next iteration of the show at the Whitechapel next year.

The lobby of Walter Phillips Gallery becomes the initial site of the exhibition with Mark Clintberg's Vinyl RecordQuiet Disco (2013) playing the muffled bass of a party next door.