The artwork questions about one West Java's
local folklore who had a similarity with a folklore written by Aesop also other folklore around the world.
Not exact matches
Plainspoken and witty, it qualifies as social history, film theory, personal reverie, architectural history and criticism, a bittersweet meditation on automotive transport, a critical history of mass transit in southern California, a wisecracking compilation of
local folklore, «a city symphony in reverse,» and a song of nostalgia for lost neighborhoods such as Bunker Hill and unchronicled lifestyles such as those of
locals who walk or take buses.
Local folklore says that there was a wealthy old man
who used to bathe there by pouring the gold coins over himself like water.
With different expressive media, references and semiotics, they create artworks in full dialogue between them, negotiating this trend that has emerged in recent years in the international art scene, in which handicraft,
folklore, history, the folk, and the
local culture, stand shoulder to shoulder and coexist, from the 90s in New British Scene, but also later through individual cases of artists
who originated form the periphery of the Globe.