Sentences with phrase «local media valued»

Not exact matches

Today, mass media, business, travel and concerted trade agreements work together to erase local tastes, life - styles and values, and convert the... More

The true context of history, wrapped in value - laden local languages, is replaced by the pseudo-context of media images, drafted to meet the immediate needs of the powers that control, or merely the convenience of technicians that operate, the electronic media system.

«By sharing the compelling stories of Camp Sunshine and other charities with our guests who visit us in - cafe and on social media, we are remaining true to our core value of solid relationships with guests, amongst team members and within local communities.»

My research looks at ideologies as being produced at different levels, from that of government, through the press, electronic media and interest groups, right down to the normal and never - ending manifestations of the ideas and values we hold when we consider how the various communities to which we belong — national or local, formal and informal — should be run.

Though partially supplanted by search ads, traditional online display ads («banner ads») can still have political value, particularly when run on local media sites.

«In an era when our nation is increasingly concerned about the spread of fake news, it is unacceptable that a media conglomerate like Sinclair would force our trusted local news anchors to push a one - sided political agenda, valuing partisan politics over informing the American public,» Rhodes said.

Libraries Are Highly Valued Nearly half the public gave libraries an «A» - higher than public schools, the police and the local news media.

Mullen told a local media outlet Thursday that being a Franciscan is his primary concern in life - once in the city he'll be the order's public face with U.S. bishops, promoting Franciscan values and work.

Cascade advances these values by sharing its research with the public, the media, and state and local lawmakers through publications, educational programs, community forums, and special events.

Unfortunately, as most of us are too well aware, local media isn't what it used to be and the opportunities for book coverage have diminished, which further deteriorates the value of touring.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

The Arts and Public Media program supports the production and programming of multiplatform media projects that engage Californians with authentic local stories and experiences centered on the value of arts, culture, and creative expresMedia program supports the production and programming of multiplatform media projects that engage Californians with authentic local stories and experiences centered on the value of arts, culture, and creative expresmedia projects that engage Californians with authentic local stories and experiences centered on the value of arts, culture, and creative expression.

The organizing committee posted a statement on the website of Service Employees International Union Local 500 that criticized the nonprofit for «the unexpected and unexplained path our leadership has taken in response to our efforts to unionize,» adding that «the actions of Media Matters executives have placed employees in the impossible position of continuing to produce content espousing pro-labor values for an employer who is challenging our right to unionize.»

People died because SA leaders, significant numbers of media opinionators, and even ordinary people, valued the local wisdom about AIDS being a nutritional disease rather than HIV, routinely lauded western AIDS heretics and snake - oil salesmen, and entertained conspiracy theories about the disease itself being a plot by western outsiders, and that anti-retrovirals, rather than a treatment, were just another aspect in this devious plot of western - medicine to sicken people in Africa.

How to get involved: Visit I Value Canadian Stories to explore ways you can make your voice heard, including tools to write to your local MP, share message on social media and encourage your friends to get involved too.

Local media reported that domestic Bitcoin trading volume reached a maximum value in the month following the holiday season.

Career Highlights * Created and launched promotional efforts during the station's lunch hour between 11am - 1 pm, thus boosting awareness and product sales scheduled four spots within two hours to, in a sense, take over the lunchtime period (Berline) * Developed added value promotional efforts to bolster client campaign achievement using local and national broadcast partners in accordance with clients» annual media expenditure...

NAR PULSE — Enroll in the FedEx Advantage ® Program by Feb 15 to receive a discount at your local FedEx Office plus earn a Market Yourself with Social Media - Download for free with NAR's Member Value Plus (MVP) Program.

Most associations post REALTOR ® value talking points on their websites, many produce marketing materials for members to pass on to consumers or the media, and a few (with the resources to do so) create media campaigns, which include television commercials, print and electronic advertising, and social media posts that address their local market conditions and unique communications needs.

Organic social media marketing is about reflecting your community, highlighting extraordinary businesses and community members, offering people value, connecting with people on a local level and genuinely interacting with them.

Whether you are prospecting Expireds and FSBOs, your local farm area, online search and social media home value leads or life events which predict a future sale - we have you covered.

The story of a humble 86 - year - old home in Vancouver's Point Grey neighbourhood was widely circulated by national media outlets and became a lightning rod for local frustration with skyrocketing property values.

Victoria Real Estate Board President Tony Joe hypes low - energy light bulbs for local media as part of the emphasis on educating his 1,300 members on the value of «going green» and understanding the impact of climate change on the real estate profession.

The site, www.openhouses.ca, is designed to complement the local print media by including a variety of value - added features appealing to both association members and consumers.